Thanks, added as
http://code.google.com/p/lilypond/issues/detail?id=789
Cheers,
- Graham
On Mon, Jul 06, 2009 at 03:22:26PM +0200, Reinhold Kainhofer wrote:
> Am Montag, 6. Juli 2009 14:58:30 schrieb Alan Shaw:
> > You're right of course; I just thought it was worth asking on the off
> > chance t
On Mon, Jul 06, 2009 at 01:56:19PM +0200, John Mandereau wrote:
> Hi guys,
> Le samedi 04 juillet 2009 à 09:37 -0700, Graham Percival a écrit :
> > This is also true of the site built from git, so it's not a
> > webserver issue.
>
> There has never been any file named nl/install/index.html in the
On 06.07.2009, at 23:39, Werner wrote:
Hello Robin and David.
Robin Bannister dataway.ch> writes:
Have a look at LSR 402:
http://lsr.dsi.unimi.it/LSR/Item?id=402
This hint would solve my problem if
David Stocker thenotesetter.com> writes:
There is a fix somewhere on the list to get
2009/7/6 ArnoWaschk :
> Hans Aberg wrote:
>>
>> On 6 Jul 2009, at 18:49, Francisco Vila wrote:
>>
I'm assuming the middle section
should be in b-flat major instead of a-sharp major? if you wrap the
b-major
section with
\transpose ais' a' {
\relative {
\key b \
On 6 Jul 2009, at 23:15, ArnoWaschk wrote:
Let me try:
The part is written A and should be transposed to be in Bb. So the
normal thing would be
\transpose bes a {
% part in A.
}
To get a 12-equal enharmonic equivalent transposition, one these
should be replaced with the enharmonic equi
Hello Robin and David.
Robin Bannister dataway.ch> writes:
>
> Have a look at LSR 402:
> http://lsr.dsi.unimi.it/LSR/Item?id=402
>
This hint would solve my problem if
David Stocker thenotesetter.com> writes:
>
> There is a fix somewhere on the list to get more than one \mark to
Hi.
> Is there a way to reuse a \header definition?
Yes; you put all your header items in a file which you then include wherever
you need them:
In file "header.inc.ly":
---CUT---
title = "..."
subtitle = "..."
composer = "..."
% etc.
---CUT---
And, in other files:
---CUT---
\header {
\include
Hans Aberg wrote:
>
> On 6 Jul 2009, at 18:49, Francisco Vila wrote:
>
>>> I'm assuming the middle section
>>> should be in b-flat major instead of a-sharp major? if you wrap the
>>> b-major
>>> section with
>>> \transpose ais' a' {
>>> \relative {
>>> \key b \major
>>> ...
>>> }
>>> }
Good evening!
I'm currently typesetting a string quartet. So far, I have all separate parts
already programmed, but I want to put all of them in a single PDF file. I was
thinking about using a single \header definition for all the separate parts, so
the same title, subtitle, composer and arranger
2009/7/6 Mark Polesky :
> I also like the layout of gimp.org.
> Click their menu links too.
> Nice looking site.
Since you're mentioning that, http://www.blender.org/ has a top-menu
that is very similar to the new Lily website's draft.
Regards,
Valentin
_
Patrick McCarty wrote:
> What's really awesome about tinto-taal.nl is that the rounded corners
> are implemented with SVG images!
I also like the layout of gimp.org.
Click their menu links too.
Nice looking site.
- Mark
___
lilypond-user m
Have a look at LSR 402:
http://lsr.dsi.unimi.it/LSR/Item?id=402
(The \mark command makes a RehearsalMark.)
Cheers,
Robin
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On Mon, Jul 6, 2009 at 6:27 AM, Jan Nieuwenhuizen wrote:
> On vr, 2009-07-03 at 14:41 -0700, Graham Percival wrote:
>
>> Here it is:
>> http://percival-music.ca/blogfiles/out/lilypond-general_1.html#Home
>
> Okay, so this is starting to be really great.
