Yo.
http://percival-music.ca/blogfiles/out/lilypond-general_1.html
- no, I don't think that "Advertizing" is a good name.
Suggestions are desired. This chapter (or "tab") is aimed at
people who don't know if they want to use lilypond or not.
We stick enticements (and some warnings) in here.
Thanks. That did exactly what I needed. I had seen extra-offset referred to,
but got the impression that it was considered sort of last resort and
not-the-best-practice. As long as it works.
I had been getting frustrated because I had done this quite easily in Finale
some time ago. I've been impo
On Fri, Jun 26, 2009 at 04:14:11AM -0700, MonAmiPierrot wrote:
> In my opinion, there's something that still I miss: some music notes. Newbies
> should understand by glance what this program is for.
> I mean, the Lilypond image is ok, and it should stay there. But somewhere in
> the page I have to
I hand-crafted a SVG Lily for use in Frescobaldi :-)
it's quite rough, meant to be small and displayed in small sizes...
best regards,
Wilbert Berendsen
--
Frescobaldi, LilyPond editor for KDE: http://www.frescobaldi.org/
<>___
lilypond-user mailing lis
On Sun, Jun 28, 2009 at 12:32:48AM +1200, Bill Mooney wrote:
> as I understand it, the use of vertical rather than horizontal
> navigation links is to be preferred - maybe, I think! :)
A few other people have mentioned this, so I looked into the
literature. A quick survey shows that horizontal
Thanks Gilles, for the response.
Neither of these worked for me. Happily, I had the solution in the first
place. I just had the command in the wrong place and (I think) needed to
add a Context to the override.
This works:
I inserted
\once \override Score.RehearsalMark #'outside-staff-priorit
Graham Percival wrote:
On Wed, Jun 24, 2009 at 10:11:41AM +0200, Bertalan Fodor (LilyPondTool) wrote:
I almost would suggest to put this crash course on the home page via a Flash
animation: 4 slides:
The only reason why flash deserves to exist is so that you can
play tower defense game
Trevor Daniels wrote:
Eluze wrote Friday, June 26, 2009 7:19 PM
Trevor Daniels wrote:
maybe it should be added in the docs:
I'll do that. I'll also fix the documentation
to avoid misleading people in the Jay was misled.
i think the whole issue comes from the two lines 279 & 280 in
conve
Hi Reinhold,
This is essentially what
\once \override Staff.TimeSignature #'style = #'single-digit
does, except that with the single-digit style the number is
automatically
extracted from the time signature...
Wow... never seen that in the docs before!?
Very cool.
Thanks,
Kieren.
_
Am Samstag, 27. Juni 2009 12:56:38 schrieb Kieren MacMillan:
> 2. If you *do* decide to mimic the MS, perhaps this is what you're
> looking for?
>
> \version "2.12.2"
>
> timeSigSnippet = \relative
> {
>\once \override Staff.TimeSignature #'style = #'numbered
>\time 4/4 c d e f
>\overri
Greetings Graham,
I've come to this thread probably too late in the general scheme of
things..., but I offer the following links which might provide solutions
to some of the new website problems. :-
http://meyerweb.com/eric/css/edge/
http://meyerweb.com/eric/css/edge/complexspiral/demo.html
as
Am Samstag, 27. Juni 2009 12:56:28 schrieb Villum Sejersen:
> Sorry if my phrasing the question has been unsatisfactory.
>
> You have already seen the only relevant parts of my input-code:
>
> \time 6/4 ... \time 7/4 ... \time 3/4 ... \time 6/4 ... \time 7/4 ...
> \time 6/4 ...
What David actua
Hi.
> In this example, is there a way to move the "To Coda" rehearsal mark so
> that it is underneath the Volta Bracket? Also, I'd like to have the
> brackets on the same baseline (after the mark is moved down).
>
> Any hints?
Things you might try to fiddle with are:
\override Score.Rehear
On Fri, Jun 26, 2009 at 11:42 PM, Alan Shaw wrote:
>
> I am trying to make a staff consisting only of lyrics separated by bar
> lines.
> I've made a Rhythmic Staff with number of lines set to 0, removed the
> time-signature, used hideNotes on the notes the lyrics are attached to, and
> used hidde
Hello Villum,
Trying to mimic the layout of the manuscript as far as possible in
the pdf I have come across a small problem:
Only the very first time signature shows the ordinary 6/4. All
subsequent time signatures are shown with a large number only,
spanning the whole system (no /4).
1.
Sorry if my phrasing the question has been unsatisfactory.
You have already seen the only relevant parts of my input-code:
\time 6/4 ... \time 7/4 ... \time 3/4 ... \time 6/4 ... \time 7/4 ...
\time 6/4 ...
A scan of part of the manuscript would of course show clearly what is
meant. If real
It would be easier for someone here to find the problem if you posted
your input code.
-David
Villum Sejersen wrote:
I am presently typesetting (version 2.13.2) a small SATB motet from the
composer's 23-years old original hand-written manuscript. As usual in
such cases finding out what was ac
I am presently typesetting (version 2.13.2) a small SATB motet from the
composer's 23-years old original hand-written manuscript. As usual in
such cases finding out what was actually written or meant is by itself
quite a challenge ;-)
The music goes: \time 6/4 (4 bars), \time 7/4, \time 3/4,
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