Jesús Guillermo Andrade writes:
> Currently, I am trying to set up a complete implementation of the
> venezuelan cuatro into lilypond.
> So far, I've been able list most chord shapes, but I keep getting
> errors in the form of:
>
> advertencia: No string for pitch # (given frets ())
> advertencia
Currently, I am trying to set up a complete implementation of the
venezuelan cuatro into lilypond.
So far, I've been able list most chord shapes, but I keep getting
errors in the form of:
advertencia: No string for pitch # (given frets ())
advertencia: No string for pitch # (given frets ())
a
Frederick Dennis wrote:
Dear All,
\version "2.12.2"
How do you indent just one system?
Hi, Frederick,
perhaps I'm just tired, but no idea right now for this one.
Also, the section is voices singing: "Ah".
I used a hidden slur to get an extender
...which is not what you should do. Have a lo
Dear All,
\version "2.12.2"
How do you indent just one system?
I've got some shortInstrumentNames appearing at bar
23, the previous bars being hidden, so
short-indent in \layout makes room for the
names, but also indents all the other
systems which I don't want.
Also, the section is voices singing
Jesús Guillermo Andrade schrieb:
Marc: Yes... in fact, if you read section number 1 of my first email
you'll surely notice that I expressely mention the "flamenco example",
regarding the snippet found in the repository. But those arrows are no
good... at least to me.
Ah, yes, sorry then, I m
Quoting "Bertalan Fodor (LilyPondTool)" :
LilyPond ties the chords. Actually you want separate voices, as a
tie's meaning is different of a slur:
~ is actually a polyphonic part, so I think
it should be written like:
<< { ( ) } \\ { f' ~ f' } >>, or better readability:
<< { ( ) } \\ { f'
>> Could you prepare a patch adding the known behavior and this workaround to
>> the Known Issues in Displaying pitches in pitches.itely?
Here is a patch for the Notation Reference.
Frédéric
0001-known-issue-in-NR-extra-cautionnary-accidentals-in-a.patch
Description: Binary data
___
Marc: Yes... in fact, if you read section number 1 of my first email
you'll surely notice that I expressely mention the "flamenco example",
regarding the snippet found in the repository. But those arrows are no
good... at least to me.
El 17/11/2009, a las 03:53 p.m., Marc Hohl escribió:
Jesús Guillermo Andrade schrieb:
Dear fellows: Inspired by the script created for flamenco music I
began to design some symbols which are specific for a cuatro in
Venezuela and other parts of the world.
At any rate, the main difficulty Im experiencing right now is the fact
that no matter how go
Mats Bengtsson wrote:
Lilypond-book detects what line-width is used in the LaTeX document, and
applies it to the included scores, so in general you should not have any
\paper in the ly files. If you want to do such settings and have
lilypond-book respect them, then you could try adding a \book{
Hello,
I need to format some musical examples for my musicology book. The examples
are tiny ones, and it would be good to isolate them from the clef/key/time
(as well as tempo) environment.
So, I need to put a small blank space (blank blank, without the staff) just
after theclef/key/time symbols,
Use lilypond-book with HTML output, that's way easier.
Marcus Brinkmann wrote:
Patrick Horgan wrote:
I've committed to making a key for guitar tablature that will show
little snippets of tab along with descriptions. How do I do that? Any
pointers greatly appreciated;) I understand TAB qui
Patrick Horgan wrote:
> I've committed to making a key for guitar tablature that will show
> little snippets of tab along with descriptions. How do I do that? Any
> pointers greatly appreciated;) I understand TAB quite well, and vocal
> music on lilypond well, as well, but well, don't understand
Dear fellows: Inspired by the script created for flamenco music I
began to design some symbols which are specific for a cuatro in
Venezuela and other parts of the world.
At any rate, the main difficulty Im experiencing right now is the fact
that no matter how good, or scaled or proportioned I
LilyPond ties the chords. Actually you want separate voices, as a tie's
meaning is different of a slur:
~ is actually a polyphonic part, so I think it
should be written like:
<< { ( ) } \\ { f' ~ f' } >>, or better readability:
<< { ( ) } \\ { f'2 } >>
So actually what LilyPond fails to d
Great, I had the fear I'm the only one with that problem ;-)
let me know if there is something new; - maybe I can contribute with some
testing...
Regards, Christian
Bugzilla from reinh...@kainhofer.com wrote:
>
> -BEGIN PGP SIGNED MESSAGE-
> Hash: SHA1
>
> Am Montag, 16. November 2009
Op zondag 15 november 2009 schreef Richard:
> Lilypond 2.13.6 has what looks like a bug: when two chords are to be tied,
> and there are notes that should be tied, and also notes that are on the
> same level but have different pitches and thus should not be tied,
> sometimes the latter are tied
Dear community,
I was now able to reproduce the error. It has do do with \context Voice.
When I compile the following snippet, the text "solo" is not printed, and
the upper voice is shown as voiceOne.
Here is the snippet:
\version "2.12.2"
upper = \relative c'' {
\context Voice << {\repeat "unfo
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 16. November 2009 21:17:59 schrieb grisu_76:
> maybe it is not the appropriate way, but is there a possibility that anyone
> could have a look to the figured bass alignment defintions? Neil looked at
> some definitions (fontsize, y-positioni
19 matches
Mail list logo
