2.11.49 - MIDI (again...)

Hi guys, I'm typesetting some music, and instead of looking through the output pdf to check if it's all correct, I'd rather use MIDI and listen, see if there's anything that sounds out of place (as you do). I've added the \midi { } block. Tick. I've put a \layout { } block above it, to get me p

Re: Lily syntax in Python

Op vrijdag 13 juni 2008, schreef Valentin Villenave: > 2008/6/13 Neil Thornock <[EMAIL PROTECTED]>: > > Does anyone out there have a Lilypond syntax file written in Python? > > > > Figured I'd ask before I go coding the thing myself. > > You may want to have a look at Wilbert's LilyKDE: > http://co

Re: setting max-stretch to a high value still leaves some space at the bottom

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Samstag, 14. Juni 2008 schrieb Nicolas Sceaux: > Le 14 juin 08 à 15:11, Reinhold Kainhofer a écrit : > > Does anyone know how to fix this problem, or at least where to look > > in the > > code? > > You can have a look at scm/layout-page-layout.scm,

Re: footer strings

2008/6/14 Clément <[EMAIL PROTECTED]>: > Hi, Greetings, if you speak French (like Gilles and myself), you may be interested in subscribing to the French-speaking LilyPond mailing list: http://lists.gnu.org/mailman/listinfo/lilypond-user-fr Gilles: Indeed, there would be a nice feature to impleme

Re: footer strings

I would like to make the instrument name appear at the bottom of each page. So I tried to use oddFooterMarkup as it works for all pages. ( if evenFooterMarkup is not defined. ) I don't have any warning at compilation but it does not work. If your score looks like that, there is no reasons tha

Re: Convert relative into absolute

2008/6/14 Graham Percival <[EMAIL PROTECTED]>: > You mean precisely like NR 3.3.4 Displaying LilyPond notation ? Oh, so you meant \display_Lily_Music instead of \displayMusic :-) Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org ht

Re: Convert relative into absolute

On Sat, 14 Jun 2008 20:51:08 +0200 "Valentin Villenave" <[EMAIL PROTECTED]> wrote: > > On Sat, 14 Jun 2008 14:20:43 + (UTC) > > Arno Rog <[EMAIL PROTECTED]> wrote: > >> Is there a way (script/program) to convert a 'relative' lilypond > >> score into an absolute notation? > > > 2008/6/14 Grah

Re: Convert relative into absolute

> On Sat, 14 Jun 2008 14:20:43 + (UTC) > Arno Rog <[EMAIL PROTECTED]> wrote: >> Is there a way (script/program) to convert a 'relative' lilypond >> score into an absolute notation? 2008/6/14 Graham Percival <[EMAIL PROTECTED]>: > \displayMusic. See one of the later sections of the manual, >

Re: Convert relative into absolute

\displayMusic. See one of the later sections of the manual, something like "displaying input notation". Cheers, - Graham On Sat, 14 Jun 2008 14:20:43 + (UTC) Arno Rog <[EMAIL PROTECTED]> wrote: > L.S. > > Is there a way (script/program) to convert a 'relative' lilypond > score into an abso

Re: Integrating HTML and music

¡muchisimas gracias! Francisco, when I leave out the first \score{} than everthing works fine in HTML with the syntax ... Thanks a lot, PLS Original-Nachricht > Datum: Sat, 14 Jun 2008 18:27:03 +0200 > Von: "Francisco Vila" <[EMAIL PROTECTED]> > An: "Patrick Schmidt" <[EM

Re: Vertical stretching of groups

2008/6/14 Reinhold Kainhofer <[EMAIL PROTECTED]>: > E.g. Gardner Read clearly describes in his book that the instrumental groups > should have less spacing for their staves than the spacing to between the > groups. I've not been able to achieve this in lilypond yet. I use special contexts for the

Re: Integrating HTML and music

2008/6/14 Patrick Schmidt <[EMAIL PROTECTED]>: > Dear all, > > I'd like to integrate musical durations (without clef, staff symbol, time > signature and bar lines) in an HTML document. What do I have to do? > > I tried the following (without success): > > c'1 allows for line breaks into the mus

Re: Double expression marks...

What I can get is just one expression line :( %%% \new Voice \relative c, { \clef bass \key f \major \set doubleSlurs = ##t %%here is the trick 1 ( 2) r } % Gilles ___ lilypond-user mailing list lilypond-u

Re: Re:F7 chord appearing as E#7 when I transpose (Paul Scott)

I can not help you with your special problem since I use my own font for chords and let them display as lyrics, but this way I get every chord displayed exactly as I want and writing out tranposed parts instead of using a special function doesn't take that much extra time. Another point is that

Double expression marks...

