Hi!
I'll start this by once again thanking the lilypond team for a great
program and thanking Bertran co for the work on jEdit Lilytool.
Some time ago i did update to the new version of lilytool and
lilypond 2.12. Some things are just great but:
Have anybody found a solution to the
On 16.03.2009, at 23:28, Jesper Caprani wrote:
I get this:
# -*-compilation-*-
Processing `C:/Documents and Settings/Ejer/Skrivebord/test.log'
Tolker...
C:/Documents and Settings/Ejer/Skrivebord/test.log:1:1: error:
GUILE signaled
an error for the expression beginning here
#
Looks like you're using # instead of % to comment out a line?
Change
# -*-compilation-*-
to
% -*-compilation-*-
Also, post user-questions to lilypond-user@gnu.org instead of
bug-lilypond...
See http://lists.gnu.org/mailman/listinfo/lilypond-user if you
want to subscribe.
- Mark
On 17.03.2009, at 00:47, Carl D. Sorensen wrote:
On 3/16/09 11:52 AM, James E. Bailey
derhindem...@googlemail.com wrote:
On 16.03.2009, at 16:43, Graham Percival wrote:
c) Can we just make the change so that more people aren't
confused by
the issue. (I've answered another
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On Dienstag, 17. März 2009 09:44:49 Mark Polesky wrote:
Looks like you're using # instead of % to comment out a line?
[...]
C:/Documents and Settings/Ejer/Skrivebord/test.log:1:1: error: GUILE
signaled an error for the expression beginning here
Hi
The easiest way to do this is to set measureLength and beatLength
explicitly (as you've begun to do), but for them to be effective you
need to either
a) revert any autoBeam settings that apply to the time signature in
force (here the default 4/4), as explained in Notation Reference
Hi James
You wrote Tuesday, March 17, 2009 9:00 AM
On 17.03.2009, at 00:47, Carl D. Sorensen wrote:
On 3/16/09 11:52 AM, James E. Bailey
derhindem...@googlemail.com wrote:
On 16.03.2009, at 16:43, Graham Percival wrote:
c) Can we just make the change so that more people aren't
Graham Percival wrote:
I'm not sure why we have both \cr and \. If the two really are equivalent,
one ought to be deprecated before it is ultimately removed.
I have a vague notion that \cr *was* deprecated.
No! If you look in ly/spanners-init.ly, you will see that \cr is used
Stupid of me ...
The easiest way is simply to set the time signature to 1/4, then
Lily will do what you want by default:
...
notes = \relative c'' {
\clef treble
\override Score.TimeSignature #'stencil = ##f
\time 1/4
\key g \major
\cadenzaOn
c8 fis c a c e \bar |
...
Trevor
- Original
Hi,
I don't know if you want to do this, but can't you simply use the
beaming syntax [ ]
to handle your requirements. Like
c8 [ fis c a c e \bar |
c8 fis c a c e c d c b \bar |
c8 d c b c g \bar |
c8 d c b c g c fis, c' c' \bar |
c,8 c, c' c' ] \bar
Hi, actually the latest jEdit plugin release of LilyPondTool were
somewhat problematic. I didn't have the time yet to update that.
It's better to get the latest directly from
http://sourceforge.net/projects/lily4jedit The download contains a zip
file, which should be unzipped to the jEdit
Jay == Jay Hamilton jay...@linuxquestions.net writes:
Jay version 2.10.25
Jay included in \context { \Staff
Jay \remove Bar_engraver
Jay \remove Time_signature_engraver
Jay \override Stem #'transparent = ##t
Jay this has the effect of removing all the clefs from
On Tue, Mar 17, 2009 at 08:40:42AM +0100, James E. Bailey wrote:
On 16.03.2009, at 23:28, Jesper Caprani wrote:
I get this:
Processing `C:/Documents and Settings/Ejer/Skrivebord/test.log'
[...]
It looks at though you have an error in your input file. If you don't
figure it out, Post the
\version 2.12.2
\relative c' {
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\time 3/4
{ \voiceOne c''4 s b }
\new Voice { \voiceTwo \stemUp e,,,8[ \stemDown gis'] fis'[ d] ~ d[
fis] }
\new Voice { \voiceFour e,,2. }
}
In
Hi Jon, hi list,
Jonathan Kulp wrote:
I always put each voice in a separate variable
in situations like this, rather than use constructs like { } \\ { }.
