hope that helps
ole
Am 26.12.2007 um 02:10 schrieb Casey Hale:
2) When creating tuplets,
is there a way to specify that
brackets always appear, whether
or not the beam is complete?
\override TupletBracket #'bracket-visibility = ##t
3) How do I specify the subdivision
of 16ths (or
Hello
First of all, thanks for your wonderful LilyPond !
Little question about emacs, vim and Lilypond. I could get emacs
syntax coloring, and also thanks to Nicolas Sceaux, get lyqi to work.
But, it's probably a newbie question, LilyPond does'nt launch when I
try to typeset (C-c C-c).
Kieran,
Thank you for your advice (and ALL your many helpful comments in the
Lilypond archive).
On Dec 22, 2007, at 6:46 PM, Kieren MacMillan wrote:
Hey there!
Questions: Is there a better, easier, more logical, more consistent
solution with better layout?
Have I missed a staff-group
Casey,
On Dec 26, 2007, at 9:07 AM, [EMAIL PROTECTED] wrote:
1) Is there a way to create stemlets
(i.e. short stems unconnected to noteheads)
when beams extend over rests?
Here you go:
%BEGIN snippet
notes = \new Voice \relative c'' { c8[ d r e] r[ f g a] }
\score {
\new
Dear Lilypond-users,
I tried the thing with stems extended over two piano staves.
But the below quoted exemple did'nt work and I do not know the
reason. Could You give me an advice?
Thanks,
and merry Christmas! Stefan
Here the short example:
stemExtend = {
\once \override Stem #'length =
Hi all,
As a lilypond newbie, I'm currently facing some problems in ancient
music transcription.
I could solve many things with the excellent documentation but there are
some issues where I would like to ask some more experienced users for
help :-)
As an example, I attach a script of a German
If the programs
lilypond
xdvi
gv
xpdf
timidity
are not found in normal places (ie in paths included in your $PATH
variable) youll either need to put them there or set emacs' variables
LilyPond-lilypond-command
LilyPond-dvi-command
LilyPond-ps-command
LilyPond-pd-command
a A big hurra for any developer changing all these camelcases to
a lowercase, make a test-run and submit the changes! [See next email]
Heres a version of the whole lilypond/elisp directory with CamelCases
changed to lowercase. Ive tested it slightly here and it seems to
work. The
1) Is there a way to create stemlets
(i.e. short stems unconnected to noteheads)
when beams extend over rests?
two ways - first is 'Carter-style', which is a pain to automate
fully, because so many variables, but i do it like this:
(\stemlet #'(x . y) passes x and y amounts to the
errh...
here it is:
elisp-lc.tar.bz2
Description: lowcasified elisp/lilypond*
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Op woensdag 26 december 2007, schreef Stefan Thomas:
Dear Lilypond-users,
I tried the thing with stems extended over two piano staves.
But the below quoted exemple did'nt work and I do not know the
reason. Could You give me an advice?
What I changed:
- remove the \once 's so it lasts for
Hi Stefan,
can I achieve somehow that the ambitus is printed at a certain place?
(i.e. after the incipit!)
have a look at the break-align-orders property of the BreakAlignment
grob in the manual.
Greetz,
Michael
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I have been using Lilypond for a year with vim and would
like to use LilyPondTool with jEdit.
I downloaded both along with the required Java jre in my
home folder.
jEdit works fine with .ly files and LilyPondTool appears in
the plugin and the jEdit menu,
Lilypond appears in the menu but not in
To use LilyPondTool you must set paths and so in the Plugin options.
Bert
Martin Nopola írta:
I have been using Lilypond for a year with vim and would
like to use LilyPondTool with jEdit.
I downloaded both along with the required Java jre in my
home folder.
jEdit works fine with .ly files and
I am writing a vocal score that starts with 4 parts (staves), then adds a 5th
part later. I believe I've gotten Lilypond to do what I want in terms of hiding
staves, but I can't figure out how to do what I want with instrument names.
I would like the 4 names to be printed before the first
Hello,
in a songbook for SATB choir, I'd like to save paper by turning the alto
stems up and the tenor stems down whenever this is possible. For many
songs, this would make the result more dense without being less readable.
If you look at the attached satb2.pdf:
- the first line is the default
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