Hi! Apologies for using the list for something that's probably clearly
described on page 32767 of the docs, but I've been searching around
and can't find it among the massive amounts of information there!! :)
I'm using Lilypond to create both MIDI and PDF scores. What I hope to
achieve is a
On 28.10.2009, at 19:34, James E. Bailey wrote:
I thought at first that Python 2.6 was bundled in the darwin
installers now, but I'm not so sure. Is the python executable in
your
LilyPond_devel.app/Contents/MacOS just a wrapper or something?
Because I see that the md5 library in your
On 29.10.2009, at 07:30, Chris Angelico wrote:
Hi! Apologies for using the list for something that's probably clearly
described on page 32767 of the docs, but I've been searching around
and can't find it among the massive amounts of information there!! :)
I'm using Lilypond to create both
On Thu, Oct 29, 2009 at 4:41 PM, James E. Bailey
derhindem...@googlemail.com wrote:
You'll probably want to create two \score blocks, one for layout, with the
chords, and one for MIDI, without the chords.
James E. Bailey
Ahh. Is there an easy way to macrofy that? My file currently looks like
I'm guessing that it's probably
something along the lines of removing the Note_performer from the MIDI
output, but I tried that and it doesn't seem to work.
It's not clear how you removed the Note_performer; have you tried:
\midi {
\context { \ChordNameVoice \remove
On Thu, Oct 29, 2009 at 5:26 PM, madMuze housevas...@yahoo.com wrote:
It's not clear how you removed the Note_performer; have you tried:
\midi {
\context { \ChordNameVoice \remove Note_performer }
}
?
This has worked for me.
Ah. I was doing:
\midi { \context
On Tue, Oct 27, 2009 at 12:01 PM, Federico Bruni brunol...@gmx.com wrote:
I have to admit I'm pretty disappointed with the user community.
Wow, is this normal:
http://lilypond.org/doc/v2.13/Documentation/
This link points to the non-officially-published website's homepage???
Cheers,
Valentin
On Wed, Sep 23, 2009 at 9:54 PM, Neil Puttock n.putt...@gmail.com wrote:
There's a message in the deleted bug snippet harakiri-autoknee.ly
which suggests there used to be a problem:
Autoknee-ing triggers hara-kiri too early.
OK, since I can't decide whether to remove it or not, I've just
Le jeudi 29 octobre 2009 à 11:04 +0100, Valentin Villenave a écrit :
Wow, is this normal:
http://lilypond.org/doc/v2.13/Documentation/
This link points to the non-officially-published website's homepage???
IMO it's too early to replace the old documentation index with the new
website, but
As I'm brand spanking new I'm probably going to ask a lot of dumb questions.
If so, just tell me.
The point is building a SATB with organ score. Everything looks fine until I
activate/add the organ part. After that the score is rubbish. Would a basic
explanation of what I've done suffice?
Le mercredi 28 octobre 2009 à 19:34 +0100, James E. Bailey a écrit :
downgrading to python 2.4.6 solved the problem and lilypond-book works
perfectly now. Whom do I talk to to have this updated in the
distributed binary? Or is this not a feasible option because 10.5 and
10.6 don't have this
Hi Erik,
So here is the organ part I added.
\new PianoStaff
\new Staff = ManualOne
\new Voice { \orgAMusic }
\new Staff = ManualTwo
\new Voice { \orgBMusic }
Don't you instead mean to have
\new PianoStaff
\new Staff = ManualOne \new Voice { \orgAMusic }
\new Staff =
My guess is that the problem is that you have considered the lyrics
lines as part of the staves, whereas a Staff in LilyPond terminology
only contains the music voices, not the lyrics. Use the template called
SATB vocal score and automatic piano reduction, included in the
Learning Manual, as
On Thu, Oct 29, 2009 at 11:04:31AM +0100, Valentin Villenave wrote:
On Tue, Oct 27, 2009 at 12:01 PM, Federico Bruni brunol...@gmx.com wrote:
I have to admit I'm pretty disappointed with the user community.
Wow, is this normal:
http://lilypond.org/doc/v2.13/Documentation/
This link
When \score is places inside \markuplines block, there are 3 problems:
1) music is not exactly inline (even if resized to fit the height of the
text line) but its baseline is always a bit under the baseline of the text
at the same line as the following example shows. I was trying to get rid of
Thanks Simon and Kieren, Indeed the r1 was the culprit. I will add the |
marks from now on.
