I'm trying to use \parallelMusic to write polyphonic pieces.
Unfortunately, I can't use \repeat and \alternative, otherwise
everything breaks up. In fact, it interprets each line as a new
measure, it can't see the voices anymore.
I wonder if it's a bug or if I'm doing something wrong.. (I attach a
Federico Bruni-3 wrote:
>
> I'm trying to use \parallelMusic to write polyphonic pieces.
> Unfortunately, I can't use \repeat and \alternative, otherwise
> everything breaks up. In fact, it interprets each line as a new
> measure, it can't see the voices anymore.
>
> I wonder if it's a bug or i
Graham Percival writes:
> On Mon, Dec 07, 2009 at 07:50:32AM +0100, David Kastrup wrote:
>> 胡海鹏 - Hu Haipeng writes:
>>
>> > Then here's a visual
>> > problem: When I set the line-count to 3, will the clef position 0 be
>> > the middle line?
>>
>> Wouldn't trying it out help?
>
> That's easy f
-Eluze wrote:
I can use \bar "|:" ":|" for repeats, but I don't know how to set the
alternate endings manually. Any hint?
you could add a further voice taking care of these repeats:
\\
{
\repeat volta 2 {
s 1 s 1
}
\alternative {
-Eluze writes:
> Federico Bruni-3 wrote:
>>
>> I'm trying to use \parallelMusic to write polyphonic pieces.
>> Unfortunately, I can't use \repeat and \alternative, otherwise
>> everything breaks up. In fact, it interprets each line as a new
>> measure, it can't see the voices anymore.
>>
>> I w
-Eluze wrote:
> i think \parallelMusic is just thought for a quick and easy input - without
> sophisticated structuring of a piece!
>
oh, I see
that's what I wanted to know..
well, it's a pity because it's very handy, you can see all the voices
in a measure without having to scroll from one var
Mats Bengtsson wrote:
>
>
> -Eluze wrote:
>>
>>> I can use \bar "|:" ":|" for repeats, but I don't know how to set the
>>> alternate endings manually. Any hint?
>>>
>>>
>>
>> you could add a further voice taking care of these repeats:
>>
>> \\
>> {
>> \repeat volta 2 {
>>
On Mon, Dec 07, 2009 at 11:08:46AM +0100, David Kastrup wrote:
> Maybe one would need a standard test suite template with multiple
> voices, input methods, repeats and midi output, and any new feature that
> gets moved into core needs to get this template expanded into the test
> suite, and every t
Federico Bruni wrote:
In a normal piece, I have to scroll a lot when I enter music, because
each voice is separated.
That's why I hoped I could use \parallelMusic instead..
Do it, and try to somehow get around it's rough edges.
Although it has it's shortcomings, I can really recommend it, from
David Kastrup wrote:
-Eluze writes:
i think \parallelMusic is just thought for a quick and easy input -
without sophisticated structuring of a piece!
In my personal opinion, tools of "quick and easy" nature that do not fit
well with the rest of Lilypond, partly because a "proper" implementati
Alexander Kobel wrote:
> Federico Bruni wrote:
>> In a normal piece, I have to scroll a lot when I enter music, because
>> each voice is separated.
>> That's why I hoped I could use \parallelMusic instead..
>
> Do it, and try to somehow get around it's rough edges.
> Although it has it's shortcomi
Federico Bruni wrote:
Even this (just repeat without alternatives) does not work:
\parallelMusic #'(VoiceA VoiceB) {
\repeat volta 2 {
r4 g' c e ~ |
c,1 |
e4 g, c e ~ |
b1 |
}
}
Everything inside the \repeat braces is considered as a single music
expression, so I'm not surprised
Alexander Kobel wrote:
> Federico Bruni wrote:
>> Even this (just repeat without alternatives) does not work:
>>
>> \parallelMusic #'(VoiceA VoiceB) {
>> \repeat volta 2 {
>> r4 g' c e ~ |
>> c,1 |
>>
>> e4 g, c e ~ |
>> b1 |
>> }
>> }
>
> Everything inside the \repeat braces is consid
I'm writing a blank sheet to be used for hand writing (see attached file).
The problem is that the first bar of each line is too large compared
with the other bars. I guess this is due to a default padding value of
some property.. I don't know which..
Any hint?
I've searched in the archives but I
imo the worst idea is to use \parallelMusic at all.
as to your opinion, that "the musical meaning of the repeat is that all the
voices should be played twice" and therefore they "should in general be
included in every single voice" does not meet my view, mainly because it
means that you have to m
Federico Bruni writes:
> Alexander Kobel wrote:
>> Federico Bruni wrote:
>>> Even this (just repeat without alternatives) does not work:
>>>
>>> \parallelMusic #'(VoiceA VoiceB) {
>>> \repeat volta 2 {
>>> r4 g' c e ~ |
>>> c,1 |
>>>
>>> e4 g, c e ~ |
>>> b1 |
>>> }
>>> }
>>
>> Every
Federico Bruni wrote:
I'm writing a blank sheet to be used for hand writing (see attached file).
The problem is that the first bar of each line is too large compared
with the other bars. I guess this is due to a default padding value of
some property.. I don't know which..
You'd want some ext
2009/12/7 Federico Bruni :
> I'm writing a blank sheet to be used for hand writing (see attached file).
> The problem is that the first bar of each line is too large compared
> with the other bars. I guess this is due to a default padding value of
> some property.. I don't know which..
It's due to
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