>
> Now, I know you have not been spending to
On 6 Jul 2009, at 18:49, Francisco Vila wrote:
I'm assuming the middle section
should be in b-flat major instead of a-sharp major? if you wrap the
b-major
section with
\transpose ais' a' {
\relative {
\key b \major
...
}
}
This effectively transposes the music, I'd rather say \transpo
On Mon, Jul 6, 2009 at 8:33 AM, Francisco Vila wrote:
> 2009/7/6 Valentin Villenave :
>> 2009/7/6 Jan Nieuwenhuizen :
>>> Just by accident I looked upon Valentin's page, if only we would
>>> be able to steel the header images/gradient and possibly put nicely
>>> rounded tabs into the bottom of that
Thanks for the hints.
But there is not yet a solution.
While lilypond is intelligent enough, to print the \mark -segno and coda symbols
only once *above* if they are places in several voices/staves of a
system/StaffGroup at the same position, I'm really missing a similar possibility
for placing som
I'm a very new LilyPond user and I play accordion. I've been asked by my small
band to do some arrangements. I can write lead sheets off the top of my head,
but since our keyboardist needs help with reading music, it would be unfair for
me to teach him to read treble and bass clef and use lead
2009/7/6 James E. Bailey :
>
> On 06.07.2009, at 18:06, Amiable wrote:
>
> Hi, New user to Lilypond; a convert from Finale2009. My use of music
> notation is for transposition, mainly. I can't afford an A clarinet at
> present, so I need to tranpose A clarinet parts for my Bb clarinet. When
On 06.07.2009, at 18:06, Amiable wrote:
Hi, New user to Lilypond; a convert from Finale2009. My use of
music
notation is for transposition, mainly. I can't afford an A
clarinet at
present, so I need to tranpose A clarinet parts for my Bb
clarinet. When I
follow the manual, I don't
2009/7/6 Francisco Vila :
> What I'd do is to enclose the section in B major into \transpose cis
> des { } thus gaining 5 extra flats in the key.
... which leads to two new problems: octave changes and relative
doesn't work. The fragment is short and you can fix all pitches
easily:
\transpose ci
2009/7/6 Amiable :
>
> Hi, New user to Lilypond; a convert from Finale2009. My use of music
> notation is for transposition, mainly. I can't afford an A clarinet at
> present, so I need to tranpose A clarinet parts for my Bb clarinet. When I
> follow the manual, I don't get good results. E
Hi, New user to Lilypond; a convert from Finale2009. My use of music
notation is for transposition, mainly. I can't afford an A clarinet at
present, so I need to tranpose A clarinet parts for my Bb clarinet. When I
follow the manual, I don't get good results. Example: A clarinet part
sta
2009/7/6 Valentin Villenave :
> 2009/7/6 Jan Nieuwenhuizen :
>> Just by accident I looked upon Valentin's page, if only we would
>> be able to steel the header images/gradient and possibly put nicely
>> rounded tabs into the bottom of that header gradient
>> [CSS stealing suggestion: http://tinto-t
Hi Trevor (et al.),
There is an easier way. The octavation symbol is a separate grob
Cool! Yay, Lilypond!!
[This will definitely be a setting I adjust in my main \include
\init_Lilypond.ily file: I've always found it too small, but have
been too busy to tweak it.]
Thanks,
Kieren.
_
Kieren MacMillan wrote Monday, July 06, 2009 3:50 PM
Also, is there a way to increase the font size of the "8" in the
"treble_8" clef?
Override the Clef stencil, and build the markup yourself -- I
don't know any other way.
See the docs (especially the LSR) for examples of overriding grob
s
Peter Buhr wrote:
> Is there a way to remove all the natural symbols?
#(set-accidental-style 'forget)
> Also, is there a way to increase the font size of the "8" in the
> "treble_8" clef?
\override Staff.OctavateEight #'font-size = #2
HTH
- Mark
Here is a possible solution for the problem you get when you put all your
\repeat volta structure in a separate variable (often named global) and
then you want unfold all your music (for MIDI output for
example).
