One possibility is to typeset the dynamics in a context of its own,
for example using the \Dynamics context definition from the example
Piano centered dynamics in the manual.
/Mats
Trevor Bača wrote:
Hi,
Sane engraving rules position lyrics vertically below dynamics.
Is there a way to
Do you mean something like
\version 2.8.0
\relative c''{
a4*1/2 \glissando \once \override Stem #'transparent = ##t \tiny e4*1/2
\normalsize c'4 b a
}
/Mats
Christopher Culver wrote:
In the score I am typesetting, glissandi are notated as a given pitch
and duration (say, a4) followed by a
Hi all,
string numbers are too close to the preceding grob all the time in natural
spacing anyway (not only at a bar line), so
\layout {
\context {
\Voice
\override StringNumber #'minimum-X-extent = #'(-1.3 . 0.2)
}
}
will do the trick.
Also, I changed the function from the
Citerar Ted Walther [EMAIL PROTECTED]:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly do you want to do?
If you want to align one lyric line to one voice, and another
Mats Bengtsson [EMAIL PROTECTED] writes:
Do you mean something like
\version 2.8.0
\relative c''{
a4*1/2 \glissando \once \override Stem #'transparent = ##t \tiny
e4*1/2 \normalsize c'4 b a
}
Yes, that does work, thank you. However, with that I have a problem in
that if the first note is a
Read in Scaling Durations in the manual to understand how my
trick works. For a half note, you could do
a2*1/2 \glissando \once \override Stem #'transparent = ##t \tiny e4 ...
The MIDI support in LilyPond is not intelligent enough to handle a
glissando at all, so you will hear the start and end
The problem is the alignment (centered or not) of syllables to note heads.
Compare the 2nd and 4th line of lyrics in the following example:
textI = \lyricmode {a4 bb ccc ddd }
textII = \lyricmode {eee fff gg h }
music = \relative c'{c d e f}
\score{
\new Voice = m \music
\new Lyrics
Erik Sandberg wrote:
Citerar Ted Walther [EMAIL PROTECTED]:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly do you want to do?
If you want to align one lyric line to one
Ted Walther wrote:
What would it cost to make the chord-threshold variable in
part-combiner.scm/determine-split-list be settable inside a .ly file?
As Bret Whissle found out 2 years ago, the threshold of 8 is too small
for hymn typesetting, but 12 works very nicely.
Following up on that, is there any way of altering which way round other marks
go? I certainly haven't hit the lyrics/dynamics problems (apart from
Pennsylvania I haven't used lyrics :-), but the problem I have is accents and
slurs. Lily seems to prefer to put accents above slurs, while most
Your question is completely unrelated to Trevor's, since Lyrics are typeset
by a completely separate context (so his problem is equivalent to
putting the
dynamics of of stave below the next stave, when it comes to how LilyPond
handles it). Your question is about different objects that are
Thanks a bunch for your suggestion, although not
directly, it pointed me the right way to understanding
how this whole thing really works.
(what I had to realize was that in these situations I
have to write out all the variants explicitly, like
\tag #'one { f8[ f] } \tag #'two { f4 }
\tag
Hi!
Any easy way to get figures on top of Bass part in figuredbass not
below as seems to be default? using Lily 2.8.4
Anders Stenberg
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
If you place the \figures{...} before the bass part in the \score{...}
block,
it will be printed above it. However, you may also want to use
\override BassFigureAlignment #'stacking-dir = #UP
/Mats
anders stenberg wrote:
Hi!
Any easy way to get figures on top of Bass part in figuredbass
Hi Everyone,
I've come across problem in moving the dot on a dotted note. I'm trying to
move the dot to the right so as a note in voice 2 doesn't clash with the
dot.
Is there a way to do this?
I've looked in the manual and I think this is the property I should be
changing:
DotColumn
How about
\once \override Dots #'extra-offset = #'(1 . 0)
/Mats
Trent Johnston wrote:
Hi Everyone,
I've come across problem in moving the dot on a dotted note. I'm trying to
move the dot to the right so as a note in voice 2 doesn't clash with the
dot.
Is there a way to do this?
I've
Hi Jan,
you could use \partcombine to merge the heads.
But I'm not quite sure, what you are trying to accomplish. If you want have
diffenent voices at the same time in your input file, you also should look
at \parallelMusic.
http://lilypond.org/doc/v2.8/Documentation/topdocs/NEWS.html
Cheers,
Hi Trent,
DotColumn resides in the Staff context.
You can find this from the DotColumn layout object in the program reference
(lilypond-internals), click on the engraver link (here:
Dot_column_engraver). There you can read:
Dot_column_engraver is part of contexts: ... Staff ...
HTH
Markus
Thanks!!!
Trent
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Trent Johnston [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Thursday, September 14, 2006 10:18 PM
Subject: Re: Moving Dot on Dotted Note - Lilypond 2.9.17 Windows.
| How about
| \once \override Dots
Thanks!!1
hehe forgot to click onto the next link.
