Benjamin Peterson python.org> writes:
> Hi,
> How are the LSR images generated?
Try
lilypond -dpreview --png myfile.ly
HTH,
Carl
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On 8/18/10 10:45 AM, "Hans Aberg" wrote:
> On 18 Aug 2010, at 17:50, Carl Sorensen wrote:
>
>>
>> If you don't want to do \overrideTimeSignatureSettings, it would be
>> sufficient to do
>>
>> \time 9/16
>> \set beatStructure = #'(4 2 3)
>>
>> because the \time call resets beatStructure.
>
Merci de nous avoir avertir!
La fonction \keepWithTag dans ly/music-functions-init.ly ne cherche qu'une
seule fois pour les \tag dans une partition. Si tu réécrivais la fonction
de manière récursive, je crois que tu obtiendrais ce que tu cherches.
~Mike
On 8/18/10 5:04 PM, "Seventies" wrote:
Hello,
I reported this problem earlier, and stopped when my teacher said nothing was
wrong on the score. But with 2.13.30" the portion has more such reports. Here's
the music. When I comment out music before rehearsal 6 (sorry, mark line not
included, see the comment line), no problem is found
I have figured out how to achieve, but... but you must do a complete different
score for midi. If the two sounds within a line uses different soundfont, you
must divide it into two lines. Also, please map the midi instrument to the
correct presets of your soundfont, thus, 001 is not always piano
On 17 August 2010 21:57, Alexander Kobel wrote:
> Oops, sorry, I see now the difference between those options for a
> MultiMeasureRest and the PercentRepeat. For the former, there already is
> the grob, and it just lacks the number. In the second case, the number is
> not suppressed; rather, no
On Wed, Aug 18, 2010 at 3:10 PM, wrote:
> I have a similar question.
>
> I have a "bass" and a "mute bass", which is just slightly different sound. I
> would like to use the same "bass" notation, with a additional accent which
> can be played as a different sound in the Midi file.
> Is that possi
I have a similar question.
I have a "bass" and a "mute bass", which is just slightly different
sound. I would like to use the same "bass" notation, with a additional
accent which can be played as a different sound in the Midi file.
Is that possible in Lilypond? If so how to do this?
Thanks,
Hi,
How are the LSR images generated? Are they just cropped PNGs, or are there some
special lilypond settings in use? I'm curious because I'm trying to create small
excerpts like that for an online music theory test.
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lilyp
Hi, a (semi-automatic) converter from my old Manuscript Writer language to
Lilypond is now available. I have linked this from the Manuscript Writer page
at http://people.pwf.cam.ac.uk/ssb22/mwrhome/ hope it's useful to someone. (MWR
is based on SMX so it's very terse, if you like that sort of thi
On 18 Aug 2010, at 17:50, Carl Sorensen wrote:
It was not so difficult, it seems (I'll have to check it more).
For the 9/16 meter, because there is already a beat structure
defined for it (3+3+3), I had to write
\overrideTimeSignatureSettings
#'Score
#'(9 . 16) % time signature fraction
#'
hey, that's awesome - just by putting \override LyricHyphen
#'minimum-distance = #2.0 in the Lyrics context (and not in the Staff
context, although using Lyrics. … ) !
thanks!
Phil Holmes-2 wrote:
>
> - Original Message -
> From: "-Eluze"
> To:
> Sent: Wednesday, August 18, 2010 10
On 8/18/10 6:20 AM, "Trevor Daniels" wrote:
>
>
> Hans Aberg wrote Wednesday, August 18, 2010 12:17 PM
>
>
>> On 18 Aug 2010, at 11:45, Trevor Daniels wrote:
>>
I just switched from LilyPond 2.13.30 (from 2.13.27), and then:
error: unknown escaped string: `\overrideBeamSettings'
>
- Original Message -
From: "-Eluze"
To:
Sent: Wednesday, August 18, 2010 10:38 AM
Subject: Re: Help, hyphen in addlyrics doesn't seem to work
hi
it seems that with removing
ragged-right=##t
and
\include "gregorian.ly"
you can get what you want - sorry i know nothing about the
mark damerell wrote Wednesday, August 18, 2010 12:03 PM
Lilypond 2.13, trying to set a SATB vocal score using the
template from appendix 4.1. In one bar the tenors sing
(using absolute pitches)g4
first bass sing g8 (f8) (with an automatic beam)
2nd bass sing g,4
I have tried seve
On 18 Aug 2010, at 14:20, Trevor Daniels wrote:
It was not so difficult, it seems (I'll have to check it more).
For the 9/16 meter, because there is already a beat structure
defined for it (3+3+3), I had to write
\overrideTimeSignatureSettings
#'Score
#'(9 . 16) % time signature fractio
Hans Aberg wrote Wednesday, August 18, 2010 12:17 PM
On 18 Aug 2010, at 11:45, Trevor Daniels wrote:
I just switched from LilyPond 2.13.30 (from 2.13.27), and then:
error: unknown escaped string: `\overrideBeamSettings'
The changes are quite extensive. Best to read the
Notation Reference
On 18 Aug 2010, at 11:45, Trevor Daniels wrote:
I just switched from LilyPond 2.13.30 (from 2.13.27), and then:
error: unknown escaped string: `\overrideBeamSettings'
So what's the replacement? I used measures like:
\overrideBeamSettings #'Score #'(9 . 16) #'end #'((* . (4 2 3)))
The change
Lilypond 2.13, trying to set a SATB vocal score using the
template from appendix 4.1. In one bar the tenors sing
(using absolute pitches)g4
first bass sing g8 (f8) (with an automatic beam)
2nd bass sing g,4
I have tried several ways to enter the bass parts, none
of them work. The leas
Hans Aberg wrote Wednesday, August 18, 2010 10:08 AM
I just switched from LilyPond 2.13.30 (from 2.13.27), and then:
error: unknown escaped string: `\overrideBeamSettings'
So what's the replacement? I used measures like:
\overrideBeamSettings #'Score #'(9 . 16) #'end #'((* . (4 2 3)))
T
hi
it seems that with removing
ragged-right=##t
and
\include "gregorian.ly"
you can get what you want - sorry i know nothing about the gregorian style.
peterwinson1 wrote:
>
> I've have the following code with hyphens in the lyrics. However,
> lilypond seems to ignore the hyphens
I just switched from LilyPond 2.13.30 (from 2.13.27), and then:
error: unknown escaped string: `\overrideBeamSettings'
So what's the replacement? I used measures like:
\overrideBeamSettings #'Score #'(9 . 16) #'end #'((* . (4 2 3)))
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Hi out there,
I have the following problem: Lilypond has the rather unusual standard
behaviour of printing hairpins, ties etc at line breaks right into the
bar line. This is not the normal way to do it, if you look at
traditionally engraved music, these signs end just before the bar
line.
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