I'm a new LilyPond and LilyPondTool/JEdit user. LPT is surely a handy
interface, but I can't seem to figure out what governs whether the LPT
toolbar appears or not. At times it is there and it's very handy.
Then, maybe after running LP, suddenly it disappears and I can't figure
out how to r
Don -
I gave up a month or so ago. I lost the digests, switched, then there was a
short discussion on the user-list. It sounded like people thought it was
working, so I went back to digests, but never got one. I think it's broken.
Ralph
On Fri, Sep 5, 2008 at 7:58 PM, Don Ravey <[EMAIL PROTECTED
On Fri, Sep 5, 2008 at 9:13 PM, Joe Neeman <[EMAIL PROTECTED]> wrote:
> On Fri, 2008-09-05 at 20:37 -0300, Han-Wen Nienhuys wrote:
>> I think the easiest approach is to simply move to 'long long' for the
>> rational class. We could start using GUILE's rationals, but it will
>> complicate memory man
Hi Joe,
Yes, it looks like GUILE has required GNU MP arbitrary precision arithmetic
library since 2006:
http://rpmfind.net/linux/RPM/opensuse/oss-factory/x86_64/guile-devel-1.8.5-17.x86_64.html
Best regards,
Adam
On Fri, Sep 5, 2008 at 5:13 PM, Joe Neeman <[EMAIL PROTECTED]> wrote:
> On Fri, 2
Hi Han-Wen,
Thanks for the reply. The example I sent was actually a quite simplified
version of what I'm attempting to do; there is a real possibility that in my
actual scores I will cause the 64-bit 'long long' numbers to overflow as
well. As you mentioned yourself before, I think the airtight
On Fri, 2008-09-05 at 20:37 -0300, Han-Wen Nienhuys wrote:
> I think the easiest approach is to simply move to 'long long' for the
> rational class. We could start using GUILE's rationals, but it will
> complicate memory management, so I think it's not worth the trouble.
What about using libgmp? I
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Am Samstag, 6. September 2008 schrieb Daryna Baikadamova:
> Hi
>
> I have received a symphony score, which parts are not typed in concert
> pitch. This creates a problem when I want to create midi files for the
> score. It also gives me some minor pr
A week ago I decided I'd prefer to receive a daily digest instead of
all the individual emails, so I set my profile for that. I didn't
receive ANY emails then for nearly a week until I turned the digests off
again. Is that not working? It's not a big thing, but the instructions
say that you
Hi
I have received a symphony score, which parts are not typed in concert
pitch. This creates a problem when I want to create midi files for the
score. It also gives me some minor programming hassles when I want to
create parts with a different transposition for my ensemble (e.g. the
original sc
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Am Samstag, 6. September 2008 schrieb James E. Bailey:
> Wow, the new documentation really shows off all of the hard work very
> well.
Thanks a lot.
> I have just one request. It was nice that I could go up from the
> beginning of the documentatio
I think the easiest approach is to simply move to 'long long' for the
rational class. We could start using GUILE's rationals, but it will
complicate memory management, so I think it's not worth the trouble.
Anyone for a patch?
On Thu, Sep 4, 2008 at 6:01 PM, Adam James Wilson
<[EMAIL PROTECTED]>
Trevor Daniels wrote:
This will reduce the visible space, but any MIDI output will be incorrect:
\version "2.10.19"
\paper{ ragged-right=##t }
allMusic = \relative c'' {
c4 d4*3 | e4 f g a
}
\score {
\new Staff \allMusic
}
Thank you, Trevor and Kieren. It turns out that Trevor's solution
well, that's not official yet, but when it is, then yes, on the
downloads page.
Am 06.09.2008 um 00:47 schrieb Josh Parmenter:
I agree! Very nice! As I am just learning how to use LilyPond - it
is already making things faster.
Is it possible to download the document to have a local (offlin
I agree! Very nice! As I am just learning how to use LilyPond - it is
already making things faster.
Is it possible to download the document to have a local (offline)
copy? Or should I wget it?
Thanks,
Josh
On Sep 5, 2008, at 3:37 PM, James E. Bailey wrote:
Wow, the new documentation real
James E. Bailey wrote:
Am 06.09.2008 um 00:25 schrieb Grammostola Rosea:
Hi,
for notation and tablature, I want to have this: () around one note
in a chord.
This is close to the solution:
But the is only (almost) a () around the b in the tablature, the head
of that note looks a bit str
Wow, the new documentation really shows off all of the hard work very
well. I have just one request. It was nice that I could go up from the
beginning of the documentation, i.e.; http://kainhofer.com/~lilypond/Documentation/user/lilypond/index.html#Top
to the documentation index: http://kainh
Am 06.09.2008 um 00:25 schrieb Grammostola Rosea:
Hi,
for notation and tablature, I want to have this: () around one note
in a chord.
This is close to the solution:
But the is only (almost) a () around the b in the tablature, the
head of that note looks a bit strange to me... it shoul
Hi,
for notation and tablature, I want to have this: () around one note in a
chord.
This is close to the solution:
But the is only (almost) a () around the b in the tablature, the head of
that note looks a bit strange to me... it should just have () around it...
Thanks in advance,
Dirk
Mike Blackstock wrote:
Ok, enough.. I just wanted to touch on this in a public forum... I
think using snippets of works, and posting them, to learn a computer
program
is "fair dealing." I won't be losing any sleep over it.
Good to think about this issue. I think your conclusion is right, it'
thanks everyone.
If nothing else, I have a better idea about how to use the search
now... will do that first from here on.
