On May 23, 2009, at 6:04 PM, Lewis Overton wrote:
I'm working on pieces for 5 trombones and rhythm in a jazz idiom.
Writing individual bits and pieces is ok, but putting things
together is causing me grief. In particular, problems include
combining chords for piano with occasional non-chor
On May 23, 2009, at 5:05 PM, Anthony W. Youngman wrote:
In message <1243107160.13852.64.ca...@mung-papu>, Ari Torhamo
writes
The first option is achieved by handling everything a non-programmer
can do: managing bugs, helping new users, writing the newsletter,
etc.
The second option is ach
la, 2009-05-23 kello 23:05 +0100, Anthony W. Youngman kirjoitti:
> In message <1243107160.13852.64.ca...@mung-papu>, Ari Torhamo
> >You don't quite seem to get Tim's point: everybody can't and doesn't
> >need to participate every project they find useful - especially when
> >they don't consume th
Lewis Overton wrote:
... It's more the assembly that has me stumbling around looking for
light.
Lewy
Lewy,
Below I've pasted in my template I use for a horn section that includes
2 trumpets, 3 saxes and 2 'bones. It creates a full score and the
individual parts. Another user, Bill, says thi
On Sat, May 23, 2009 at 7:49 AM, Reinhold Kainhofer
wrote:
>
> Actually, this bug is not that easy. I was also quite annoyed by this a while
> ago, and started looking at it, but I ran into dead ends. This is one of the
> things that makes my orchestral scores not look quite as professional as the
I'm working on pieces for 5 trombones and rhythm in a jazz idiom. Writing
individual bits and pieces is ok, but putting things together is causing me
grief. In particular, problems include combining chords for piano with
occasional non-chorded notes, writing down solo sections as chords with
slashe
You can also override the minimum size of a staff vertically, by adding the
following to your score block:
\context {
\Staff
\override VerticalAxisGroup #'minimum-Y-extent = #'(-6 . 6)
}
The default for a Staff is, I think, (-4 . 4), so test with different
values.
Nick
In message <1243107160.13852.64.ca...@mung-papu>, Ari Torhamo
writes
The first option is achieved by handling everything a non-programmer
can do: managing bugs, helping new users, writing the newsletter, etc.
The second option is achieved in two ways: helping expand our
community (and hoping thi
Hello,
I have a choir score that originally fit on one page. After writing it
with Lilypond the last measure is on an additional page. How do I shrink
the size? I think there should be room for shrink at the lower part.
The faster way is to change the global size :
#(set-global-staff-size 18
Alberto Simões schrieb:
Hello
I am transcribing a music that uses a lot of quarter notes that have
their beam stroked. Acccordingly with my few music knowledge, this means
that the note can be splited in two notes.
Please have a look at
http://lilypond.org/doc/v2.12/Documentation/user/lily
David Bobroff wrote:
> Alberto Simões wrote:
>> Hello
>>
>> I am transcribing a music that uses a lot of quarter notes that have
>> their beam stroked. Acccordingly with my few music knowledge, this means
>> that the note can be splited in two notes.
>>
>> Any body knows how to mimic this in Lyli
Op zaterdag 23 mei 2009, schreef Alberto Simões:
> note can be splited in two notes.
Do you mean:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Short-repeats#Tremolo-repeats
?
best regards,
Wilbert Berendsen
--
Frescobaldi, LilyPond editor for KDE: http://www.frescobaldi.org/
_
Alberto Simões wrote:
Hello
I am transcribing a music that uses a lot of quarter notes that have
their beam stroked. Acccordingly with my few music knowledge, this means
that the note can be splited in two notes.
Any body knows how to mimic this in Lylipond?
I just found it for grace notes.
Th
Op zaterdag 23 mei 2009, schreef Tom Cloyd:
> But I cannot figure out how to get more space
> between staves on page two. That it's the final page seems to foul
> things up.
Try setting
\paper {
ragged-last-bottom = ##f
}
See
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Page-for
Hello
I am transcribing a music that uses a lot of quarter notes that have
their beam stroked. Acccordingly with my few music knowledge, this means
that the note can be splited in two notes.
Any body knows how to mimic this in Lylipond?
I just found it for grace notes.
Thank you
Alberto
--
Albe
Hi,
There must be a way to really center a simple text above a note. But these two
lines center the text above the *left* side of the note:
{ c'4-\markup\center-align text }
{
\once \override TextScript #'self-alignment-X = #CENTER
c'4-"text"
}
How can I center a text or markup above the
Carl D. Sorensen schrieb:
On 5/23/09 1:09 AM, "Marc Hohl" wrote:
Neil Puttock schrieb:
2009/5/22 Marc Hohl :
% for ties in tablature, fret numbers that are tied to should be invisible
% or -after a line break - put in parentheses. Since this is not (easily?)
