Reinhold Kainhofer <[EMAIL PROTECTED]> writes:
> Now in 2.11, the lyrics seem to be glued to the SA
> staff (when using ragged-bottom=##f and ragged-last-bottom=##f), so they are
> quite far away from the TB, which make the scores absolutely unusable for
> choir use.
You need to tell Lilypond
It appears that 2.11 leaves has minimum space after a barline, allowing
the first note of a measure to be set closer to the barline than in 2.10.
In my case this makes the beginning of some measures look crammed
against the barline, especially where lyrics are also involved.
I have refered to the
I use numbered musical notation a lot and haven't yet found a good music
program
for it. When I use it on my mobile phone I write directly to the screen
which
works out just fine!
http://www.normanschmidt.net/rousseau/
Norman
--
View this message in context:
http://www.nabble.com/Numbered-musi
Ok, I was convinced that some reorg was better.
Educational -> Editorial annotations
Note heads -> 1.1 Pitches
1.3.3 Analysis brackets -> Editorial
Take a look at it and let me know what you think. Docs in the usual GDP
place.
Cheers,
- Graham
___
Hi,
I haven't been able to follow the entire discussion, but on the point
below I think I can make a small addition:
. There was recently a proposal to create a mini "online
tutorial" for the lilypond application -- something that would walk
through users compiling and viewing their first s
Dear Mr. Nieuwenhuizen,
Thank you, it worked !
On Fri, 19 Oct 2007 08:27:34 +0200
Jan Nieuwenhuizen <[EMAIL PROTECTED]> wrote:
>
> Did you do make update-versions?
>
| Yoshinobu Ishizaki
wrong 'reply' - see below
d
out of interest, where would i find this in the new docs?
cheers
d
On 7 Nov 2007, at 18:09, Kieren MacMillan wrote:
Howdy!
I have refered to the program reference and have been unable to
find a
property that controls the minimum amount of space after
Eyolf Østrem wrote:
In other words: if it is a strong editorial decision that there should be
one document which contains only the details about notational syntax and
nothing else, then my suggestion of course falls flat. The document I'm
talking about is broader: Everything You Need To Know To
I am having trouble making dynamics that apply to both treble and bass clef. How
do I apply dynamics to both at the same time?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Howdy!
I have refered to the program reference and have been unable to find a
property that controls the minimum amount of space after a barline.
I tried kern, thin-kern and space-alist (all of it, changing only
first-note fixed-space), but to no avail.
Any suggestions?
\override BarLine #'spa
Op woensdag 7 november 2007, schreef Kieren MacMillan:
> Hi, Michael:
> > I am having trouble making dynamics that apply to both treble and
> > bass clef. How
> > do I apply dynamics to both at the same time?
>
> If you put the dynamics "in-line" in the treble staff music, then
> simply use \dynami
Hi Wilbert,
But will the dynamics work on the midi output of the left hand?
Well, I was just talking about the LOOK of the engraved score...
\score
{
\new PianoStaff
<<
\new Staff = "upper" << \dynamicUp \RHMusic >>
\new Staff = "lower" << \LHM
Hi Wilbert,
Just a question to improve my Lily understanding: Can this also be
written as:
\override BarLine #'space-alist #'next-note #'semi-fixed-space = 1.2
I'm not sure... there are several analogous shortcuts for other
constructs, but I don't know if it works here.
Hopefully someone
Hi, Michael:
I am having trouble making dynamics that apply to both treble and
bass clef. How
do I apply dynamics to both at the same time?
If you put the dynamics "in-line" in the treble staff music, then
simply use \dynamicDown to force the dynamics to appear below the
upper staff (and
Op woensdag 7 november 2007, schreef Kieren MacMillan:
> \override BarLine #'space-alist #'next-note = #'(semi-fixed-space . 1.2)
Just a question to improve my Lily understanding: Can this also be written as:
\override BarLine #'space-alist #'next-note #'semi-fixed-space = 1.2
?
Met vriendelijk
Maurits Lamers wrote:
. There was recently a proposal to create a mini "online
tutorial" for the lilypond application
Err, sorry, I should clarify that this "online" is the 1980s definition
of "online" -- meaning "as part of the program". Think of the
"tutorials" in many computer games.
Hi,
At the end of my piece, the last staff has two bars (measures). With:
ragged-right = ##f
The 2 measures are too STRETCHED out. With:
ragged-right = ##t
The 2 measures are too CLOSE together.
I don't really want proportional spacing. And I'm sure there's a simple way
to do this, but I
Op woensdag 7 november 2007, schreef fedge:
> Hi,
>
> At the end of my piece, the last staff has two bars (measures). With:
>
> ragged-right = ##f
>
> The 2 measures are too STRETCHED out. With:
>
> ragged-right = ##t
>
> The 2 measures are too CLOSE together.
>
> I don't really want proportional s
2007/11/7, till <[EMAIL PROTECTED]>:
>
> Hi,
> am I right guessing that it would be then the Text_engraver to make markups
> with staff changes possible?
I tried with it as well, but I can't say it works.
Once again, moving the Fingering_engraver in the PianoStaff context
partially solves the pro
I'm pretty sure that I read somewhere that you can include lily files
in other lily files. What I am hoping to do is divide a chorale
piece into four files one for each part, so that when I am working on
a part I can run that part only. I'm just trying to speed up the run
process.
Charles
ragged-last-bottom = ##t
Would that make a difference?
Jeff.
On 7-Nov-07, at 5:48 PM, Wilbert Berendsen wrote:
Op woensdag 7 november 2007, schreef fedge:
Hi,
At the end of my piece, the last staff has two bars (measures). With:
ragged-right = ##f
The 2 measures are too STRETCHED out. Wi
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