On Sat, May 23, 2009 at 10:10:32AM -0500, Tim McNamara wrote:
>
> On May 23, 2009, at 6:34 AM, Graham Percival wrote:
>
>> My goal is not to insult you into feeling bad; my goal is
>> to insult you into HELPING US FIX THINGS. Learn scheme. Join the
>> Frogs. Contribute to lilypond. If everybody
Hallo, somehow things are more complicated in the lilypond/emacs world, even
the newsgroups
But anyway, although I already recieved helpfull tips from the list (thanks
Peter Chubb!)I still can't get started working with lilypond-mode since I don't
understand the compilation process: I have
Dear Wilbert,
unfotunately, I couldn't install frescobaldi from source.
After running make I got the message:
Scanning dependencies of target
bytecompile_python
[ 0%] Byte-compiling
signals.py
[ 0%] Byte-compiling
rational.py
[ 0%] Byte-compiling
kateshell/mainwindow.py
[ 0%] Byte-compiling
On Sat, May 23, 2009 at 09:57:20PM -0500, Tim McNamara wrote:
>
> On May 23, 2009, at 5:05 PM, Anthony W. Youngman wrote:
>
>> Unfortunately, Tim's point is at odds with the philosophy of free
>> software - which can be pretty succinctly stated as "he who writes the
>> software makes the rules".
Ciao a tutti!
Perché usando \partial rimane dello spazio bianco dopo i 3/4?
Grazie!
--
oiram/bin/selom
cofon ={\cadenzaOff \bar "|"\cadenzaOn}
cofn ={\cadenzaOff \bar "|"\cadenzaOn}
snu = { \set stringNumberOrientations = #'(up) }
snd = { \set stringNumberOrientations = #'(down) }
snl = { \set st
Hi Wilbert,
> There must be a way to really center a simple text above a note.
> But [this centers] the text above the *left* side of the note:
> {
> \once \override TextScript #'self-alignment-X = #CENTER
> c'4-"text"
> }
> How can I center a text or markup above the *center* of the note/chord?
On Sun, May 24, 2009 at 6:26 AM, Wilbert Berendsen wrote:
>
> Hi all,
>
> Frescobaldi 0.7.9 has been released. This release contains some bugfixes
> and
> small improvements. Changes:
>
> * Spurious crashes (since 0.7.8) seem to have been eliminated.
> * Alt-Up and Alt-Down now jump to the first l
On Sun, May 24, 2009 at 12:38:22PM +0200, weiss nicht wrote:
> I have a latex document like this, named guitarbook.ly:
Try naming it guitarbook.lytex
I have no clue how emacs stuff works, but the convention is to
name lilypond-book files as .lytex (see the docs), so perhaps the
authors of the rel
In message <894cbbba-43cf-47cf-9e73-a3a7a2504...@bitstream.net>, Tim
McNamara writes
On May 23, 2009, at 5:05 PM, Anthony W. Youngman wrote:
In message <1243107160.13852.64.ca...@mung-papu>, Ari Torhamo
writes
The first option is achieved by handling everything a non-programmer
can do: mana
On May 24, 2009, at 2:47 AM, Graham Percival wrote:
On the other hand, I am a psychologist with some knowledge of
how people interact with information and those skills might
offer a way to contribute and I have tried to do that. Also, my
use (and others') of the software, feedback on its usab
Dear community,
I have a question concerning this snippet:
http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Expressive-marks#Piano-template-with-centered-dynamics
I don't know, what the "Output_property_engraver" does.
I've read the explanations, but I didn't understand, unfortunately
> "Michael" == Michael Lauer writes:
Michael> Laura Conrad laymusic.org> writes:
>>
>> But when I transcribe Petrucci from the facsimile, the spacing lilypond
>> does always looks clunky, especially in the parts with large
>> note-values.
>>
>>
>> I believ
2009/5/24 Mario Moles :
> Ciao a tutti!
> Perché usando \partial rimane dello spazio bianco dopo i 3/4?