Erik
in both these parts you had a 4-beat rest (r1) in a 3-beat bar. the
error message about a barcheck failing was also being output.
misplaced bars and beats will almost always cause a score to end
On Thu, Oct 29, 2009 at 12:40 PM, Graham Percival
gra...@percival-music.ca wrote:
Umm... welcome to git from a month ago?
Documentation/index.html.in was removed with prejudice a few
weeks ago. If you're curious, I would encourage you to look
through the git history.
Okay, I must've blacked
Am Donnerstag, 29. Oktober 2009 12:40:06 schrieb Graham Percival:
On Thu, Oct 29, 2009 at 11:04:31AM +0100, Valentin Villenave wrote:
On Tue, Oct 27, 2009 at 12:01 PM, Federico Bruni brunol...@gmx.com
wrote:
I have to admit I'm pretty disappointed with the user community.
Wow, is this
On Thu, Oct 29, 2009 at 12:59 PM, Reinhold Kainhofer
reinh...@kainhofer.com wrote:
Am Donnerstag, 29. Oktober 2009 12:40:06 schrieb Graham Percival:
Umm... welcome to git from a month ago?
Documentation/index.html.in was removed with prejudice a few
weeks ago. If you're curious, I would
I'm transcribing Six old Dutch Songs for choir and reed organ (harmonium), one
of which has a repeat section with different lyrics and alternative endings
(using LP 2.12.1 on Ubuntu 9.04.). For the voltas (1 measure ending) I used the
procedure outlined on page 99 of the current notation reference
Hello, Patrick
Patrick McCarty wrote:
Hi,
On 2009-10-28, Alberto Simões wrote:
Sure. Ill try to keep uptodate with releases so the site gets fixes asap :)
So here is what I have found...
The command `lilypond -fpng file.ly' uses the PS backend by default,
and when Ghostscript tries to
It's always easier to answer a question like these if we see an example
of LilyPond code that you tried.
Kris Van Bruwaene wrote:
I'm transcribing Six old Dutch Songs for choir and reed organ (harmonium), one
of which has a repeat section with different lyrics and alternative endings
(using LP
Am Donnerstag, 29. Oktober 2009 schrieb Kris Van Bruwaene:
- how to get the (final) lyrics repeated there?
You can also use volta repeats in lyricmode.
- how to get the slurs extended into it?
I'v wondered about that myself. I have a piece that has a slur/tie into the
alternatives, so the
Am Donnerstag, 29. Oktober 2009 schrieb Valentin Villenave:
On Tue, Oct 27, 2009 at 12:01 PM, Federico Bruni brunol...@gmx.com wrote:
I have to admit I'm pretty disappointed with the user community.
Wow, is this normal:
http://lilypond.org/doc/v2.13/Documentation/
This link points to the
I was complaining about the music alignment within a markup text line.
Jiri Zurek (Prague) wrote:
2) if the staff spans over several lines (longer music), then only the
first line of the music is shown and the rest is ignored! How can this be
corrected? Or is it a genuine bug in LilyPond?
When I use r1 (4/4 time) the sign gets aligned left in the bar. R1 aligns it
properly, but when I want to use r2 at the start (or R2) of the bar it looks
awfull. So how do I align these rests centered?
I haven't done anything fancy
Hou je goed / Keep well,
Erik
Kris Van Bruwaene kr...@yahoo.co.uk writes:
I'm transcribing Six old Dutch Songs for choir and reed organ (harmonium), one
of which has a repeat section with different lyrics and alternative endings
(using LP 2.12.1 on Ubuntu 9.04.). For the voltas (1 measure ending) I used
the
procedure
On 29.10.2009, at 12:14, John Mandereau wrote:
Le mercredi 28 octobre 2009 à 19:34 +0100, James E. Bailey a écrit :
downgrading to python 2.4.6 solved the problem and lilypond-book
works
perfectly now. Whom do I talk to to have this updated in the
distributed binary? Or is this not a
Hi Erik,
when I want to use r2 at the start (or R2) of the bar it looks
awfull. So how do I align these rests centered?
