See the section on Ancient clefs in the manual. Note that you can
click on
every example in the on-line manual to see the corresponding .ly code.
/Mats
Morten Lemvigh wrote:
I'm trying to typeset a book in different styles; modern and ancient
looking.
By including the same file in all the
Trevor Daniels wrote:
Mats
Many thanks - this works perfectly!
Could I have discovered this for myself from the
documentation?
Partly, but not entirely.
space-alist is not mentioned in the 2.10
User Manual, and although space-alist is shown as one of the
standard settings for
Here's the relevant sample. Thanks.
Ruth
\version 2.11.28
global= {
\time 4/4
\key e \minor
}
violinOne = \new Voice \with {\consists Mark_engraver}
{ \relative c''{
\set Staff.instrumentName = Violin I
\set
From that section it's clear, how I can insert different kinds of
ancient clefs, but I already have a large collection of pieces, where
I've used \clef G, \clef G_8 and \clef F. I would like to change
the look of them without having to edit all the documents. Since they
all include the same
In the next example, the first two bars have trills outside the slur.
The \trill can be moved inside with \override Script..., shown in
bar three.
Is it possible to move the trillspanner also inside a slur?
I tried \override TrillSpanner... but without success.
\version 2.11.32
\relative c'' {
On 9/19/07, Toine Schreurs [EMAIL PROTECTED] wrote:
In the next example, the first two bars have trills outside the slur.
The \trill can be moved inside with \override Script..., shown in
bar three.
Is it possible to move the trillspanner also inside a slur?
I tried \override TrillSpanner...
Before, I tried
\override TrillSpanner #'outside-staff-priority = #20
without success, but I did not set
\override Slur #'outside-staff-priority = #50
because there is no mention of outside-staff-priority in the program
reference for Slur.
But specifying both overrides does the trick.
Thanks,
Hi Toine,
because there is no mention of outside-staff-priority in the program
reference for Slur.
You have to click on through to the grob-interface list.
Yet another example (so many recently!) of why there should be a
complete settable-properties list available for each grob... =)
On 9/19/07, Kieren MacMillan [EMAIL PROTECTED] wrote:
Hi Toine,
because there is no mention of outside-staff-priority in the program
reference for Slur.
You have to click on through to the grob-interface list.
Yet another example (so many recently!) of why there should be a
complete
Hey Valentin,
What do you think about providing author credit for the different
snippets in the LSR? I was looking at the metric modulation one
earlier and it's amazing. Somebody clearly spent a great deal of
effort thinking through example ... maybe giving credit would be a
nice way to give back
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Mittwoch, 19. September 2007 schrieb Trevor Bača:
Hey Valentin,
What do you think about providing author credit for the different
snippets in the LSR? I was looking at the metric modulation one
earlier and it's amazing. Somebody clearly spent
Trevor Bača wrote:
What do you think about providing author credit for the different
snippets in the LSR?
I have no objections to people adding a comment with their name and
email (if they're happy with whatever spam protection they add).
Cheers,
- Graham
Hi,
Basically, I've got something like this
\new Staff = smed
\new Voice = med {
\medMusic
}
\new Lyrics = med { s1 }
\context Lyrics = med \lyricsto med \medWords
Now I want to add a second melody. It's identical to the first, with a
few exceptions.
2007/9/19, Graham Percival [EMAIL PROTECTED]:
Trevor Bača wrote:
What do you think about providing author credit for the different
snippets in the LSR?
I have no objections to people adding a comment with their name and
email (if they're happy with whatever spam protection they add).
As a
Am 2007-09-17 um 17:00 schrieb Valentin Villenave:
Trevor: there can be *no* name for such hideous rhythms... :)
We may use rythmes irrationnels (one h, two ns), or
monnayages, but generally speaking the terms we use for such
*things* are so rude I can't consider posting any of them here...
Sorry about my previous garbage post - I was in a hurry and replied
to a digest email rather than to my previous send.
I had intended to correct the post to which the title of this email
correctly refers: the snippet included with the post actually shows
*9* bars in the space of four, not 3 as I
I answered my own question: it turns out if I set the \time of the
offending staff to [global voice \time * crosspulse ratio] - in this
case 3/8 * 4/9, or 1/6, the full measure rests appear correctly in the
lower staff. This gives a time signature of 1/6, but this can easily
be replaced with a
2007/9/20, Adam James Wilson [EMAIL PROTECTED]:
I answered my own question: it turns out if I set the \time of the
offending staff to [global voice \time * crosspulse ratio] - in this
case 3/8 * 4/9, or 1/6, the full measure rests appear correctly in the
lower staff. This gives a time
Hi Valentin,
Most of my music has two or more tempos going simultaneously, so I have
become intimately acquainted with the use of compressMusic. :)
Will the chunk of code I sent to the list suffice for an LSR snippet?
Best regards,
Adam
On 9/19/07, Valentin Villenave [EMAIL PROTECTED] wrote:
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