Convert ly to svg

Hi, I am trying to export an archive ly to svg. I am using the following command: $ lilypond - bsvg file.ly But my archive has seven pages and when opening the archive .svg all the pages comes mounted in the same page. I tried the command $ lilypond - beps file.ly And later I did not

Re: Convert ly to svg

Please search the mailing list archives for more information in this issue, for example http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00265.html and http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00305.html /Mats Quoting Givaldo de Cidra [EMAIL PROTECTED]: Hi, I am

Re: Offsetting a turn horizontally

Eyolf Østrem wrote: On 08.10.2007 (17:04), Mats Bengtsson wrote: Exactly what do you mean. The spacing should be the same as if the turn was appeared over a true note at the same position in the bar. Try replacing the s by a pitch to see this. Isn't that what the OP said? A quick test

Re: Convert ly to svg

Mats Bengtsson escreveu: Please search the mailing list archives for more information in this issue, for example http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00265.html and http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00305.html /Mats thanks It's good No more

Positioning of lyrics

I'm setting a vocal piece for SATB. There is an intro with SA and then T and B join them in the verse. In the verse, I would like the lyrics to be positioned between S and A and between T and B. But when I include the intro I cannot get the lyrics to stay between T and B, they jump up below A.

Re: Offsetting a turn horizontally

Sorry for the confusion in my previous answer. A more precise statement of what I tried to say yesterday is: If you have polyphonic music and there was a note in some other stave (or in some other voice of the same stave) one beat after the beginning of the f2, then the turn will be placed

Re: Positioning of lyrics

Your line \context Lyrics = C \lyricsto tenorVerse \textVerseA happens already from the beginning of the piece, whereas the line \new Lyrics = C {s1} which the former line refers to, happens (time-wise) after the intro. The following version of the \score block, works as you would

Re: Positioning of lyrics

Thanks, it makes sence! But when I tried to apply it to the larger piece, i got this: programming error: Moment is not increasing. Aborting interpretation. I have a problem creating a minimal example, where the error occurs. But I will try to make something as minimal as possible. The error

Probleme avec midi2ly

Bonjour, je souhaiterais utiliser midi2ly mais quand je le rentre en ligne de commande, windows me dit qu'il ne le touve pas. J'ai cherche et je n'ai effectivement pas trouve de de midi2ly.exe mais seulement midi2ly.py. M'y suis-je mal pris dans l'installation? merci Philippe Hi, when

Re: Probleme avec midi2ly

I hope you have done a logout/login after you installed LilyPond (maybe it's even enough to start the command prompt after the installation). /Mats Quoting Philippe Hyafil [EMAIL PROTECTED]: Bonjour, je souhaiterais utiliser midi2ly mais quand je le rentre en ligne de commande, windows me

Re: Probleme avec midi2ly

Le 09/10/07, Philippe Hyafil[EMAIL PROTECTED] a écrit : Bonjour, Bonjour Philippe, In case you didn't know, there's a special list for French-speaking LilyPond users: http://lists.gnu.org/mailman/listinfo/lilypond-user-fr We hope to meet you there soon :) Regards, Valentin

Creating lead sheet rhythmic slashes

Hello Lilypond folk, First, thanks for a wonderful product. While I am still getting comfortable with it, I have already begun to create nice looking scores with it. Now my question; in simple lead-sheets, sometimes no actual notes are written, instead only rhythmic patterns and chords above

Incipit before ChoirStaff?

Hi, I have a score like this one (in Lilypond 2.10.5) / |||| ... || |||| ... \ (ChoirStaff and PianoStaff, not shown here) and want to include an incipit like this: / ==|||| ... || ==|||| ...

Strange beamed-extreme-minimum-free-lengths behaviour etc.

Dear All, I've been playing with stem lengths because I haven't been completely happy how they behave in forced directions. Especially in choir music, e.g. soprano and alto voices are often combined into a single staff and they are logically separated by forcing the stems in different

repeats and ties

could someone point me to where can i find the answer to this: a note at the end of a repeat section needs to be tied back to the first note of the section thanks, -steve (2.10.20) ___ lilypond-user mailing list lilypond-user@gnu.org

Re: repeats and ties

On Oct 9, 2007, at 11:51 AM, steve berthiaume wrote: could someone point me to where can i find the answer to this: a note at the end of a repeat section needs to be tied back to the first note of the section thanks, -steve (2.10.20) possibly Sect. 6.5.4, the Laizzez vibrer tie? Stan

Re: Phrase marks and slurs in repeat alternatives

One might attempt to fake it, but musically, ties, slurs and phrase marks are different, and one can use all three on top (which, for example, Carl Orff does in Carmina Burana). It would have been nice if one could add say an apostrophe of one of the pairs (, ) respectively \(, \), and

Re: Strange beamed-extreme-minimum-free-lengths behaviour etc.

2007/10/9, Risto Vääräniemi [EMAIL PROTECTED]: The behaviour of beamed-lengths beamed-minimum-free-lengths and beamed-extreme-minimum-free-lengths is also a bit fuzzy to me. If I've understood correctly the beamed-lengths specifies the basic length of the stem and