Hello,
I started this week with Lilypond and it works great. I'm only having a problem
with grouping rests.
This is the code so far:
\version 2.11.36
\header{
title = Idylle
composer = Bald WYNTIN
poet = Altsax
}
{
\key g \major
\time 3/4
b'4 (a' d'' b'2.) b'4 (a' e'' b'2.) b'4 (a' e'' b'
2009/2/12 Jo Vanattenhoven dentrompet...@gmail.com:
I started this week with Lilypond and it works great. I'm only having a
problem
with grouping rests.
This is the code so far:
\version 2.11.36
\compressFullBarRests
This code works perfectly here on 2.12.2
C:/Documents and
How can I add a key signature to an ossia stave? In the example below, I get
an error if I uncomment either of the key signature lines in the ossia
staff.
%===
\version 2.12.2
\new Staff = main \relative c'' {
\key e \minor
c4 b d c
How do you normally specify the key signature for a stave? Certainly not
within a \with{...}, right?
Just insert the \key e \minor before the first note:
...
\new Staff \with { ... }
{ \key e \minor e4 d f e }
...
/Mats
Nick Payne wrote:
How can I add a
Hi, the following is an excerpt from a systematic listing of accordion
chords with different ambitus. The ambitus engraver should not heed the
first (arbitrary) key signature but rather engrave as though we were in
c major.
How do I do that?
\include deutsch.ly
\new Voice \with {\consists
Moving to lilypond-user.
To make scores, use CKE editor with its LaTeX syntax coloring.
Valentin Villenave wrote:
2009/2/12 Hector Roman cheloholm...@gmail.com:
This is not a message to report a bug, it is only to know if you are thinking to
do Lilypond for windows mobile, it could be
Hello,
let's modify slightly a snippet from NR 1.7.1, section Fingering
Instructions:
\relative c' {
\set fingeringOrientations = #'(left)
c-1 d-2 a'-54
\set fingeringOrientations = #'(down)
c-1 d-2 a'-54
\set fingeringOrientations = #'(down right up)
c-1 d-2 a'-54
\set
This is a problem for me as well. I prefer my fingerings to the left of
notes and chords in the score (for guitar music) and when notating
chords that contain seconds, I'm forced to choose which notes to
indicate fingerings for in order to avoid collisions. Another related
problem: In chords
I've recently switched my main computer from Windows to Ubuntu Linux. Before
this change, I was using Sibelius quite a bit for hymnbook work. I am
contemplating a change to Lilypond, but before I invest large amounts of
time learning it, I was just hoping that a few experts who have used the
As an aside, if you absolutely need Sibelius, I've had success running
Sibelius 2 on Ubuntu 8.04 under Wine. Making a .pdf might be tricky, but
I haven't fully investigated it.
Good luck!
Dave
fzimmerman wrote:
I've recently switched my main computer from Windows to Ubuntu Linux. Before
Dave,
Thanks for the quick reply. I have two other computers in the house that
have Windows on them (I run a home-based computer support business), so I
can use Sibelius on them if I have to...but I would rather switch to
Lilypond. By the way, my download link didn't seem to transfer properly.
A further problem (seems to me to qualify as a bug) is that if I have two
adjacent notes in a chord, I can't place one fingering indication to the
left and the other to the right. Up/down works ok, but left/right or
right/left places both indications on the right:
%==
David Kastrup wrote:
Hi, the following is an excerpt from a systematic listing of accordion
chords with different ambitus. The ambitus engraver should not heed the
first (arbitrary) key signature but rather engrave as though we were in
c major.
How do I do that?
I guess you discovered
fzimmerman wrote:
Dave,
Thanks for the quick reply. I have two other computers in the house that
have Windows on them (I run a home-based computer support business), so I
can use Sibelius on them if I have to...but I would rather switch to
Lilypond.
A very wise choice indeed. The place to
Nick Payne-3 wrote:
\set fingeringOrientations = #'(right left)
g-0 fis-44
\set fingeringOrientations = #'(left right)
g-0 fis-44
this was never supposed to work!
see LM…
The property may be set to a list of one to three values. It controls
whether fingerings may be placed above (if
Hi all,
with great pleasure I announce the release of Frescobaldi 0.7.5.
http://lilykde.googlecode.com/files/frescobaldi-0.7.5.tar.gz
Changes:
* New command to change the pitch names in a LilyPond document to another
language
* In Edit-menu:
* New command to cut a piece of text and assign
Lilypond users Developers,
When I'm trying to view the svg backend output of lilypond, I got trouble to
find a proper viewer. I tried Batik, Opera, Inkscape, Adobe svg viewer, chrome
(from google), and some viewer shipped with KDE and Gnome, but seems none of
them works properly. Seems this was
On Thu, Feb 12, 2009 at 5:12 PM, bai jianhua bai.jian...@hotmail.com wrote:
Lilypond users Developers,
When I'm trying to view the svg backend output of lilypond, I got trouble to
find a proper viewer. I tried Batik, Opera, Inkscape, Adobe svg viewer, chrome
(from google), and some viewer
Wilbert Berendsen schrieb:
Hi all,
with great pleasure I announce the release of Frescobaldi 0.7.5.
http://lilykde.googlecode.com/files/frescobaldi-0.7.5.tar.gz
Changes:
Hello I tried Frescobaldi a few days ago. Very good work, thank you.
What I'm really missing is the ability to easy
Martin Tarenskeen schrieb:
On Fri, Feb 13, 2009 at 07:09:40AM +0100, Herbert Liechti wrote:
Hello I tried Frescobaldi a few days ago. Very good work, thank you.
What I'm really missing is the ability to easy comment out/in
parts of the code. My favorite editor is the vi(m) where
Herbert Liechti wrote:
works only in vim/gvim !
o point cursor to the first line which should be commented out
o enter visual mode (key v)
o move cursor down to the end of the block (i.e. enter % sign
for quick jumping to the closing bracket)
o enter command mode with : (you see something
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