On Mon, Sep 14, 2009 at 09:01:06AM +0200, Patrick Schmidt wrote:
>
> > This step is the cause of your problems, BTW. Remember to add two
> > files: pngtopnm, and pnmtopng, and change the relevant portion of
> > the second line.
> In which directory do I have to save these two files?
Any director
You can get the same result without having to figure out what numbers to
use in a \translate command, in the following way:
slashedturn = \markup {
\combine
\vcenter \center-align \musicglyph #"scripts.reverseturn"
\vcenter \center-align \fontsize #3.
Original-Nachricht
> Datum: Mon, 14 Sep 2009 06:38:26 +0100
> Von: Graham Percival
> An: Patrick Schmidt
> CC: lilypond-user@gnu.org
> Betreff: Re: problems building documentation without compiling LilyPond
> On Sun, Sep 13, 2009 at 08:22:37AM +0200, Patrick Schmidt wrote:
> >
That was quick, thanks!
"which pngtopnm" returns "/opt/local/bin/pngtopnm", so it seems to work. I
don't have time to test wether I can build the documentation now but I'll let
you know as soon as I can.
Cheers,
patrick
--
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischa
2009/9/14 Jörg Krause :
> Hello to all,
>
> I am working with very small scores of 2 beams. I want to put two of those
> scores into one line, each of them in a separate system. This means, that in
> the line, a new system has to begin, separated from the first one by a
> little horizontal space. H
How about:
#(define (not-negative-page layout props arg)
(define (ancestor layout)
"Return the topmost layout ancestor"
(let ((parent (ly:output-def-parent layout)))
(if (not (ly:output-def? parent))
layout
(ancestor parent
(if (not (< (chain-assoc-get 'page:
Ciao a tutti!
Non i pare che ci sia la possibilità di avere un glissando doppio con un solo
comando ma è necessario impostare una \voice per glissando.
La mia domanda è questa: è davvero così o sono io che ho preso un granchio?
Grazie!
--
oiram/bin/selom
#(define (script x)
(make-music
'TextScr
ok, ok, seems to be the more proper way :-)
reg. Christian
Mats Bengtsson-4 wrote:
>
> You can get the same result without having to figure out what numbers to
> use in a \translate command, in the following way:
>
> slashedturn = \markup {
> \combine
> \vcen
On Mon, Sep 14, 2009 at 09:09:33AM +0200, Patrick Schmidt wrote:
> "which pngtopnm" returns "/opt/local/bin/pngtopnm", so it seems to work.
No, that is wrong. As I said before, "which pngtopnm" should
return the directory in which you put the files. Did you make
them executable?
You might want
Hello all,
I've decided this is going to be my pet project during this, my
"Autumn of Lilypond".
I've started a separate thread here, and would like to get moving on
the project as soon as possible. [n.b. I am not intending to cross-
post to -user after this "announcement" email.]
1. Team
This subject has come up before, and solutions were proposed before.
I recommend you vet through the mailing list older comments since the
last rewrite.
On Mon, Sep 14, 2009 at 1:37 PM, Kieren MacMillan
wrote:
> 3. Programming. In order to get this done before, say, 2020, we'll need at
> least on
Hi Han-Wen,
This subject has come up before, and solutions were proposed before.
I recommend you vet through the mailing list older comments since the
last rewrite.
That's definitely part of my plan!
Ouch. The traditional role is that the 'lead' (you, that is?) be
the programmer.
Obvious
So, I have this idea...
I really enjoy the look and feel of the LilyPond Feta font, but I would like
to use it in programs that can use other fonts like Sibelius. I know that
one can create a font using FontLab which can be found at www.fontlab.com.
TrueType font is the most acceptable form of fo
Am 2009-09-14 um 20:37 schrieb Josh Nichols:
I really enjoy the look and feel of the LilyPond Feta font, but I
would like to use it in programs that can use other fonts like
Sibelius. I know that one can create a font using FontLab which can
be found at www.fontlab.com.
Of course, if you
On Mon, Sep 14, 2009 at 8:37 PM, Josh Nichols wrote:
> I really enjoy the look and feel of the LilyPond Feta font, but I would like
> to use it in programs that can use other fonts like Sibelius.
This question has been asked a number of times (including by yourself ;-)
see for instance
http://lis
Can anyone answer the following. I am a string (Viola) player and need some
special markings
in my sheet music. One is the usual semitone marker. This is like a circumflex
between two notes.
For example e f would be written roughly as e^f but with the circumflex over
the two notes.
Is ther
On Mon, Sep 14, 2009 at 11:50:11PM +0200, Patrick Schmidt wrote:
> I created two files (pngtopnm and pnmtopng). This is what they look like:
That all looks good now.
> I proceeded according to CG section "Building documentation without compiling
> LilyPond". (I also changed the FLEXLEXER_File li
Hello,
I'm getting to the end of formatting a score, and I just need some
hints on changing the thickness of the zigzag line after trills. I've
tried zigzag-width, thickness, and everything else that looked promising
but with no results. I didn't use font-size because I want the trill sig
On Mon, Sep 14, 2009 at 3:37 PM, Josh Nichols wrote:
> So, I have this idea...
> I really enjoy the look and feel of the LilyPond Feta font, but I would like
> to use it in programs that can use other fonts like Sibelius. I know that
The dimensions of the font have been carefullly tuned to match
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