Hi,
with just tabStaff the midi file is empty
the log :
# -*-compilation-*-
Traitement de « C:/Documents and Settings/MARTIAL/Mes
documents/LILYPOND/TMP-music/bac-a-sable-07.ly »
Analyse...
Interprétation en cours de la musique...
Sortie MIDI vers « /Documents and Settings/MARTIAL/Mes
Graham Percival schrieb:
On Fri, Oct 16, 2009 at 10:33:01AM +0200, Federico Bruni wrote:
Graham Percival wrote:
I'll be honest: I'm a bit disappointed that nobody has stepped
forward with a I love lilypond, I love making fancy stuff, I'll
make an awesome tablature/educational/orchestra
Ok, the following somewhat naive approach which treats music and markup
expressions sort of like cutpasteable strings falls apart horribly.
How do I do this sort of thing properly?
The goal is to be able to write something like
\Discant #130
and get an accordion discant symbol with 1 dot at
Graham Percival wrote:
Anybody volunteers? For, say, making an orchestra example? I
can't believe that nobody is capable of writing 3-4 bars of
orchestra or opera music.
Previous attempt at replying to this seems to have got lost in the
ether, so I'm replying just with the .ly source
Ok, we have three contenders.
1) Original version, from Jonathan:
http://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=blob;f=texinfo/images/orchestral-small.png;h=dc750e599326625f9853c602f970c9e5deffe1cf;hb=refs/heads/web-gop
2) Berlioz overture:
Hello
I am trying to use after-title-space variable to get some extra space
between the 'meter' line and the 'lyrics' line that is appearing in the
top of the stave.
I tried to put
\paper {
after-title-space = 3\cm
}
but nothing changed.
Also, I tried to put that same line in the \layout
2009/10/17 Alberto Simões al...@alfarrabio.di.uminho.pt:
Hello
I am trying to use after-title-space variable to get some extra space
between the 'meter' line and the 'lyrics' line that is appearing in the
top of the stave.
I tried to put
\paper {
after-title-space = 3\cm
}
but
On Sat, Oct 17, 2009 at 3:36 PM, Graham Percival
gra...@percival-music.ca wrote:
... ok, never mind. My vote definitely goes for the opera. Something
like page 18. That has plenty of wow factor, although maybe
Valentin can suggest a later section with even more stuff. Hmm...
Wow, I'm
On Sat, Oct 17, 2009 at 1:51 PM, David Kastrup d...@gnu.org wrote:
The goal is to be able to write something like
\Discant #130
Greetings,
This is waaay beyond my knowledge, but you might want to have a look
at scm/harp-pedals.scm and see how the argument string is parsed.
I hope you'll get
David Kastrup d...@gnu.org writes:
Ok, the following somewhat naive approach which treats music and markup
expressions sort of like cutpasteable strings falls apart horribly.
How do I do this sort of thing properly?
The goal is to be able to write something like
\Discant #130
and get an
On Sat, Oct 17, 2009 at 06:09:20PM +0200, Valentin Villenave wrote:
On Sat, Oct 17, 2009 at 3:36 PM, Graham Percival
gra...@percival-music.ca wrote:
... ok, never mind. My vote definitely goes for the opera. Something
like page 18. That has plenty of wow factor, although maybe
Valentin
Has anyone made a symbol for playing behind the bridge? The only markings I
see in the snippets repository are harmonics, snap pizz, and up and down
bows.
Thanks.
Qian
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On Tue, Oct 13, 2009 at 11:21 PM, Werner LEMBERG w...@gnu.org wrote:
I was just referring to the gradient images being used for the
navbar.
OK.
Which URL shall I check?
http://uoregon.edu/~pmccarty/test/
Note that this is a single page, so none of the links work.
Nice. However,
Joseph Wakeling wrote:
Graham Percival wrote:
Anybody volunteers? For, say, making an orchestra example? I
can't believe that nobody is capable of writing 3-4 bars of
orchestra or opera music.
Previous attempt at replying to this seems to have got lost in the
ether, so I'm replying
HI,
In the following snippet, I would like to have the rehearsal mark A on
the same line as the last volta bracket.
Any idea?
Frédéric
\relative c'' {
\repeat volta 2 { c1 }
\alternative { c c }
\mark \default c
}
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