On 8/21/2010 1:55 PM, Jesse Bye wrote:
I'm writing a piece of music where I'd like to sustain some notes to the
end of a measure:
\set tieWaitForNote = ##t
\set Staff.pedalSustainStyle = #'bracket
e,4~\sustainOn fis~ b~ 4~
% 10
1\fermata\sustainOff
With the above code, the sustain bracket ends
Attention : Phil Holmes
I assume I have now "posted" directly to lilypond-user forum
I have a "LONG post" Analysis (not without Value in my opinion) of this problem.
I am new to "posting etiquette" but could at least Phil Holmes or someone tell me if
I should post the "LONG post" Analysis to
Greetings,
It appears to be due to your use of ties and slurs in the 'voices.ly' file
Hope this helps
Bill
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I'm writing a piece of music where I'd like to sustain some notes to
the end of a measure:
\set tieWaitForNote = ##t
\set Staff.pedalSustainStyle = #'bracket
e,4~\sustainOn fis~ b~ 4~
% 10
1\fermata\sustainOff
With the above code, the sustain bracket ends immediately after the
final n
I have a persian music score in Shur D.
I want the written score to stay as it is but I want the midi file to sound 1/2
tone lower, without having to change all the notes of the score.
In the persian.ly there's an indication about transposition: "If you want to
use the \transpose command
On Sat, 2010-08-21 at 22:05 +0200, Wilbert Berendsen wrote:
> Op zaterdag 21 augustus 2010 schreef storri:
>
> > as to why the automatic
> > syllable duration was making 'sur' into two beats.
>
> it's because of the ties.
>
> when you do
>
> fis4 r4 e4~ ( fis8 g8 )
>
> you are starting both a
Op zaterdag 21 augustus 2010 schreef storri:
> as to why the automatic
> syllable duration was making 'sur' into two beats.
it's because of the ties.
when you do
fis4 r4 e4~ ( fis8 g8 )
you are starting both a tie and a slur from the note e.
just remove the tilde, as what you want is a slur.
Version: GNU LilyPond 2.12.3
Setup:
- notes of the melody contained in 'voices.ly'
- lyrics for first verse contained in 'lyrics.ly'.
This will hold all the different lyrics
Problem:
In measure 9 of the piece the syllable 'sur' of the word 'survey' is
taking up take up a two beats of
Thanks Kieren!
These works much better than the glissando. I have never used the Bend's,
but it really works nice and seams more real to the effect produced when
playing.
I'm an argentina tango player and in tango the glissando without an inicial
note its really common. And we always have call it g
Thank you for your answer, but it was not a question about setting and printing
notation but just a technical one.
Nils
On Sat, 21 Aug 2010 10:55:54 -0700
David Rogers wrote:
> * Nils Gey [2010-08-20 18:28]:
>
> >Sorry for the confusion.
> >
> >What I really mean is a simple question:
> >I
* Nils Gey [2010-08-20 18:28]:
Sorry for the confusion.
What I really mean is a simple question:
I want page 1/2 size 16 and page 2/2 size 18 because its the last page and has
fewer notes.
Note: Not really "I" but "he" or "someone". For me aestethics would prevent
such a thing, but maybe th
> Hi!
Hello
> Have a look at \unfoldRepeats . ;-)
> NR 3.5.4 Repeats in MIDI
I am using \unfoldRepeats, as recommended in the manual with
(2) two separate scores, one for the notation, and the other
for the MIDI output and the MIDI output of "tremolo" repeats
is __different__ (shorter) than
On 19 August 2010 20:25, Marek Klein wrote:
> I would like to get even horizontal spacing for all notes disregarding the
> duration.
> For example for
> d2 c4 e2 f1
> I would like to get the result as with
> d2*1/2 c4 e2*1/2 f1*1/4
>
> How could I get this automaticaly?
Use \musicMap to scale th
On 21 August 2010 17:15, Akira wrote:
>
> Here is a picture in which metronome mark is moved above rehearsal
> mark.
>
> Lilypond is clever enough to avoid crashes, but not wise enough to
> normally layout object horizontally.
> I want the layout shown in picture.
> Could you please tell me how to
If you're using 2.12.3, what you want is
\once \override Score.MetronomeMark '#X-offset = #1
but with the number at the end adjusted to whatever value produces the
desired layout. I don't know about the syntax for the 2.13 series.
Cheers,
Nick
On Sat, Aug 21, 2010 at 11:15 AM, Akira wrote:
> H
Here is a picture in which metronome mark is moved above rehearsal mark.
Lilypond is clever enough to avoid crashes, but not wise enough to
normally layout object horizontally.
I want the layout shown in picture.
Could you please tell me how to do it?
<>
Thanks Again James! But I'm sorry to tell you that it doesn't work :(
'cause having a previous note attached to the glissando, even if the note is
hidden, make changes to the time in the bar.
If timing is the only problem you can use something akin to this fucntion I've
been using to make thi
Thanks Brett,
I just want a good music notation, with the midi sound as feedback if
my notation was correct.
With your info I decided to use a different note for the mute version.
That is the only practical thing to do.
Thanks very much to make it clear to me.
With regards,
Bernard
Quoti
18 matches
Mail list logo
