Stefan Thomas wrote on 28 January 2008 23:22
Dear Lilypond-users,
in the below quoted snippet I'm not happy with
the vertical priority of
the pedal-symbols and theDynamic.
I would like to have the pp , the crescendo
hairpin etc. above the
pedal-signs. But I dont know ho to do.
\once
It is possible to move these things vertically by hand?
I tried it with
\relative c''' {
\override SustainPedalLineSpanner #'padding = 8 c2~\pp\sustainDown
\times 2/3 {c4 b bes} |
aes8\ f \times 2/3 {d8-. bes8-.
ges8-.\p\sustainUp } r2 | }
but the pedal and the dynamic stay at the same place.
I send a copy also to bug-lilypond, since I think there's something fishy
going on here with outside-staff-priority.
Stefan has correctly recognized that the relevant layout object to tweak
is not
SustainPedal, but SustainPedalLineSpanner, just as you should tweak the
DynamicLineSpanner and
It seems that there is some difference between what ends up on the log file
if you run on Windows or if you run on some other operating system.
I don't have a Windows box with LilyPond installed, in front of me, but
when I run
lilypond -dgui yourfile.ly
in Linux, which should produce a log file
Op dinsdag 29 januari 2008, schreef Risto Vääräniemi:
Dear All,
I know it is not recommended to use \partial anywhere but at the
beginning of a piece. There are situations, though, when a piece ends
with an incomplete measure, perhaps to begin an another verse with an
upbeat. How should this
Dear lilypond users,
I'm copying some fingerstyle guitar score. Most of the songs are in open
tuning (like D A D G A D) and crosstuning (like E-B-E-G-B-E). The
notation is hard to read because it is totally different from standard
tuning. I'm refering a standard 6-strings guitar.
I'm
Trevor Daniels wrote:
...
So there does seem to be a problem with capturing all
the console output to the log file under XP.
Exactly! It's probably related to how the buffers are flushed when the
program terminates. Actually, it turns out that the difference is not
between
Windows and
On Jan 29, 2008 2:42 PM, Trevor Daniels wrote:
If I run this program by double-clicking the ly
file under XP I see the same logfile as Jay:
I get the same results as Trevor and I agree that it would be nice to
be able to get the same logs either by double-clickling the file or
calling lilypond
If I run this program by double-clicking the ly
file under XP I see the same logfile as Jay:
# -*-compilation-*-
Changing working directory to:
`H:/Users/Trevor/Leisure/Music/LilyPond/Tests'
Processing
`H:/Users/Trevor/Leisure/Music/LilyPond/Tests/test.ly'
Parsing...
However, if I use the
Dear All,
I know it is not recommended to use \partial anywhere but at the
beginning of a piece. There are situations, though, when a piece ends
with an incomplete measure, perhaps to begin an another verse with an
upbeat. How should this be done properly? I've been using \partial for
that, too.
Dear All,
I've been trying to put columns inside columns and to create nice (or
at least acceptable) spaces between the lines. If the contents is
static and all text is of equal size everything is usually OK but when
there's dynamic content and of different size the layout gets screwed.
Why I'm
Thanks for taking a look.
Running from the command prompt when I get a truncated log file is an
acceptable workaround for me. I'll leave it to the list's judgment whether
to add this to the bug list or not.
Thanks again,
Jay
On Jan 29, 2008 8:44 AM, Mats Bengtsson [EMAIL PROTECTED] wrote:
Hi Risto,
Is there a successful way to do this just using columns?
Maybe the following hint will help you find an easier way:
\markup
{
\column
{
\fontsize #6 Title I
\raise #-1.5 \fontsize #6 Title II
\raise #-2 \fontsize #-1 Poet
\raise #-2 \fontsize
Stefan Thomas wrote on 29 January 2008 08:45
It is possible to move these things vertically by hand?
I tried it with
\relative c''' {
\override SustainPedalLineSpanner #'padding = 8
c2~\pp\sustainDown
\times 2/3 {c4 b bes} |
aes8\ f \times 2/3 {d8-. bes8-.
ges8-.\p\sustainUp } r2 | }
On Tue, 2008-29-01 at 14:57 -0500, Kieren MacMillan wrote:
Hi Iain,
I'm curious to hear what the status is of lilypond for making combo
or fake cheats.
My last two major projects were both musicals, and they both required
jazz charts (i.e., with chord names).
I had no problem
On Tue, 2008-29-01 at 15:41 -0500, Kieren MacMillan wrote:
Hi Iain,
I am trying to change some chord symbols.
Your code doesn't work because, although you correctly create the
exception list, you never explicitly \set it into the correct place
-- here's a corrected (and slightly
Hi Risto,
Would it be possible to create a function / scheme procedure that
would check the header:subtitle and return a numerical value based on
its existence? Could that be given to baseline-skip or \raise as a
parameter?
Sounds more complicated than necessary...
Why not have an if that
Hi Iain,
I am trying to change some chord symbols.
Your code doesn't work because, although you correctly create the
exception list, you never explicitly \set it into the correct place
-- here's a corrected (and slightly modified, for instructional
purposes) example:
\version 2.10.10
--- Martin Seng Hin Yew [EMAIL PROTECTED] wrote:
Dear lilypond users,
I'm copying some fingerstyle guitar score. Most of the songs are in open
tuning (like D A D G A D) and crosstuning (like E-B-E-G-B-E). The
notation is hard to read because it is totally different from standard
--- Martin Seng Hin Yew [EMAIL PROTECTED] wrote:
Dear lilypond users,
I'm copying some fingerstyle guitar score. Most of the songs are in open
tuning (like D A D G A D) and crosstuning (like E-B-E-G-B-E). The
notation is hard to read because it is totally different from standard
Hi Iain,
I'm curious to hear what the status is of lilypond for making combo
or fake cheats.
My last two major projects were both musicals, and they both required
jazz charts (i.e., with chord names).
I had no problem getting Lilypond to do what I needed/wanted.
If you have specific
I'm curious to hear what the status is of lilypond for making combo or
fake cheats. Are there people out there actively working on this area of
lilypond or is it not a big part of the community? I did not find much
in the way of online tutorials or docs, but maybe I didn't look hard
enough.
Last
Graham Percival wrote:
Final call for comments on NR 1.1 Pitches.
Just a couple of things:
= Octave checks =
To check the octave of a specific note, add = quotes after the pitch.
perhaps better:
To check the octave of a individual note, specify the absolute octave
with the = symbol.
And
writing a backend is a lot of work, and quite hairy because there
needs to various GUILE bindings for the libraries you use. It's also
highly undocumented. I recommend looking for a component based PDF
viewer for KDE/Qt, so you can embed a PDF viewer in canorus.
2008/1/27, Matevž Jekovec [EMAIL
On Tue, 29 Jan 2008 19:00:05 +
Mark Knoop [EMAIL PROTECTED] wrote:
Graham Percival wrote:
Final call for comments on NR 1.1 Pitches.
Just a couple of things:
= Octave checks =
Thanks, updated!
= Transpose =
== Selected snippets ==
The feature request quote should be consistent
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