Your input has
s2 \partial 4*1
and this makes the blank space to appear. Delete the 's2' part and
you'll have a normal upbeat.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org
perhaps a Schemer could pull the X-extent info from the attachment point
notehead, divide it by 2 and send that to the offset. Meanwhile, it may to
helpful to know that:
quarter-note head width = about 1.31
half-note head width = about 1.39
whole-note head width = about 1.96
(in staff space uni
2009/5/24 Mario Moles :
> In data domenica 24 maggio 2009 17:41:23, hai scritto:
>> 2009/5/24 Mario Moles :
>> > Ciao a tutti!
>> > Perché usando \partial rimane dello spazio bianco dopo i 3/4?
Right now your code is too complex to obtain a quick response. Please
follow the guidelines given in
2009/5/24 Stefan Thomas :
> Dear community,
> I have a question concerning this snippet:
> http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Expressive-marks#Piano-template-with-centered-dynamics
> I don't know, what the "Output_property_engraver" does.
I don't know, either, but note that
Dear Francisco,
thanks for Your help.
Yes, You're right, I should change << \lower >> to \lower.
I somebody else knows, what the Output_property_eOutput_property_engraver
does, I still would like to know it.
It seems to be important
2009/5/24 Francisco Vila
> 2009/5/24 Stefan Thomas :
> > Dear c
2009/5/24 Stefan Thomas :
> Dear Francisco,
> thanks for Your help.
> Yes, You're right, I should change << \lower >> to \lower.
> I somebody else knows, what the Output_property_eOutput_property_engraver
> does, I still would like to know it.
> It seems to be important
Well, if you delete that li
On Sun, May 24, 2009 at 11:21:04PM +0200, Stefan Thomas wrote:
>
> I somebody else knows, what the Output_property_eOutput_property_engraver
> does, I still would like to know it.
> It seems to be important
The Output_property_engraver is used with the \applyOutput music
function.
I found this ou
Op zondag 24 mei 2009, schreef madMuze:
> perhaps a Schemer could pull the X-extent info from the attachment point
> notehead, divide it by 2 and send that to the offset. Meanwhile, it may to
> helpful to know that:
> quarter-note head width = about 1.31
> half-note head width = about 1.39
> who
On 5/24/09 8:56 AM, "Laura Conrad" wrote:
>
> I think so. There's a lot of stuff where modern transcribers typically
> halve or even quarter the note values, and I'd prefer not to but it's
> problematic with the normal lilypond spacing. (One reason it probably
> became common is that the sa
Dear Peter, and Chip and Jonathan,
Your comments have provided great guidance for this occasional user! :)
My question about transposing did indeed relate to the usage of
transposing an entire piece, after it had been encoded earlier - perhaps
obtained from another source altogether. The proces
Wilbert Berendsen xs4all.nl> writes:
>
> Op zondag 24 mei 2009, schreef madMuze:
> > perhaps a Schemer could pull the X-extent info from the attachment point
> > notehead, divide it by 2 and send that to the offset. Meanwhile, it may to
> > helpful to know that:
> > quarter-note head width = ab
> "Bill" == Bill Mooney writes:
Bill> My question about transposing did indeed relate to the usage of
Bill> transposing an entire piece, after it had been encoded earlier - perhaps
Bill> obtained from another source altogether.
For this kind of thing, get everything working, then in your
Dear Wilbert,
I tried installing meinproc4, but, unfortunately, it is not in the
repositorys of Kubuntu.
I guess I will wait, until a package for my distro is built.
2009/5/24 Wilbert Berendsen
> Op zondag 24 mei 2009, schreef Stefan Thomas:
> > /bin/sh: KDE4_MEINPROC_EXECUTABLE-NOTFOUND: not fo
Stefan Thomas schrieb:
> Dear Wilbert,
> unfotunately, I couldn't install frescobaldi from source.
> After running make I got the message:
> cache.bz2
> /bin/sh: KDE4_MEINPROC_EXECUTABLE-NOTFOUND: not found
> make[2]: *** [doc/index.cache.bz2] Fehler 127
> make[1]: *** [doc/CMakeFiles/doc-handbook.
Herbert Liechti schrieb:
> Stefan Thomas schrieb:
>
>> Dear Wilbert,
>> unfotunately, I couldn't install frescobaldi from source.
>> After running make I got the message:
>> cache.bz2
>> /bin/sh: KDE4_MEINPROC_EXECUTABLE-NOTFOUND: not found
>> make[2]: *** [doc/index.cache.bz2] Fehler 127
>> mak
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