.
The "globalizeMusic.ly" (see joined files ) proposes a function
\globalizeMusi
Hi Peter,
The following is a left-hand octave-exercise for guitar. It has no
tempo. I do
not want the natural symbols to appear in the exercise. I used
"Staff.extraNatural = ##f" is an attempt to eliminate the naturals
as per the
instructions on page 6 of the Notation Reference manual, but
2009/7/6 Jan Nieuwenhuizen :
> Just by accident I looked upon Valentin's page, if only we would
> be able to steel the header images/gradient and possibly put nicely
> rounded tabs into the bottom of that header gradient
> [CSS stealing suggestion: http://tinto-taal.nl ] and also steal
> other roun
The following is a left-hand octave-exercise for guitar. It has no tempo. I do
not want the natural symbols to appear in the exercise. I used
"Staff.extraNatural = ##f" is an attempt to eliminate the naturals as per the
instructions on page 6 of the Notation Reference manual, but that did not
help
On vr, 2009-07-03 at 14:41 -0700, Graham Percival wrote:
> Here it is:
> http://percival-music.ca/blogfiles/out/lilypond-general_1.html#Home
Okay, so this is starting to be really great.
Now, I know you have not been spending too much work on the slick looks
side of things, but do we have volunt
Am Montag, 6. Juli 2009 14:58:30 schrieb Alan Shaw:
> You're right of course; I just thought it was worth asking on the off
> chance that someone would know right away what I was talking about and I
> could save myself the hour or so it would take to construct a "minimal"
> example.
>
> In the cour
You're right of course; I just thought it was worth asking on the off chance
that someone would know right away what I was talking about and I could save
myself the hour or so it would take to construct a "minimal" example.
In the course of doing that I've found one further necessary condition fo
For starters,
have a look at these snippets in the LSR:
http://lsr.dsi.unimi.it/LSR/Search?q=coda+segno
Cheers,
Robin
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Werner,
You may achieve some of what you're looking for with these variables
that I've been meaning to add to the LSR. You can play around with them
and change some them to suit your purpose.
I've had good luck with putting them in parts and having them display
only once in the score, above
Werner web.de> writes:
> It would be nice to have a possibility to put ^\mark \markup
> { \musicglyph #"scripts.coda" } and _\mark \markup { \italic \bold {{d.s. }}}
> to the same \bar "||"
After the barline could be a \break
The d.s. should appear at the end of the first line (beneath),
the c
Hello,
I was looking for quite a long time till I found
\mark \markup { \musicglyph #"scripts.coda" }
1.: In german this symbol is often called "Kopf" so this should be mentioned in
the glossary.
2.: There could be an example for a dal segno al Ø-Ø in the NR.
3.: I have some questions about t
Hi guys,
Le samedi 04 juillet 2009 à 09:37 -0700, Graham Percival a écrit :
> This is also true of the site built from git, so it's not a
> webserver issue.
There has never been any file named nl/install/index.html in the web
site source tree, and "make" does not generate any file named
install/in
On za, 2009-07-04 at 11:41 +0200, Martin Tarenskeen wrote:
> I can't download lilypond 2.13.x from the Lilypond website.
> When I go to http://lilypond.org/web/install/#2.13 I see version 0.0.0 and
> documentation version 0.0.0-0, and if
> I point my mouse on any of the downloadlinks I see
> "h
On zo, 2009-07-05 at 16:58 +, Michael wrote:
> I'm trying to compile lilypond-2.12.2 on ALT Linux 4.1 system with Guile 1.8
> and receive the following error (as result of "./configure"):
>
> ERROR: Please install required programs: guile-config >= 1.8.0 (installed:
> 1.6.8)
> guile-config
Hi.
> I have several instances where instrument names are too high, much higher
> than the staff center line. It happens with both full and short names, but
> only when a volta bracket is over the first measure.
>
> If this rings a bell and merits further discussion, I can provide examples.
With
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