We have now caught up on our backlog of bugs. If you are aware of any
problems that are not fixed in 2.13.26 and have not been added to our
tracker, then unfortunately the report has been lost. Please report
the bug again by following the guidelines here:
http://lilypond.org/website/bug-repor
alex stone wrote:
lilypond version 2.13.25
lilypondtool version (D/L direct from jedit plugin repo) 2.12.894
I've been working all day on trying to get the internal midi player in
jedit/lilypondtool to work with timidity. (as lilypondtool has no
jackmidi as yet)
No luck so far. I have timidity r
I am working on piano music in Lilypond. Can't find in the manual how to create
cross staff glissando and cross staff slur.
How can that be done?
Hans
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On Mon, Jun 28, 2010 at 2:08 PM, Bertalan Fodor (LilyPondTool)
wrote:
> alex stone wrote:
>>
>> lilypond version 2.13.25
>> lilypondtool version (D/L direct from jedit plugin repo) 2.12.894
>>
>> I've been working all day on trying to get the internal midi player in
>> jedit/lilypondtool to work w
On 28.06.2010, at 20:47, Hans van Eck wrote:
I am working on piano music in Lilypond. Can't find in the manual
how to create
cross staff glissando and cross staff slur.
How can that be done?
Hans
Hello,
For cross-staff glissando, see section 1.3.3, Lines, in the selected
snippets, " Cre
I have a guitar piece in two voices in which I'm using
\mergeDifferentlyHeadedOn in the \score section to merge the same notes
in the two voices. However, there are a couple of places where I want
the same note played on two different strings and therefore don't want
the notes merged. I tried u
Hello,
I downloaded 2.13.26 to compile my overture. The result is bad, because it
not only uses more pages, but also reported a (de)crescendo too small warning.
I reinstalled 2.13.24-2, then the warning disappeared, and the page amount is
back to normal. Are there any spacing changes in 26?
Re
Hi Haipeng,
Yes there were spacing/breaking changes between 24 and 26. They are in
a tricky area of code, so it is quite possible (and even probable) that
they caused bad things. Can you provide a "minimal example" showing the
problem? If you only say "the result is bad", I believe you but
On Tue 29 Jun 2010, 08:43 Nick Payne wrote:
> I have a guitar piece in two voices in which I'm using
> \mergeDifferentlyHeadedOn in the \score section to merge the same
> notes in the two voices. However, there are a couple of places where
> I want the same note played on two different strings and