On Fri, Feb 19, 2010 at 08:35:12AM +1100, Nick Payne wrote:
Comment out everything from bar 11 onwards and use showLastLength =
R1*timesig*6 to only process the last six bars.
Thanks. I was rather looking for some way to manipulate the entire
score programmatically. But maybe it's easier to
On Fri, Feb 19, 2010 at 8:03 AM, O Polite myli...@polite.se wrote:
Thanks. I was rather looking for some way to manipulate the entire
score programmatically. But maybe it's easier to export to midi and then
manipulate the midi file programmatically?
Are you asking how can I extract fragments
On Fri, Feb 19, 2010 at 08:34:43AM +, Graham Percival wrote:
Are you asking how can I extract fragments of music? If so, the
answer is read the Notation manual, 3.4.1 Extracting fragments of
music.
Thank you very much. That's exactly what I want. I googled bars, measures,
sections and
Brett McCoy a écrit :
On Thu, Feb 18, 2010 at 7:27 PM, Peter Chubb
lily.u...@chubb.wattle.id.au wrote:
I had a quick look at what it would take to generate notes with
different velocities instead of just CC 7 events. It's harder than it
should be: dynamic events always come after the notes
I'm trying to reproduce what's shown in the attached. At the moment I'm
doing it by creating an additional voice with NoteHeads, Stems, Dots,
Accidentals, and ledger lines set to transparent, putting a slur between
two notes in this voice, and then tweaking it to the desired position
over the
Thank you Neil
I found another way this time but I might need this in the future.
/Tor
2010/2/17 Neil Puttock n.putt...@gmail.com
On 17 February 2010 13:48, Carl Sorensen c_soren...@byu.edu wrote:
There is a markup interface for use with Scheme, that may make things
doable
for you. You
A great suggestion. To override was the way to go.
So here it comes!
My inner perfectionist only have one complaint: the note width has been hard
coded and the value should be adjusted if non default notehead sizes are
used.
I haven't tested this a lot yet so maybe there are bugs. The code boiled
Hi,
Greetings to the list.
I'm currently looking into Lilypond for a project that I'm doing. I have a
couple of questions I could not find an answer to right away:
(1) I'm using a nice snippet by Nicolas Sceaux that provides for a title page.
Is it also possible to include the title and
Hello,
I've been following the 'align lyrics on vowels' discussion. Nice end
result, I think I'll use it in my following Lily 'excursions'.
Now, for something slightly different...
In church music, using a hyphen to split syllables is not done.
Instead, words with 2 syllables have a note
Nick Payne nick.pa...@internode.on.net writes:
I'm trying to reproduce what's shown in the attached. At the moment
I'm doing it by creating an additional voice with NoteHeads, Stems,
Dots, Accidentals, and ledger lines set to transparent, putting a slur
between two notes in this voice, and
The answer to the third item is pretty routine.
(3) Can I somehow force a piece of text in the score to reserve more horizontal space for itself? For
example, when there is pizz in one note and arco in the next one is it possible to
force more space for the pizz?
\textLengthOn c4_\markup
On 19.2.2010, at 14:49, David Stocker wrote:
The answer to the third item is pretty routine.
(3) Can I somehow force a piece of text in the score to reserve more
horizontal space for itself? For example, when there is pizz in one note
and arco in the next one is it possible to force more
Dear lilypond-users,
I get sometimes a strange error message, that I do not understand:
/usr/share/lilypond/2.12.2/ly/init.ly:29:0: Fehler: syntax error, unexpected
SCM_TOKEN
#(if (and (ly:get-option 'old-relative)
I have no idea what that could mean.
Does someone have an idea?
On 2/19/10 5:24 AM, Wolf Alight wolfali...@gmail.com wrote:
A great suggestion. To override was the way to go.
So here it comes!
Beautiful!
My inner perfectionist only have one complaint: the note width has been hard
coded and the value should be adjusted if non default notehead sizes
On 2/19/10 6:33 AM, Stefan Thomas kontrapunktste...@googlemail.com
wrote:
Dear lilypond-users,
I get sometimes a strange error message, that I do not understand:
/usr/share/lilypond/2.12.2/ly/init.ly:29:0: Fehler: syntax error, unexpected
SCM_TOKEN
#(if (and (ly:get-option
Dear Carl,
the only places in the score, that have an # are those, that contain
\ottava #1, or \ottava #0
2010/2/19 Carl Sorensen c_soren...@byu.edu
On 2/19/10 6:33 AM, Stefan Thomas kontrapunktste...@googlemail.com
wrote:
Dear lilypond-users,
I get sometimes a strange error message,
On 2/19/10 5:46 AM, Christ van Willegen cvwille...@gmail.com wrote:
In church music, using a hyphen to split syllables is not done.