% possible in lil
la, 2009-05-23 kello 19:57 +0200, Valentin Villenave kirjoitti:
> 2009/5/23 Tim McNamara :
> > "Helping" takes many forms.
> >
> > Like many LilyPond users, I know nothing useful about computer programming
> > and so cannot help with correcting problems in the code. I have a full
> > time-plus hig
2009/5/22 Francisco Vila :
> Hello, first I saw these videos
>
> http://www.youtube.com/watch?v=crfrKqFp0Zg
We certainly can write this:
http://lsr.dsi.unimi.it/LSR/Item?id=518
> http://www.youtube.com/watch?v=IAioUkd1aSI
OK, this one is gonna be more challenging :-)
Regards,
Valentin
___
2009/5/23 Tim McNamara :
> "Helping" takes many forms.
>
> Like many LilyPond users, I know nothing useful about computer programming
> and so cannot help with correcting problems in the code. I have a full
> time-plus highly demanding job, a marriage, a house, ailing parents, I play
> music and h
2009/5/23 Xavier Scheuer :
> I totally agree, there is a problem with textual Tempo marks alignment.
Hi Xavier,
we do know about that.
Since Graham has already gone all Graham-ish, here's just an
additional, more "pedagogical" answer.
> I wanted to report this too, then I saw issues 684, 700 and
On May 23, 2009, at 6:34 AM, Graham Percival wrote:
My goal is not to insult you into feeling bad; my goal is
to insult you into HELPING US FIX THINGS. Learn scheme. Join the
Frogs. Contribute to lilypond. If everybody sits around saying
"why doesn't somebody fix this", then it WILL NEVER B
Hi Tom,
> In the following snippet,
> \slurDotted \slurDown a [(gis) b-4 e-0 fis-1 gis-3] |
> inclusion of the predefined commands make the a-g# slur simply
> disappear. I don't know what to do about this, as I appear to be
> following the Notation Manual exactly.
1. I assume these are supposed
On 5/23/09 1:09 AM, "Marc Hohl" wrote:
> Neil Puttock schrieb:
>> 2009/5/22 Marc Hohl :
>>> % for ties in tablature, fret numbers that are tied to should be invisible
>>> % or -after a line break - put in parentheses. Since this is not (easily?)
>>> % possible in lilypond, we offer three comma
In the following snippet,
\slurDotted \slurDown a [(gis) b-4 e-0 fis-1 gis-3] |
inclusion of the predefined commands make the a-g# slur simply
disappear. I don't know what to do about this, as I appear to be
following the Notation Manual exactly.
(LilyPond 2.12.2)
Any ideas what's wrong?
T
On Fri, May 22, 2009 at 04:39:45PM -0600, Carl D. Sorensen wrote:
>
> Nearly all the examples are in relative mode, meaning they have a
> \relative c' {}
>
> (or some other octave)
>
> around them. It was a conscious choice to do so. This convention is
> explained in Learning Manual 2.1.4 How
On Sat, May 23, 2009 at 09:37:19AM +0200, Xavier Scheuer wrote:
> I wanted to report this too, then I saw issues 684, 700 and now 712
> reporting this, so I didn't. But since there are 3 unfixed issues
> reporting the same thing and since the first one is open for 8 months
> now, I allowed my
Hi Tom,
maybe one of the following helps (play around with the numbers):
\paper {
between-system-space = 50\mm
between-system-padding = 24.5\mm
}
--
Kai
* Tom Cloyd [2009-05-23 09:55]:
> I've been pouring over the documentation and cannot solve this problem. I
> probably don't know the
I've been pouring over the documentation and cannot solve this problem.
I probably don't know the right term to look up.
On the second page of my score I have four staves. As I'm a guitarist,
there's a lot of above/below staff junk, so it won't do to have the
staves too close together. On pag
I totally agree, there is a problem with textual Tempo marks alignment.
I wanted to report this too, then I saw issues 684, 700 and now 712
reporting this, so I didn't. But since there are 3 unfixed issues
reporting the same thing and since the first one is open for 8 months
now, I allowed mys
Neil Puttock schrieb:
2009/5/22 Marc Hohl :
Please have a look at it and reply any corrections/improvements/changes
/etc.
before I will send patches to Carl.
Well done Marc, this is very promising.
Thank you!
I still have a few reservations concerning some details (mostly
minor)
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