now *here's* an xmas gift:
""The International Mozart Foundation in Salzburg, Austria, has
made all the scores of Wolfgang Amadeus Mozart's works available
online."
...
"More than 25,000 pages of music are available as PDF files
through the site."
http://www.cbc.ca/arts/music/story/2006/12/12/mo
Hello, list! I've been reviewing one of my first songs typesetted with Lilypond
and noticed a problem that I don't know how to solve:
The words for the tenor and bass become left aligned after these voices are
splitted and put back together.
See the picture where it shows the words "O do not fa
Certainly not. Actually the java code is compiled to machine code at
runtime. This is slower than precompiling, but the compiled code can run
faster than its precompiled counterpart, because the runtime machine
will have information about how often a certain part of the code is
called, and thos
Hello. I have been using Lilypond 1.6. Now I tried some current version, and
just from the skimming of the output I have found that I like it much less.
In particular, the arpeggios are almost glued to the bars and some ties are
pointing somewhere behind the note heads. Now, it's the matter of tas
On Tuesday 12 December 2006 03:24, Ed Stauff wrote:
> It sure would be helpful to have an option for reading the standard input,
> so I can pipe the output of a program that generates LilyPond code directly
> into LilyPond.exe.
try:
lilypond -
--
Erik
_
On Saturday 09 December 2006 10:27, Bertalan Fodor wrote:
> Well, what is extremely important: development time is so little in Java
> and with JEdit (compared to any alternatives), that I won't change this
> platform. The price is that it will remain slow if you don't have much
> memory in the mac
Hello list, hello Arjan,
You wrote:
> Remember: While all editors can save your files, only one can save
> your soul.
> (Per Abrahamsen on alt.religion.emacs)
In deed, what he means, is the vi.
:)
Best Regards Roland
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When Maurits sent his question, I suddenly realized that it looked
familiar, and I
found Matevz' old email, which did contain a full example that was easy
to play
around with. The solution to both of your problems turns out to be very
simple,
once you realize that the bar lines drawn between sta
It's clearly not valid syntax. See section "Defining new contexts" for more
information on how to do it. However, a much easier method to get different
versions of the Lyrics context is to use the \with feature described in
"Modifying context plug-ins", i.e. something like
\score {
<<
\new S
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