Trent
- Original Message -
From: Markus Schneider [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Sent: Thursday, September 14, 2006 10:23 PM
Subject: Re: Moving Dot on Dotted Note - Lilypond 2.9.17 Windows.
| Hi Trent,
|
| DotColumn
Mats == Mats Bengtsson [EMAIL PROTECTED] writes:
Mats If you place the \figures{...} before the bass part in the
Mats \score{...} block, it will be printed above it.
This is true if you aren't using a \context PianoStaff. When I put
that in to get the curly brackets, it all of a
Laura Conrad wrote:
Mats == Mats Bengtsson [EMAIL PROTECTED] writes:
Mats If you place the \figures{...} before the bass part in the
Mats \score{...} block, it will be printed above it.
This is true if you aren't using a \context PianoStaff. When I put
that in to get the
Hello List,
Have been using LIlypond (v. 2.8.6) for a few weeks now and have managed
to find the answer to most of my problems in the manual so far, but I have
run into a problem probably stemming from my lack of experience with languages
such as Scheme/LISP etc. and was hoping someone here might
On Thu, Sep 14, 2006 at 10:08:42AM +0200, Erik Sandberg wrote:
Citerar Ted Walther [EMAIL PROTECTED]:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly do you want to do?
Hi!
I am a very satisfied Hungarian user of Lilypond.
I would like to translate some parts of the User manual to give it my friends,
who can't read it in English.
I would like to generate the original PDF file, but with my translated parts.
How can I get the source of it?
Thanks
Kalman
Hi everyone,
I searched the archives and found a few discussions about
generating swing-feel MIDI from straight eighths Lily
source but the most recent was from 2004.
I was thinking about writing a Scheme function to carve
up all of the durations into units of eighths, inserting
the proper ties
I wouldn't be surprised if you could find some
program the took and existing MIDI file and added
the swing feeling to it. However, I agree that it could
be an interesting exercise in Scheme programming to
do it from within LilyPond.
/Mats
David Greene wrote:
Hi everyone,
I searched the
See http://lists.gnu.org/archive/html/lilypond-user/2005-07/msg00402.html
for a related question.
The manual is included in the source code. If you decide to go
for the manual and not for the web pages, make sure to use the
latest development version as a starting point, since the
most recent
On Thu, Sep 14, 2006 at 02:15:01PM -0500, David Greene wrote:
I know only as much Scheme as is covered in the 2.9.17 manual, which is
to say, not much. What is the recommended reference? SICP? I could
do this in C++ with no problem, but Scheme is a very different beast.
I'm not at all sure
Ted Walther wrote:
On Thu, Sep 14, 2006 at 10:08:42AM +0200, Erik Sandberg wrote:
Citerar Ted Walther [EMAIL PROTECTED]:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly
David Greene wrote:
Hi everyone,
I searched the archives and found a few discussions about
generating swing-feel MIDI from straight eighths Lily
source but the most recent was from 2004.
I was thinking about writing a Scheme function to carve
up all of the durations into units of eighths,
I was wondering if Lilypond can do the seven-shape shape note system, or if it
only does four (I only found the four-note system in the documentation). If it
can do the seven-shape system, how does one do it?
On a side note: I'm a big fan of the seven-shape system, but frankly, the
four-note
On Fri, Sep 15, 2006 at 01:52:18AM +, Mark wrote:
I was wondering if Lilypond can do the seven-shape shape note system,
or if it only does four (I only found the four-note system in the
documentation). If it can do the seven-shape system, how does one do
it?
On a side note: I'm a big fan
Han-Wen Nienhuys wrote:
if you're only interested in adding swing to the MIDI (not the
notation), it will be a lot easier to multiply durations suitably, ie. do
c8 c8 - c8*2/3 c8*1/3
Doing note splitting with correct ties would be a royal pain in the behind.
But doesn't that get you the
I don't like hyphens disappearing in the lyrics. How can I force them to stay in the lyrics. Also the lyrics are too close, they almost run into one another like one long word. I'm sure there must be a spacing command.Daniel Boronka___
lilypond-user
On Thu, Sep 14, 2006 at 07:55:53PM -0700, Daniel Boronka wrote:
I don't like hyphens disappearing in the lyrics. How can I force
them to stay in the lyrics. Also the lyrics are too close, they
almost run into one another like one long word. I'm sure there must
be a spacing command.
I
- Original Message -
From:
Daniel
Boronka
To: lilypond-user@gnu.org
Sent: Friday, September 15, 2006 12:55
PM
Subject: hyphens and spacing lyrics
I
don't like hyphens disappearing in the lyrics. How can I force them to stay in
the lyrics. Also the lyrics
Hello!
I am transcribing songs in Georgean language, where there may be long
consonantal clusters, like
“shentvis gautzirav sitsotskhles” Is it possible to have spacing honor the
length of the words with this product?
Here is an example. That ‘tskhles’ shows the problem; and it could
38 matches
Mail list logo
