One MIDI file pr voice

Is there an easy way to produce a MIDI file per voice? Or should I do it with several runs of Lilypond, commenting the other voiced out? Regards, Morten ___ lilypond-user mailing list lilypond-user@gnu.org

change number of lines per staff

Hi all I would like to start typesetting some pipeband drum music that I have. To do this, I need to have a single line (cf DrummStaff), but I would also need to be able to set the pitch of my notes, as the pitch denotes which hand the note is played with. Am I able to change the number of

Re: One MIDI file pr voice

If you have organized your input file using variables (see http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/Large-projects#Large-projects) it's just to add a \score{...} block for every new MIDI file: \version 2.10.0 violin = \relative c'' { g4 c'8. e16 } viola = \relative

Re: change number of lines per staff

See the section on Staff symbol in the manual. /Mats Matthew wrote: Hi all I would like to start typesetting some pipeband drum music that I have. To do this, I need to have a single line (cf DrummStaff), but I would also need to be able to set the pitch of my notes, as the pitch denotes

Re: Minor calor, ligature, ancient notation

Am Samstag, 29. März 2008 17:02 schrieb Karl Hammar: Karl: Anyone know how to do the minor calor ligature (se circled part in attachment). ... Ok, this is what I have hacked together (tag: nor = modern notes, men = mensural score, part = mensural parts) fakeLiga = { \once\override

Re: Minor calor, ligature, ancient notation

2008/3/31, Robert Memering [EMAIL PROTECTED]: Am Samstag, 29. März 2008 17:02 schrieb Karl Hammar: Ok, this is what I have hacked together If nobody has a better idea, could you consider adding it to the LSR? We really lack snippets of this kind... However, just for the sake of people

merging simultaneous rests from two voices

Hi, in choir music with two voices on a staff, I want to merge rests if both voices have the same rest-value at the same time. I know that I can use \oneVoice r r \voiceOne in the upper voice and skips in the other voice, but I want to use the same voice data also on separate staffs. I could

Re: merging simultaneous rests from two voices

The easiest way is to position the rests by writing a note followed by \rest. This allows you to position both rests in the same place. See Rests in the manual. Trevor D - Original Message - From: Wilbert Berendsen [EMAIL PROTECTED] To: lilypond-user@gnu.org Sent: Monday, March

Re: merging simultaneous rests from two voices

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Montag, 31. März 2008 schrieb Wilbert Berendsen: Related question: isn't there a simpler way to just merge rests if they occur in both voices? Something like: \override Staff.NoteColumn #'merge-rests = ##t You know, the LSR contains lots

Re: merging simultaneous rests from two voices

Op maandag 31 maart 2008, schreef Reinhold Kainhofer: Am Montag, 31. März 2008 schrieb Wilbert Berendsen: Related question: isn't there a simpler way to just merge rests if they occur in both voices? Something like: \override Staff.NoteColumn #'merge-rests = ##t You know, the LSR

choir music, easy piano reduction and dynamics

I'm wondering if there's an easy way to generate a piano reduction from a choral piece but without all of the dynamics. The choir parts all have their dynamics, but the piano part shouldn't. And the handy snippet I found generates a piano part with all the dynamics showing. Thanks

Re: choir music, easy piano reduction and dynamics

2008/3/31, James E. Bailey [EMAIL PROTECTED]: I'm wondering if there's an easy way to generate a piano reduction from a choral piece but without all of the dynamics. The choir parts all have their dynamics, but the piano part shouldn't. And the handy snippet I found generates a piano part

Re: Minor color, ligature, ancient notation

2008/3/31, Robert Memering [EMAIL PROTECTED]: Am Samstag, 29. März 2008 17:02 schrieb Karl Hammar: Ok, this is what I have hacked together If nobody has a better idea, could you consider adding it to the LSR? We really lack snippets of this kind... It would be better if we solved

StaffSymbol: behaviour of ledger-line-thickness

Hi, could somebody explain me how ledger-line-thickness behaves? The IR states that it should be a pair: ledger-line-thickness (pair of numbers) The thickness of ledger lines. It is the sum of 2 numbers: The first is the factor for line thickness, and the second for staff space. Both

Re: StaffSymbol: behaviour of ledger-line-thickness

Am Montag, 31. März 2008 schrieb till Rettig: Hi, could somebody explain me how ledger-line-thickness behaves? The IR states that it should be a pair: ledger-line-thickness (pair of numbers) The thickness of ledger lines. It is the sum of 2 numbers: The first is the factor for line

Re: StaffSymbol: behaviour of ledger-line-thickness

I have no inside information about this, but my reading of the description in the IR is that the thickness of the ledger line is determined as the sum of two parts: ledger-line-thickness = the value of line-thickness * the first number + the value of staff-space * the second number. The

Re: StaffSymbol: behaviour of ledger-line-thickness

Am Montag, 31. März 2008 schrieb Reinhold Kainhofer: Am Montag, 31. März 2008 schrieb till Rettig: Hi, could somebody explain me how ledger-line-thickness behaves? [...] But I cannot get the staff space bigger (the second number), The final distance is then: ( thickness *

Re: choir music, easy piano reduction and dynamics

On 31.03.2008, at 15:08, Valentin Villenave wrote: 2008/3/31, James E. Bailey [EMAIL PROTECTED]: I'm wondering if there's an easy way to generate a piano reduction from a choral piece but without all of the dynamics. The choir parts all have their dynamics, but the piano part shouldn't. And the

Re: choir music, easy piano reduction and dynamics

The Dynamic engraver is in the Voice context, not Staff. Trevor D - Original Message - From: James E. Bailey [EMAIL PROTECTED] To: Mailinglist lilypond-user lilypond-user@gnu.org Cc: Mailinglist lilypond-user lilypond-user@gnu.org Sent: Monday, March 31, 2008 6:08 PM Subject: Re:

Re: choir music, easy piano reduction and dynamics

2008/3/31, Trevor Daniels [EMAIL PROTECTED]: The Dynamic engraver is in the Voice context, not Staff. My bad :) Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

balloons

hi i want my balloon text to point to the notehead but not 'box' it any ideas? cheers d ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: choir music, easy piano reduction and dynamics

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Montag, 31. März 2008 schrieb James E. Bailey: Thanks for the help, unfortunately it doesn't affect the output, i.e., I still get dynamics. You need to create a voice explicitly for each staff and remove the engraver there: \version 2.11.43

Lyrics spacing from LeftEdge?

Hi, I try to write a hymn (one voice with lyrics below), and I want to align the first lyric of each line vertically. I know i can use the space-alist properties of KeySignature and TimeSignature to determine the spacing to the first note, but I want the lyrics to start at an exact distance

relative tremolo vertical spacing

Hi all Is there a way to specify a relative vertical offset for a tremolo? I want to (for example) make the tremolo appear on the stem halfway between the beam and the notehead. I can't use StemTremolo #Y-offset as I've got tremolos on crotchets - demisemiquavers, and I don't particularly want

Re: Lyrics spacing from LeftEdge?

Isn't a better solution to make the first syllable left aligned with the note? This should automatically result in left aligned lyrics and aligned notes. /Mats Quoting Wilbert Berendsen [EMAIL PROTECTED]: Hi, I try to write a hymn (one voice with lyrics below), and I want to align the