Hi Kieren: that one is perfect.
although I was searching the markup commands I did overlook this one
(it is still all pretty new to me)...
thanks
ole
Am 09.06.2007 um 22:51 schrieb Kieren MacMillan:
Hi Ole:
I have still the same problem as below...
also maybe it is better to find a soluti
Goodnight all,
I'm a bit at loss here, so I kindly request a bit of help.
I'm trying to `save' snippets of chords in variables, like I do with
plain notes, and then combine them in score. The problem I have is
that each separate part of chords appears on a new line, as shown in
the attache
Hi,
How do I specify how many systems per page when I'm using Lilypond-
book? I've read the manual (Integrating LaTeX and music) and have
tried examples but I can't get it working, I'm not sure what I'm
doing wrong.
in the very simple example below there are 6 systems total. what sort
of
i think what you need is in the \paper block
something like
\paper {
system-count = #3
}
D
On 10 Jun 2007, at 12:30, Adam Good wrote:
Hi,
How do I specify how many systems per page when I'm using Lilypond-
book? I've read the manual (Integrating LaTeX and music) and have
tried examples bu
That'll define how many systems will be used in the entire piece but
not how many systems there should be before a page break. Here's what
I've been doing in lilypond-book:
\newcommand{\betweenLilyPondSystem}[1]{\\[Xpt]}
\lilypondfile[indent=1.5\cm]{mypiece.ly}
for each piece I'm working on
> "Damian" == Damian leGassick <[EMAIL PROTECTED]> writes:
Damian> i think what you need is in the \paper block
Damian> something like
Damian> \paper {
Damian> system-count = #3
Damian> }
I believe that lilypond-book ignores everything (most things?) in the
\paper block,
Laura Conrad <[EMAIL PROTECTED]> writes:
> I've been using the \betweenLilyPondSystem hack that Adam describes in
> a later post, and I agree that it's a pain. But I doubt that anything
> else would be easy to implement.
A similar thread had suggestions not involving lilypond-book at all,
e.g. p
You are using the ill documented feature \chords{...}
which is a shorthand for \new ChordNames \chordmode {...}
What you want to use is \chordmode in your definitions of akstrofe and
akrefrein but \new ChordNames in your definition
of akkoorden. Please read the sections on chord names in the mai
On 10-jun-07, at 19:25, Mats Bengtsson wrote:
What you want to use is \chordmode in your definitions of akstrofe
and akrefrein but \new ChordNames in your definition of akkoorden.
Please read the sections on chord names in the main manual for more
information.
That did it. I knew it had
at this point for pieces that I know will fit onto 1 page,
\newcommand{\betweenLilyPondSystem}[1]{\linebreak\vfill}
is an exciting discovery. But a different story when the piece should
be 1+ pages
another wish, tell lilypond-book how many times to do \vfill (like,
12 times to get 12 syste
I'm returning my attention to a tune book project. I have the basic
format worked out but I need some tweaks and I'm hoping you good people
can help.
Once I get this sample squared away, I can use it for a template and
quit bothering you--I hope!
In the following, I would like to ...
Move
Hi!
We want to use Lilypond for generating music examples integrated in text for
display in a e-learning CMS context (using for example Joomla, Moodle or
Wordpress as backend). We got ScoreRender (
http://scorerender.abelcheung.org/) working well for a Wordpress
installation on my Linux Ubuntu se
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