Quoting Trevor Daniels t.dani...@treda.co.uk:
Mats Bengtsson wrote Sunday, February 07, 2010 10:45 PM
A better solution is to tell LilyPond that you don't want it to put
rehearsal marks above other objects:
\version 2.12.2
\score {
\relative c' {
\clef G
\time 4/4
c'1 d
Mats Bengtsson wrote Monday, February 08, 2010 8:05 AM
Quoting Trevor Daniels t.dani...@treda.co.uk:
Mats Bengtsson wrote Sunday, February 07, 2010 10:45 PM
A better solution is to tell LilyPond that you don't want it to
put rehearsal marks above other objects:
\version 2.12.2
\score {
Personally I would already be quite happy if Lilypond would only be able
to export the most basic information like staffs, clefs, keys, notes, and
beamings. More detailed and/or complex details I would then add manually
in the software that I use to import the exported musicxml. Even that
...almost tempted to make a LilyPond on Android app ...
--
Han-Wen Nienhuys -
Coool, KillerApp
If you need some help from a former programmer ;-)
Hajo
---
... indessen wandelt harmlos droben das Gestirn
On Mon, Feb 8, 2010 at 10:46 AM, lilypond-user-requ...@gnu.org wrote:
Send
On Mon, Feb 08, 2010 at 10:45:58AM +0100, Martin Tarenskeen wrote:
But the main problem remains: Lilypond developers are also very happy
Lilypond users, which could explain the lack of motivation to put a lot
of time and effort exporting to a format that only people who do NOT use
On Mon, 8 Feb 2010, Graham Percival wrote:
On Mon, Feb 08, 2010 at 10:45:58AM +0100, Martin Tarenskeen wrote:
But the main problem remains: Lilypond developers are also very happy
Lilypond users, which could explain the lack of motivation to put a lot
of time and effort exporting to a
You can get started with a reasonable MusicXML import project for as little as
a US $10 investment in Finale NotePad. For a MusicXML export project, just
download a free Finale demo. Recordare does not make any money from either the
sales or downloads of MakeMusic products.
The Finale products
Just out of curiosity...
Assuming for the moment that development interest might materialize if there
were
money involved, approximately how much sponsorship dollars would be involved to
tackle this?
Jack
--
Jack Cooper, BerLen Music
www.berlenmusic.com
www.jack-cooper.com
-
Hi all,
I've been reading the docs* and trying things like: e1:m.6- or
e1:m.maj7 but not really found anyway to represent a harmonic minor
scale as a chord. The output I'm looking for would be something like
Em(maj7).
Any ideas?
thanks,
Gavin
*
You can always set the notes that the chord consists of:
\chords { e:7+.3- }
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Chord-mode#Chord-mode
Gavin Johnson írta:
Hi all,
I've been reading the docs* and trying things like: e1:m.6- or
e1:m.maj7 but not really found anyway to
That's what I was looking for! Thanks.
On 8 February 2010 21:34, Bertalan Fodor lilypondt...@organum.hu wrote:
You can always set the notes that the chord consists of:
\chords { e:7+.3- }
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Chord-mode#Chord-mode
Gavin Johnson írta:
Hi Paul,
I'm looking for a way to put a centered fermata over a bar of music.
Did anyone answer this?
Here's one possibility:
\version 2.13.12
noMMR = \once \override MultiMeasureRest #'transparent = ##t
\new Staff { \noMMR R1^\fermataMarkup } { a4 b c' d' }
(In the actual case I want a
Hello,
is there a way to place a hyphen before the syllable of a word when
it's positioned into a new line?
In other words, when I have a word splitted between more than one line
(or more than one page), I'd like to repeat the hyphen that follows the
last syllable on the first line before
On Mon, Feb 08, 2010 at 05:04:09PM -0500, Kieren MacMillan wrote:
Hi Paul,
I'm looking for a way to put a centered fermata over a bar of music.
Did anyone answer this?
No. I was about to post again since I was almost there.
Here's one possibility:
\version 2.13.12
noMMR = \once
On Mon, Feb 08, 2010 at 04:50:27PM -0700, Paul Scott wrote:
On Mon, Feb 08, 2010 at 05:04:09PM -0500, Kieren MacMillan wrote:
Hi Paul,
I'm looking for a way to put a centered fermata over a bar of music.
Did anyone answer this?
No. I was about to post again since I was almost
Hi Paul,
I have one tremolo where the slashes collide with accidentals
on the second note when I use this trick but not when I don't:
As with all such hacks, I would suggest explicitly instantiating the hack voice:
\version 2.13.12
fullBarFermata = {
\once \override MultiMeasureRest
On Feb 8, 2010, at 2:56 PM, Gavin Johnson wrote:
Hi all,
I've been reading the docs* and trying things like: e1:m.6- or
e1:m.maj7 but not really found anyway to represent a harmonic minor
scale as a chord. The output I'm looking for would be something like
Em(maj7).
e1:min7+
Hi,
On 2010-02-05, Patrick McCarty wrote:
http://code.google.com/p/lilypond/issues/detail?id=968
Great! I look forward to seeing this in action. I hope it's not too
complicated to implement?
It shouldn't be too difficult. I tried implementing it over the
summer, but gave up
My score is coming along nicely. But I am not satisfied with the
positioning of the rests in the upper voice. Here is an example. The
placement of the dotted half rest here just looks too high to me. How
can I move it so that it is lower?
% measure 16:
{ r2.^\markup { \bold
Bob,
The easiest way to do this is to specify the position of the rest by
specifying a pitch (a line or space) to align the rest to, and then
converting to a rest by using \rest.
% measure 16:
{ d''2. \rest^\markup { \bold \large Fine } } \\
{ a,2. }
\bar ||
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