Hello,
> For the first question, the basic principles are described in
> Section "Vertical Spacing within a System" of the manual.
I will have a look at that.
> I have never worked with the chords myself but know that it's
> possible to specify exceptions. I hope you have tried the
> \german
> For the first question, the basic principles are described in
> Section "Vertical Spacing within a System" of the manual.
This seems to handle the wrong problem. Our problem ist not the space
between two lines, but the space between the chord symbols and the line.
Regards,
Philip
_
Hi Jacob,
I used your Lilypond bundle for TextMate. While working an a few songs,
I made some refinements to the bundle. See the attached patch.
Thanks for your work.
Christian
lilypond.patch
Description: Binary data
___
lilypond-user mailing list
Sorry for mailing again into the list, but I have just discovered these
properties:
- chordRootNamer
- chordNoteNamer
The documentations says: "The chordNoteNamer property can be set to a
specialized function to change this behavior. For example, the base can be
printed in lower case."
Now the
Hello,
I have an excerpt of my score, that doesn't look nice. The beams are
horizontal in the first measure and I don't know why. The stem's length of D
and C is much too small. To avoid a collision the slur has been blown up and
looks like, ... "blown up".
How can I change the beam's slope (or w
No, the mechanism to handle the spacing between two staves
and between a stave and a line of chord names is exactly the same.
/Mats
Philip Chinery wrote:
For the first question, the basic principles are described in
Section "Vertical Spacing within a System" of the manual.
This seems
Arjan Bos wrote:
The interesting thing from the video that I took home from it is that
the engraving of a piece is dependent on the tempo: an Andante piece
should be typeset more dense than an Allegro piece. Is it possible to
embed this rule into Lilypond? Perhaps driven via a new identi
I am trying to adapt the example in D.4.1 (SATB vocal score) of the
user manual to allow for separate sections using different music and
word. So, for example, the sections of the music should be deffined
as:
sopMusicPartA = \relative c'' {
c4 c c8[( b)] c4
}
sopWordsPartA = \lyricmode {
hi
Dear Lilyponders:
I have installed the 2.10 version running under windows XP.
I'm working in a large orchestral score.
I have two questions:
1. I have installed Ghostview and Foxit pdf reader, Lilypond gently output
the 2 formats, The .ps and the .pdf at the same time, taking a long time
to wo
etc. Then, Part B should follow on from Part A (for example, a verse
and chorus). I have managed to get the music to be placed correctly,
but I have so far had no success getting the words of Part B appearing
anywhere, let alone with the correct music. Is there an example
anywhere showing this
Thanks, I didn't even realise there was a 2.10 manual.
Am 25.11.2006 um 11:31 schrieb Cameron Horsburgh:
On Sat, Nov 25, 2006 at 10:26:02AM -0800, James Bailey wrote:
Hello everyone
I'm actually doing rather well with lilypond, with a few minor
exceptions. One is that my staff names
I just got the documentation for 2.10 and it's bookmarked!! Thank
you. Thank you. Thank you. Previously, I spent much time bookmrking
the documentation. Now I don't have to.
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lilypond-user@gnu.org
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Working with reciting tones again
Say I've got a line of text like this:
The first words; now the second words
I want the words all sung on the same pitch, and I want it shown only
once, with the first words. But the harmonies change on the word
"now", so I need a second, invisible, melodic
So, if I get it right I should be able to kill the distance with this
command:
\overrideProperty #"NoteNames.VerticalAxisGroup" #'minimum-Y-extent #'(-0 .
0)
But somehow this does not affect anything, am I doing something wrong here?
> -Ursprüngliche Nachricht-
> Von: Mats Bengtsson [ma
Good morning!
Today I downloaded LilyPond, gave it a first try, and liked it a lot.
So I will see if I can get to learn the how-to. I have started with
my string quartet ( I still prefer to write with my own hands, but it
is a nice way to practise) and with some didactical work for my
pup
Hi!
At first: thx a lot for lilypond. It is awesome program :) But I have a
question(bug message?):
When I want to use chord names with \germanChords in my score and then I write
for example c/e or d/fis it does not take any effect :(. I didn't find anything
in documentation. Thank you for for
Where did you find out about NoteNames? That has nothing to
do with your situation. The following example shows how to
reduce the spacing above the Staff context so that the chord
names sit just on top of the G clef (which is the highest peak
of the stave). The ChordNames dont' have any extra spac
On Sun, Nov 26, 2006 at 09:28:38PM +0100, [EMAIL PROTECTED] wrote:
> Good morning!
>
> Today I downloaded LilyPond, gave it a first try, and liked it a lot.
> So I will see if I can get to learn the how-to. I have started with
> my string quartet ( I still prefer to write with my own hands, bu
Am 26/11/2006 um 22:32 schrieb Cameron Horsburgh:
On Sun, Nov 26, 2006 at 09:28:38PM +0100, [EMAIL PROTECTED] wrote:
Good morning!
Today I downloaded LilyPond, gave it a first try, and liked it a lot.
So I will see if I can get to learn the how-to. I have started with
my string quartet ( I st
--- Mensaje Remitido ---
De: "Cesar Penagos" <[EMAIL PROTECTED]>
A: "lilypond-user@gnu.org"
Asunto: Some Questions
Fecha: Sun, 26 Nov 2006 11:58:18 -0600
Dear Lilyponders:
I have installed the 2.10 version running under windows XP.
I'm working in a large orchestral score.
I have two qu
Cesar Penagos wrote:
Dear Lilyponders:
I have installed the 2.10 version running under windows XP.
I'm working in a large orchestral score.
I have two questions:
1. I have installed Ghostview and Foxit pdf reader, Lilypond gently
output the 2 formats, The .ps and the .pdf at the same time, tak
I agree that the horizontal beams don't look too well. LilyPond uses some
clever mathematical algorithm to try to figure out what beam slope and
stem lengths to use, in an attempt to find a solution that looks
pleasing to the
eye. However, it seems that it doesn't succeed completely in this part
Did you try to search for "invisible notes" or "transparent notes" or
"hidden notes"
in the index of the manual?
/Mats
Geoff Horton wrote:
Working with reciting tones again
Say I've got a line of text like this:
The first words; now the second words
I want the words all sung on the sa
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