Sometimes a voice will have many bars of skips, (e.g. s1*24 makes 24
bars of skips in 4/4 time) but this is fine. To control the stem and
Florian Hollerweger wrote:
Hi Jon, hi list,
Jonathan Kulp wrote:
I always put each voice in a separate variable in situations like
this, rather than use constructs like { } \\ { }. Sometimes a
voice will have many bars of skips, (e.g. s1*24 makes 24 bars of
skips in 4/4 time) but this is
2009/3/17 Florian Hollerweger f...@mur.at:
But making a voice (dis)appear equals using skips, right? Or is there a
way of saying (at the coding level, not only the layout level), my third
voice starts in bar 34 and ends in bar 42, and I don't wanna bother entering
skips for before and after
2009/3/17 Francisco Vila paconet@gmail.com:
2009/3/17 Florian Hollerweger f...@mur.at:
But making a voice (dis)appear equals using skips, right? Or is there a
way of saying (at the coding level, not only the layout level), my third
voice starts in bar 34 and ends in bar 42, and I don't
2009/3/17 Francisco Vila paconet@gmail.com:
Oh, I've just realized that you said my third voice but you could
adapt the construct so that the new Voice contains polyphony.
Or maybe
{ c'4 d' e'
{ \new Voice = newVoice { f'4 }
\new Voice = newVoiceTwo { \voiceTwo d'4 }
}
g'
Hi Francisco, Mats, Jonathan, and all,
Thank you very much for all those really helpful and prompt suggestions.
This is why I love FLOSS! I guess I can take it from there; thanks
again for sharing your strategies.
best,
flo.H
Francisco Vila wrote:
2009/3/17 Francisco Vila
Nick Payne-3 wrote:
The nearest example I can find in the documentation (subsection
on Collision Resolution in NR 1.5.2) shows a half note being merged with
an
eighth note and the notehead remaining unfilled. How can I prevent the
notehead above being filled in?
exactly - and if you
Thanks Trevor, sometimes it's the simple easy things that you don't think of. I
was trying to work out how to get beatLength and beatGrouping to do the right
thing, but of course just having a measure length of 1 quarter note was all I
needed!
Ben
On Tuesday, March 17, 2009, at 02:43AM,
Hi,
No, Trevor's solution was the one I needed. I wanted pairs of 8ths beamed
together, not everything beamed together. Thanks though!
Ben
On Tuesday, March 17, 2009, at 02:49AM, Craig Bakalian cbakal...@copper.net
wrote:
Hi,
I don't know if you want to do this, but can't you simply
Hi Kees,
I hope the developers will add the Persian accidentals in the next Lilypond
version,
even though it seems obvious that they will, I plan to post a message in
that sense (I don't know where to make this kind of request yet).
Some info you deliver in the .ly file could be included in the
Jay == Jay Hamilton jay...@linuxquestions.net writes:
Jay If you have the time could you point me to the section in the
Jay docs where this additional bit is explained? I'll try it out
Jay later this afternoon.
I started doing this long before the docs had anything like their
I already have everything updated.
No way to have my MIDI files played.
And I have another issue about reverse PDF point click, but I will post it
in another place.
I don't know where to find this lilypond invoke.
Thanks anyway
Piero
Valentin Villenave wrote:
2009/2/28 MonAmiPierrot
Hello,
I have been wrestling with a problem for a while. I'm using these two
lines
\override Voice.NoteHead #'transparent = ##t
\override Voice.Stem #'transparent = ##t
to make certain note heads and stems transparent. This works fine, but
the problem is that the ledger lines connected
On 3/17/09 6:37 PM, Ari Torhamo ari.torh...@gmail.com wrote:
Hello,
I have been wrestling with a problem for a while. I'm using these two
lines
\override Voice.NoteHead #'transparent = ##t
\override Voice.Stem #'transparent = ##t
to make certain note heads and stems
2009/3/11 胡海鹏 - Hu Haipeng hhpmu...@163.com:
Very good functions. But I want to write continuous double note tremolos. Is
it possible?
Hmm.. That wasn't really my goal. Possibly something like this:
\tremolos #16 { {c2 d} {c d} }
Would become:
\repeat tremolo 4 {c16 d}
\repeat tremolo 4 {c16
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