On Tue, Jul 20, 2010 at 03:47:26PM -0400, Mike Blackstock wrote:
> Me too I've long been interested in this; I'd like to be able to
> generate endless sight-reading exercises/material for guitarists,
> perhaps in the form of duos with the computer playing one of the parts
> just to keep things inte
On Tue, Jul 20, 2010 at 06:17:51PM +0200, Martin Tarenskeen wrote:
> But thinking about this little project I was wondering: Would it be
> possible to write a lilypond input file, using just pure Lilypond syntax
> and some Scheme magick, that would produce a different score each time
> you pro
On 17 July 2010 09:13, David Kastrup wrote:
> Wouldn't it make more sense if articulations were siphoned off a
> multimeasure and tacked back on by the multimeasure engraver?
They already are. The syntax constructor for full-bar rests converts
markup text and articulations into MultiMeasureText
On 20 July 2010 13:25, Geisel Hanna wrote:
> The beams aren't subdivided in my output, but divided by 8th notes.
> I think I followed the instructions from the manual correctly, but the
> subdivision just doesn't work, where's my mistake?
You're almost there. There are just two more changes req
Good luck with Strasheela! I keep trying to crack my brain over it,
and it just has not happened yet. Lilypond I get. Python I get.
Mozart has been tough for me...
Josh Parmenter had been working on a SuperCollider-to-lily project.
I'm not sure where he's at with it, but if you know SC, that co
Me too I've long been interested in this; I'd like to be able to
generate endless sight-reading exercises/material for guitarists,
perhaps in the form of duos with the computer playing one of the parts
just to keep things interesting. I've downloaded but haven't yet
looked at Strasheela
(http://str
On Tue, 20 Jul 2010, Mike Solomon wrote:
For what it's worth...
I do a lot of exactly this: aleatoric composition in Lilypond.
()
I use Python for all of my aleatory and have Python spit out
lilypond-parseable code. There is no good reason for this aside from the
fact that, for me, th
For what it's worth...
I do a lot of exactly this: aleatoric composition in Lilypond. My "seven
pieces for seunge hye", which is somewhere on www.apollinemike.com/mike,
uses this in pieces 1, 4, and 6. My most recent piece, "Norman (12 ans) à
la dernière répétition avant sa Bar Mitzvah", also do
Hi,
I'm thinking of writing a little fun application based on "Mozart's
Musikalisches Wuerfelspiel". The idea is to compose a 16-bar Waltz using a
pair of (virtual) dice and a table of musical fragments.
I already wrote such a game for Mup ( I you have Mup, go
to http://linux.martintarenskee
Hi all,
short version:
I'm trying to change the indentation (and possibly the vertical spacing) of
a single staff, something like overriding the short-indent (which I
unsuccessfully tried), without splitting the music in multiple systems
long version:
I'm transcribing old italian folk music struc
Hello,
this might be a stupid question, but I only just started using lilypond and I
can't figure it out:
For a piece in 2/4 I want to subdivide the normal beams to 8th notes.
Here's what I've written:
\version "2.12.3-1"
\include "deutsch.ly"
\header {title = "Le Ior" }
\relative f'
{
\new Pia
Hello Brett,
When trying I noticed also it is complicated. Some say Djembe is
impossible to notated. But I do not agree with them.
Myself I do not have a very good memory to remember all ritmes. And I
am not the only one. I feel it is Djembe notation is not impossible,
although hard to do
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