Don't know if this has been thought of before (I couldn't find it in the
lilypond-user archives), but while having to do some tweaking to get
stroke fingering in one voice to avoid notes in another voice, I
realised that multiple stroke fingering indications can be attached to a
single note. So
On 9 February 2010 13:09, Éric Bouvéron wrote:
> Hi,
> Just found something, and I do not see a code for it. (file included)
> Is there a way to reproduce this?
Hi,
As I have just said on the French Users mailing list:
\hideNotes
\override Glissando #'style = #'zigzag
b'4\glissando % si
In musicological literature, it is common to create comparative systems
(staffgroups) where each staff holds the reading of one given version of the
chant. The music is aligned so that melodic patterns common to all the
versions are visually boosted by aligning them under each other. (Please,
see
Very nice!
Nick Payne wrote:
Don't know if this has been thought of before (I couldn't find it in
the lilypond-user archives), but while having to do some tweaking to
get stroke fingering in one voice to avoid notes in another voice, I
realised that multiple stroke fingering indications can be
Jiri Zurek:
...
> http://old.nabble.com/file/p27515617/comparison.jpg
...
> The problem is how to vertically align the notes in the desired way, i.e.
> how to match vertically the common melodic patterns? Are there tools in
> lilypond to achieve the result in a way which is humanly manageable?
Ca
Hi Jiri,
> Are there other simpler ways to achieve the vertical
> alignment of bits of music regardless of the beats?
The attached snippet may give you some hints.
Hope this helps!
Kieren.
\version "2.13.11"
\paper {
ragged-right = ##f
}
\layout {
\context {
\Staff
\remove "Time_s
Jiri Zurek (Prague) wrote:
In musicological literature, it is common to create comparative systems
(staffgroups) where each staff holds the reading of one given version of the
chant. [...] (Please,
see the attachment not prepared in lilypond).
http://old.nabble.com/file/p27515617/comparison.jp
Karl Hammar wrote:
>
> Can't you use scaled durations [1], something like:
>
Yes, the scaled durations are elegant and offer marvellous result (as Kieren
showed). Thank you, I did not notice this functionality. However, it
presumes, that I make the collation first outside lilypond, count the
d
Alexander Kobel wrote:
>
> What's that thingy next to the very
> last note of this excerpt (the d' on "pro-mlu-VIL")? Is this just a
> random blast of ink, or some cool typographic detail missed so far?
>
It is a "nota caudata", common in chant (plainchant) notation, meaning
various things,
Jiri Zurek (Prague) wrote
The scaled durations do not offer a solution, just a workaround. Lilypond
still attempts to "count" the beats, aligning vertically beat after beat.
What I would like to achieve is to force Lilypond not to count beats at all.
Rather, to align vertically certain "bits of
Op dinsdag 09 februari 2010 schreef Jiri:
> What I would like to achieve is to force Lilypond not to count beats at
> all. Rather, to align vertically certain "bits of music" which I mark
> clearly somehow,
You could create the Staff (and Voice) contexts, keeping them alive with some
long enou
Jiri Zurek (Prague) wrote:
Alexander Kobel wrote:
What's that thingy next to the very
last note of this excerpt (the d' on "pro-mlu-VIL")? Is this just a
random blast of ink, or some cool typographic detail missed so far?
It is a "nota caudata", common in chant (plainchant) notation, mean
Le mardi 09 février 2010 à 07:07 -0800, Jiri Zurek (Prague) a écrit :
> The scaled durations do not offer a solution, just a workaround. Lilypond
> still attempts to "count" the beats, aligning vertically beat after beat.
> What I would like to achieve is to force Lilypond not to count beats at al
So what is wrong with
\score {
\relative c' {
\clef G
\time 4/4
c'1 d
\bar "||" \mark \markup { \box "M2" } e( \f ^\markup {\halign #-1.5
{Tutti}} f)
}
}
Seems to me that '\halign #-1.5' is far less complicated than any of those?
Alternatively how about shrinking down the size o
I'm trying to replace the tuplet bracket with a slur by doing:
\layout {
\context {
\Score
\override TupletBracket #'stencil = #ly:slur::print
}
}
Unfortunately, I get a fucked up slur, starting and ending vertically on
the first note of the triplet (version 2.12.3):
How can I enter text such as 'Capo 1' to the beginning of a line of
chord names , please ?
Gerry Prosser
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That is very helpful, thank you. When you know where to look in the manual
:-)
I even found the bit about setting it back to one voice again ("\oneVoice"
if anyone else reads this post for help) - really helpful - saved me so
much time.
Kieren MacMillan wrote:
>
> Hi Simon,
>
> This i
This is both a warning and a fishing expedition for ideas that I might
have missed.
I am trying to use a style in which I define lots of individual numbers
as bookparts, sometimes produce them separately, sometimes combine them
(often with a choice of several variants for each number) into one boo
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