The problem I have is placing a single beam between the fourth and fifth
notes of a run of 32nd notes, as in:
g32[ a b \set stemRightBeamCount = #1 c \set stemLeftBeamCount = #1 d c b a]
But this is rather verbose. How can I define my own commands or
abbreviations to do this with less typing,
rb = { \set stemRightBeamCount = #1 }
lb = { \set stemLeftBeamCount = #1 }
and than:
g32[ a b \rb c \lb d c b a]
The name of an identifier should have alphabetic characters only: no
numbers, underscores,
or dashes. The assignment should be outside of running music.
see also: 2.18
Dear all,
I'm trying to integrate Lilypond fragments (Version 2.11.34) in a LaTeX
document. Here is a minimal example:
\documentclass[a4paper]{article}
\begin{document}
Bli bla blub, bla bla bla bla bla bla bla
(\lilypond[fragment,staffsize=6]{\override Staff.TimeSignature #'style =
Patrick,
(La)TeX just sets boxes of objects on a base line. You can see this when you
change your sample in this way:
Bli bla blub, bla bla bla bla bla bla bla (%
\frame{\lilypond[fragment,staffsize=6]{
\override Staff.TimeSignature #'style = #'() \time 4/4
\override NoteHead #'style =
Op donderdag 27 december 2007, schreef Stefan Thomas:
Is it possible to change the distances between the lines of a single
staff? I am thinking of a special percussion staff. I'm using version
2.11.34
This may help: http://lsr.dsi.unimi.it/LSR/Item?id=224
Met vriendelijke groet,
Wilbert
Thank you Helge,
the baseline of the lilypond fragment is now identical with the letter's
baseline. Have you got any idea why there is so much horizontal space in
between the round brackets and the fragment: ( fragment )?
All the best,
PLS
Hi Ole,
I don*t know which platform you use
Can I manipulate whole and half measures rests in various 1-line staves?
In Lilypond, I've experimented with three 1-line staff options (see
code at end of message):
Custom Staff (setting # of lines to 1)
Rhythmic Staff
Percussion Staff (setting # of lines to 1)
What is the experience in the Lilypond community regarding percussion
notation?
Background: It will come as no surprise to the Lilypond community that
there is much variation regarding best practice in music engraving.
Whenever I am engraving music, I consult contemporary scores and
Reilly wrote:
What is the experience in the Lilypond community regarding percussion
notation?
snip
I am asking for comments regarding consistency and clarity in writing
for unpitched percussion.
I highly recommend the following two resources when it comes to
percussion writing:
How to
Patrick,
as you can see with the framebox, the space is not added by LaTeX. This is a
question for the Lilypond gurus.
I also noticed this additional space, but did not made any tries to remove
it, although it is annoying in this circumstance.
Regards, Helge
- Original Message -
Op vrijdag 28 december 2007, schreef Valentin Villenave:
So, who's up for writing a snippet? :)
I wrote this, which works well in 2.11.36:
changeInstrument =
#(define-music-function (parser location string) (string?)
(make-music
'TextScriptEvent
Dear Wilbert,
many thanks!
It works also on version 2.11.34!
Wilbert Berendsen schrieb am 29.12.2007:
wrote this, which works well in 2.11.36:
changeInstrument =
#(define-music-function (parser location string) (string?)
(make-music
'TextScriptEvent
Hi guys. I'm a new user of Lilypond. I'm notating an old (out of copyright)
edition of Bach's Invention 1. I was happy to get through the first 5 bars
with remarkably few problems. But I have hit a snag in bar 6. See the
snapshot of the original:
http://bayimg.com/CaIonAabj
In the last 6
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