Thanks,
josh
On Sep 5, 2008, at 1:50 PM, Kieren MacMillan wrote:
Hi Werner (et al):
Hmm. Searching for `kieren' and `glissando' yields nothing.
Ha! You're right…
Hi Werner (et al):
Hmm. Searching for `kieren' and `glissando' yields nothing.
Ha! You're right… I was confusing that with another thread I posted
to (search for 'kieren' and 'glissandi' to find it).
Anyway, as I suspected, a search for 'double glissando' turns up some
useful info, incl
Oops, now to the list (sorry Werner).
> Hmm. Searching for `kieren' and `glissando' yields nothing.
>
>
>Werner
>
It turns up something, but not what Josh wants, unfortunately.
\relative {<<{c \glissando d}\\{\stemUp a \glissando b}>>}
Any better solutions?
--
Neil Thornock, D.M.
As
> > Does anyone have a suggestion for having the glissando drawn
> > between both members of the chord in the example below?
>
> Search the list archives — I posted a solution a few months ago.
Hmm. Searching for `kieren' and `glissando' yields nothing.
Werner
==
This will reduce the visible space, but any MIDI output will be incorrect:
\version "2.10.19"
\paper{ ragged-right=##t }
allMusic = \relative c'' {
c4 d4*3 | e4 f g a
}
\score {
\new Staff \allMusic
}
Trevor
- Original Message -
From: "Aaron Dalton" <[EMAIL PROTECTED]>
To: "Kieren M
Hi Josh,
Does anyone have a suggestion for having the glissando drawn
between both members of the chord in the example below?
Search the list archives — I posted a solution a few months ago.
HTH!
Kieren.
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Hi Aaron,
The \override doesn't seem to make any difference to the output.
Well, since you applied it to a skip (and not a rest), I'm not
surprised! ;-)
I've attached a sample of what I was suggesting.
Hope this helps!
Kieren.
%%
\version "2.11.57"
\paper { ragged-right = ##t }
Hi all -
Does anyone have a suggestion for having the glissando drawn between
both members of the chord in the example below?
Thanks for your help.
best,
Josh
\paper { ragged-right = ##t }
\version "2.11.58"
myGliss = {
\clef bass
\time 4/4
2 \glissando 2
}
\score {
\new Staff
Kieren MacMillan wrote:
Hi Aaron,
Is it possible to create hidden rests that do not create visible space?
\override Rest #'X-extent = #'(0 . 0)
Thank you, Kieren. I'm afraid that's not doing it for me. Here's a
very minimal example:
\version "2.10.19"
\paper{ ragged-right=##t }
allMu
No, not possible yet.
It's a known issue with JPedal
I recommend setting a shortcut or a toolbar button for the external viewer.
Bert
> --- Original Message ---
> From: Steven Padalino <[EMAIL PROTECTED]>
> To: lilypond-user@gnu.org
> Sent: 08/09/05/, 18:27:50
> Subject: JEdit JPedal Ado
I haven't found this in the archives and I'm still waiting for a reply from
JEdit support, but maybe one of you can answer this one.
Is it possible to change the default .pdf viewer in JEdit? The LilypondTool
Plug-in options allow you to specify the external .pdf viewer, which I've done,
set
It appears that some people are posting snippets of music from artists
who haven't been dead yet for 50 years, the main criteria for public
domain stuff in Canada.
Just for the record:
The Canadian Copyright Act (http://www.cb-cda.gc.ca/info/act-e.html)
states "Fair dealing for the purpose
you can now (well, experimentally) use \includes on wikilily.org. An
example is at
http://draft.wikilily.org/wiki/index.php/Winterreise/Gefrorne_Tranen -
click on the 'edit' tab to see/edit the ly source.
You'll see there :
\include "vocals.ly"
\include "pianoRH.ly"
\include "pianoLH.ly"
The
Risto Vääräniemi wrote:
I was hoping to get results as presented in the attached image
(situation was staged).
I had one song that I wanted to cram into a smaller space. Since all
the rhythms were the same on both voices I decided to put the stems in
the same direction. Opposite stems would ha
Thanks for looking into this for me. Reverting the thickness back a little is
not a such a big deal. I appreciate you help.
Thanks,
Elliot
--- On Tue, 9/2/08, Trevor Daniels <[EMAIL PROTECTED]> wrote:
> From: Trevor Daniels <[EMAIL PROTECTED]>
> Subject: Re: Increasing the gap between beams
>
Robin Bannister wrote:
Grammostola Rosea wrote
I think I can use this for bends:
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Falls-and-doits
This 2.9 page doesn't say very much, does it?
Have a look in the 2.11 docs for a bit more. (You seem to be using
2.11 anyway.)
You're righ
Grammostola Rosea wrote
I think I can use this for bends:
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Falls-and-doits
This 2.9 page doesn't say very much, does it?
Have a look in the 2.11 docs for a bit more.
(You seem to be using 2.11 anyway.)
Cheers,
Robin
__
I think the important thing is to find the symbol that you want.
Am 05.09.2008 um 10:37 schrieb Grammostola Rosea:
Grammostola Rosea wrote:
Hi,
I think I can use this for bends:
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Falls-and-doits
And slurs for hammer on and pull off.
But
Grammostola Rosea wrote:
Hi,
I think I can use this for bends:
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Falls-and-doits
And slurs for hammer on and pull off.
But what can I use for slides?
Ah, maybe Glissando :
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Glissand
Hi,
I think I can use this for bends:
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Falls-and-doits
And slurs for hammer on and pull off.
But what can I use for slides?
Thanks in advance,
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