Instead, words with 2 syllables have a note attached to each syllable
(centered on the vowels, ofcourse :-) )
So, I would like to be able to typeset {c4 d}
Graham == Graham Percival gra...@percival-music.ca writes:
Graham On Mon, Feb 15, 2010 at 12:37 AM, Peter Chubb
Graham lily.u...@chubb.wattle.id.au wrote:
Trevor == Trevor Daniels t.dani...@treda.co.uk writes:
Trevor Peter's original announcement, with articulate.ly and some
Trevor
Bertalan == Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu
writes:
Tim Reeves wrote: Peter Chubb wrote:
Lilypond uses a separate volume channel, rather
than velocity, to control MIDI dynamics. There's a perl script
`ConvertToVeolcity.perl'
У сб, 2010-01-30 у 12:27 +0200, Dmytro O. Redchuk пише:
Hi!
Hi again!-)
Something to add; please take a look at this snippet:
\version 2.13.13
{
c'' -sizes
%
% works good (overrides font-name):
c'' -\markup \override #'((font-name . New Century Schoolbook)) good
%
% bad --
Hi all,
I want to come back on this amazing thread dated of November 2007:
http://lists.gnu.org/archive/html/lilypond-user/2007-11/msg00436.html
Perhaps I don't understand very well the purpose and I need some
enlightenment.
I attach a file where you could see and hear a comparison between 4/4
У пт, 2010-02-19 у 16:58 +0200, Dmytro O. Redchuk пише:
% works good (overrides font-name):
c'' -\markup \override #'((font-name . New Century Schoolbook)) good
Sorry.
It DOES NOT.
My fault. MY FAULT.
Again --- i can not understand anything.
Well, will test later, i guess. If nobody
Message: 2
Date: Fri, 19 Feb 2010 06:43:45 -0700
From: Carl Sorensen c_soren...@byu.edu
Subject: Re: old-relative, what does it men
To: Stefan Thomas kontrapunktste...@googlemail.com, lilypond-user
lilypond-user@gnu.org
Message-ID: c7a3e3a1.10298%c_soren...@byu.edu
Content-Type:
Dear Tim,
thanks!
I found the mistake, it was a missing {
2010/2/19 Tim Reeves tim.ree...@tokamerica.com
Message: 2
Date: Fri, 19 Feb 2010 06:43:45 -0700
From: Carl Sorensen c_soren...@byu.edu
Subject: Re: old-relative, what does it men
To: Stefan Thomas
On Fri, 19 Feb 2010 09:54:06 +1100
pe...@chubb.wattle.id.au wrote:
Bertalan When you see p in the score, you play with less force on the
Bertalan keys, with lower velocity. When you see ff in the score,
Bertalan you play with much force on the keys, with high velocity.
That depends on
Hi,
I looked into the documentation and into the LilyPond Snippet Repository but
could not find a way to reduce the space between notes.
Would you mind pointing me to the right direction in the doc and showing me
an example?
thanks.
-Marc
--
View this message in context:
Hi, it depends on why and where you want to reduce the space. Send a
minimal example or a small picture of what you get and what you want to
achieve.
Antheo wrote:
Hi,
I looked into the documentation and into the LilyPond Snippet Repository but
could not find a way to reduce the space
On 20/02/10 10:35, Antheo wrote:
I looked into the documentation and into the LilyPond Snippet Repository but
could not find a way to reduce the space between notes.
\version 2.13.13
\score {
\relative c' {
\repeat unfold 12 c4
}
}
\score {
\relative c' {
I am transcribing Gregorian Chant and am using the \breve sign at certain
parts where the lyrics are supposed to continue until another note. I tried
\skip but it isn't what I want or maybe I'm doing it wrong, help.
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lilypond-user mailing list
That's exactly the effect that i am looking for. I tried several settings
for the make-moment function but still the notes are not spread the way i'd
like them to be.
Here is what i want:
http://old.nabble.com/file/p27662953/what%2Bi%2Bwant.png
and here is what I get :
I downloaded 2.12.3 Lilypond today as I thought it may have been 2.11 version
causing this problem but I still get black marks in the letter d with the
version 2.12.3.
http://old.nabble.com/file/p27663079/Blotch%2Bin%2BD.jpeg
Any ideas? It happens when the letter d or i is printed, in lyrics
by adding some breaks and overriding the SpacingSpanner i was able to fix
the begining but now i get a single half note taking a lot of space.
http://old.nabble.com/file/p27663115/CropperCapture%255B1%255D.png
another break instruction and it is getting better but that does not look
natural
Hi Antheo,
You would likely get more (and better) help if you included a small example of
the Lilypond code you're working with.
Cheers,
Kieren.
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I am using oddHeaderMarkup and evenHeaderMarkup to put running headers
(title, composer) on each page of a score, but want to suppress it on
the first page of the score (where the main header is). I can't seem
to find anything in the snippets or notation reference on how to
suppress this on the
Thanks, this was added by Colin. It should be visible in 2.13.14 when
that comes out.
Cheers,
- Graham
On Wed, Feb 17, 2010 at 3:14 PM, Federico Bruni brunol...@gmx.com wrote:
I have a suggestion to make doc even more straightforward.
In NR 2.4.1 (section Right-hand fingerings)
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