Hi, Friends Can anybody give me an help on how to mimic the output sent in attach? What I can get is just one expression line :( Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal <>

Integrating HTML and music

Dear all, I'd like to integrate musical durations (without clef, staff symbol, time signature and bar lines) in an HTML document. What do I have to do? I tried the following (without success): Terminal: lilypond-book --output=out myfile.html (Lilypond version "2.11.37"; MacOsx) Thanks for

Re: Beaming problem

I can't say why pasting the code from my file this forum generates errors here: Jayaratna wrote: > << { d'8\rest 8 8 g,8 g' f r8 8 8 }\\{d,8 f d s4. e8 g e }>> > a,8 a' g f a f d d' c > > The error disappears as soon as I edit this post and reappears when I post it or prewiew i

Re: setting max-stretch to a high value still leaves some space at the bottom

Le 14 juin 08 à 15:11, Reinhold Kainhofer a écrit : Does anyone know how to fix this problem, or at least where to look in the code? You can have a look at scm/layout-page-layout.scm, function stretch-and-draw-page, in particular around line 88, where there is a comment explaining what happen

Re:F7 chord appearing as E#7 when I transpose (Paul> Scott)

Hi, I apologize for breaking the thread. I'm still getting the hang of the proper etiquette of this very valuable forum. Maybe what I'm trying to do is simply too ambitious. I actually have three separate musical projects. One project is to convert to LP 900 songs for a friend who

Re: setting max-stretch to a high value still leaves some space at the bottom

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 8. Juni 2008 schrieb Nicolas Sceaux: > Le 8 juin 08 à 16:21, Reinhold Kainhofer a écrit : > > Can someone please explain to me how lilypond's vertical page layout > > works? > > In particular, I'm writing a full score with one system per pa

Convert relative into absolute

L.S. Is there a way (script/program) to convert a 'relative' lilypond score into an absolute notation? Using lilypond 2.11.48 on WinXP Thanks in advance Arno Rog ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/list

Re: Beaming problem

Thank you, Mats. Here is an instance of the file in which the beaming problem arises, they're eight separate files, the last one containing the score: %*Bwv1057_01_fl1.ly** \version "2.10.33" flautoa = \relative c' { \set Staff.instrumentN

Vertical stretching of groups

Without much success, I'm currently trying to create a proper vertical page layout for one of my full scores with one system per page. I still have some very serious issues, some which make the scores unusable for a conductor or piano accompaniment: -) How can I define globally that direct chil

footer strings

Hi, I try to write parts for several instruments. I would like to make the instrument name appear at the bottom of each page. So I tried to use oddFooterMarkup as it works for all pages. ( if evenFooterMarkup is not defined. ) I don't have any warning at compilation but it does not work. I alread

CR/LF regression in Lilypond editor

Hello all, Has anyone else run into issues with the way the Lilypond editor (Mac OS X 10.4) handles CR/LF? I don't remember exactly when, but starting at least five or six .01 versions ago, anything I cut and paste from my Lilypond editor to (e.g.) my email would have no CR/LF left in the

Re: an innocent's query :)

Am 14.06.2008 um 10:21 schrieb Bill Mooney: Greetings All, I am a newcomer to the list, and to Lilypond. Notwithstanding this I am finding LP very satisfying to use and am currently setting some hand-notation music for a friend - from which activity rises my query. Would it be worthwhile to

Re: an innocent's query :)

Bill Mooney wrote: Greetings All, I am a newcomer to the list, and to Lilypond. Notwithstanding this I am finding LP very satisfying to use and am currently setting some hand-notation music for a friend - from which activity rises my query. Would it be worthwhile to consider changing the way LP

Re: Syntax explanations

Am 13.06.2008 um 23:17 schrieb Graham Percival: On Fri, 13 Jun 2008 22:46:57 +0200 Reinhold Kainhofer <[EMAIL PROTECTED]> wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Donnerstag, 12. Juni 2008 schrieb Graham Percival: On Wed, 11 Jun 2008 06:22:44 -0600 "Carl D. Sorensen" <[EMAIL

an innocent's query :)

Greetings All, I am a newcomer to the list, and to Lilypond. Notwithstanding this I am finding LP very satisfying to use and am currently setting some hand-notation music for a friend - from which activity rises my query. Would it be worthwhile to consider changing the way LP 'reads' its input