I tried, asked around, and basically got the impression that I'd need
a text parser in order to figure that stuff out, so I didn't bother
with it.
Am 15.01.2009 um 20:49 schrieb Francois Planiol:
Thank you thank you thank you,
I never had the idea to look deeply in the man page of nano. Na
I transcribe a lot of chant music and discovered that using the \breve and
putting the lyrics in quotes looks awful with more than a couple of words.
The justification never looked right, and the word spacing was always odd.
Instead I have found that the following works better.
Use \H for hidden n
David Raleigh Arnold wrote:
On Wednesday 14 January 2009, you wrote:
David Raleigh Arnold wrote:
On Wednesday 14 January 2009, chip wrote:
Gnarly is an understatement. Those lines of hieroglyphics actually do
something? That's crazy!
You have a point. I found that it
Olá Alberto,
Anybody has any idea how to simulate the notes in the image with
lilypond?
\version "2.12.0"
\include "english.ly"
theNotes = \relative
{
\clef treble
\set tieWaitForNote = ##t
d8 ~ \noBeam f8_~ << 1 \new Voice { \voiceTwo c } >> \oneVoice
}
\score
{
Hello,
Thanks for the point.
Received also a direct reply suggesting to use
\set tieWaitForNote = ##t
That did the trick \o/
Thank you
Patrick McCarty wrote:
> Hi Alberto,
>
> On Thu, Jan 15, 2009 at 1:32 PM, Alberto Simões
> wrote:
>> Hello
>>
>> Anybody has any idea how to simulate the
Hi Alberto,
On Thu, Jan 15, 2009 at 1:32 PM, Alberto Simões
wrote:
> Hello
>
> Anybody has any idea how to simulate the notes in the image with lilypond?
>
> I can write something to mimic the produced sound, but it would not be
> as clean as this notation.
Take a look at the snippet `Using ties
Hello
Anybody has any idea how to simulate the notes in the image with lilypond?
I can write something to mimic the produced sound, but it would not be
as clean as this notation.
Thank you
Alberto
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Campus d
Thank you thank you thank you,
I never had the idea to look deeply in the man page of nano. Nano could now
become my editor.
Is there a possibilty to highlight differently the nested levels of
{
{
{ blabla }
}
}
??
Great list, thank you again!
Francois
Am Donn
It was probably me. And I gladly accept any regex improvements. I
learned regex for the sole purpose of having syntax hilighting for
lilypond, so I'm certain someone who knows something about it could
do a far better job than I.
And again, thanks. sometimes I just don't bother with trying t
On Wednesday 14 January 2009, you wrote:
> David Raleigh Arnold wrote:
> > On Wednesday 14 January 2009, chip wrote:
> Gnarly is an understatement. Those lines of hieroglyphics actually do
> something? That's crazy!
You have a point. I found that it didn't work, possibly because of
changes in se
>
> That option will be available in the next released version.
>
> Cheers,
> Reinhold
Hot dog, I can't believe it was that easy. I've wondered about the same
problem on various of my "search and replace" missions :)
Thanks Reinhold!
Neil
--
Neil Thornock, D.M.
Assistant Professor of Music
C
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Am Donnerstag, 15. Januar 2009 schrieb Arno Rog:
> I hope it can be done via a scheme or something...
Well, I don't know an easy way to do it after the conversion. However, I just
added a command-line switch --no-rest-positions (or short --nrp) to
m
Hi Rob,
figuring our how to set minimum maximum barlengths might be usefull
for future reference though?
Forcing a minimum is pretty easy:
\version "2.12.0"
\include "english.ly"
theNotes = \relative
{
\repeat "unfold" 128 c'4
}
forcedWidths =
{
\override Voice.MultiMeasure
On 2009-01-15 at 02:49, Arno Rog wrote:
There is a problem though when using \relative mode:
\relative c'' {
c g c g | %1
g' b, \rest f g | %2
}
When I change b, \rest to r4 it produces another result because of the use of
\relative!
\relative c'' {
c g c g | %1
g' r4 f g | %2
}
See what I m
i am still working on a piece using proprtional notation - i now have
it looking the way i want except for the minimum barlength being too
short
- i would like it so even 16th notes are given plenty of space and
all greater values are relative and proportional to that.
not sure how to ac
chip writes:
> I have a piece with three voices where all the notes where entered in
> this format -
> << c e g>> << d f a> etc for the entire piece.
> Is there a way to have Lily split out the 3 voices into separate
> parts, or do I have to rewrite the entire .ly file?
I have a tool that can do
On 15.01.2009 (11:11), Alberto Simões wrote:
> Hello
>
> I am transcribing a music with psamls.
>
> What this mean: there is a standard music portion, with a correct time
> signature, but there is a portion where the singer will say a lot of
> words for each note, and these specific bars have dif
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On Wednesday 14 January 2009 22:36:37 David Rogers wrote:
> On 2009-01-14 at 23:50, Arno Rog wrote:
> >In the process of converting an musicXML file (from capella) to
> > lilypond all the rests are converted to rests with a specifed
> > vertical positi
Dmytro O. Redchuk wrote:
> 2009/1/15 Alberto Simões :
>> Hello
>>
>> I am transcribing a music with psamls.
>>
>> What this mean: there is a standard music portion, with a correct time
>> signature, but there is a portion where the singer will say a lot of
>> words for each note, and these specif
2009/1/15 Alberto Simões :
> Hello
>
> I am transcribing a music with psamls.
>
> What this mean: there is a standard music portion, with a correct time
> signature, but there is a portion where the singer will say a lot of
> words for each note, and these specific bars have different lengths than
Hello
I am transcribing a music with psamls.
What this mean: there is a standard music portion, with a correct time
signature, but there is a portion where the singer will say a lot of
words for each note, and these specific bars have different lengths than
the one in the time signature.
While I
2009/1/14 Nick Payne :
> English only, as I only have 50Mb web space from my ISP. I could do the
> other language versions if someone can provide web space to host the files.
I'd like to host the Spanish version on paconet.org if you send me the
file, use rapidshare or whatever.
--
Francisco Vil
David Rogers gmail.com> writes:
>
> The short answer is: Yes. Staying with \relative will certainly
> not be a problem.
>
> However, I think it will be a lot of work to find each and every
> rest and simplify the way it's written. The vertical positioning
> is done by adding some extra code
Nick
Reading Learning Manual, section 4.5 Collisions of objects will help.
Look in particular at the introduction and section 4.5.2.
Trevor
- Original Message -
From:
To:
Sent: Thursday, January 15, 2009 7:48 AM
Subject: Fingering on right doesn't avoid dot
With a dotted note, if
Hello,
is it possible to check font availability programmatically?
Schematically:
\override Score.LyricText #'font-name = (if wanted-available wanted default)
Thank you.
--
Dmytro O. Redchuk
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Chip wrote:
How do I get a staff line to break when I am using \credenzaOn?
Insert a \bar command where you want to allow a line break
i.e.\bar ""(or \bar "|")
I don't see any info on this in the manuals
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Line-breaking
end
You can probably define your own command and include \break in its definition:
myCommand = {
% any staff here,
% and \break included:
\break
}
2009/1/15 chip :
> How do I get a staff line to break when I am using \credenzaOn? I don't see
> any info on this in the manuals or a mailinglist archive
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