If you mean that you want the (e.g.) half-note rest to be mid-way
through the first half of the measure, rather than left-aligned at
the first beat, then... you
You are quite right, and I have never even bothered to check. Although I
have a quite substantial library and am over 25 years active with music.
Erik
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: donderdag 29 oktober 2009 18:29
To: Erik
Hi all,
I'm hoping to show a Schenker graph example on my lecture tour next
week, but I find http://lsr.dsi.unimi.it/LSR/Item?id=501
unnecessarily complex — it ends up [to my eye] looking like far more
work, and way scarier, than doing it in Finale (which I did a bunch
of in my day,
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Donnerstag, 29. Oktober 2009 17:23:18 schrieb Frank Steinmetzger:
Am Donnerstag, 29. Oktober 2009 schrieb Valentin Villenave:
On Tue, Oct 27, 2009 at 12:01 PM, Federico Bruni brunol...@gmx.com
wrote:
I have to admit I'm pretty disappointed
2009/10/26 Kieren MacMillan kieren_macmil...@sympatico.ca:
Probably to \override the LyricExtender #'stencil.
Something like this, perhaps:
http://lsr.dsi.unimi.it/LSR/Item?u=1id=643
Regards,
Neil
___
lilypond-user mailing list
Hi Neil,
Something like this, perhaps:
http://lsr.dsi.unimi.it/LSR/Item?u=1id=643
Um... yeah... exactly.
Even though I wasn't the one who [originally] asked for this
possibility, I'll say it: YOU ROCK.
Thanks!
Kieren.
___
lilypond-user mailing
2009/10/29 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hence the attached simplified/improved code file, at least as far as I've
gotten it in an hour or so.
Looks really good, Kieren.
The only thing I find slightly distracting is the alignment of the
carets on the scale degrees. If you
On Thu, Oct 29, 2009 at 11:43 AM, Graham Percival
gra...@percival-music.ca wrote:
[...]
*shrug*
if it sounds like I'm massively frustrated over this state of
affairs... well, yes, I am.
- Graham
Well, I offer my help as web monkey. I don't have time for big
commitments, but little things
Hi,
not Lilypond-specific, but about the mechanisms of the mailing list:
During the last days I asked two questions on the list, and both Kieren and
Neil wrote their answers with To:my address and a copy (CC) to the list. The
same goes for answers they write to each other in the ongoing
Hi Neil,
Looks really good, Kieren.
The only thing I find slightly distracting is the alignment of the
carets on the scale degrees. If you don't mind a slight increase in
complexity, I'd suggest using fingerings instead, with a custom
stencil callback to centre-align the columns.
Thanks —
Hi Reinhold:
Example is attached (and uploaded to the LSR:
http://lsr.dsi.unimi.it/LSR/Item?id=642 ).
Very nice — thanks!
This will definitely be a feature in my Lily-lectures next week...
Cheers,
Kieren.
___
lilypond-user mailing list
On Fri, Oct 30, 2009 at 7:57 AM, Frank Steinmetzger war...@gmx.de wrote:
Hi,
not Lilypond-specific, but about the mechanisms of the mailing list:
During the last days I asked two questions on the list, and both Kieren and
Neil wrote their answers with To:my address and a copy (CC) to the
On Thu, Oct 29, 2009 at 12:58 PM, Reinhold Kainhofer
reinh...@kainhofer.com wrote:
Am Donnerstag, 29. Oktober 2009 17:23:18 schrieb Frank Steinmetzger:
Am Donnerstag, 29. Oktober 2009 schrieb Valentin Villenave:
On Tue, Oct 27, 2009 at 12:01 PM, Federico Bruni brunol...@gmx.com
wrote:
I
2009/10/29 Jiri Zurek (Prague) zu...@ics.cas.cz:
After doing some more research on the topic, I discovered that it is really
a limitation of Lilypond that it ignores all the systems of the music except
the first one when score is inside the markup block. However, an able scheme
programmer
Am Donnerstag, 29. Oktober 2009 schrieb Chris Angelico:
On Fri, Oct 30, 2009 at 7:57 AM, Frank Steinmetzger war...@gmx.de wrote:
Hi,
not Lilypond-specific, but about the mechanisms of the mailing list:
During the last days I asked two questions on the list, and both Kieren
and Neil
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