On Wed 06 Oct 2010, 17:29 Christopher Meredith wrote:
> I noticed that the values for set-global-staff-size are usually given
> in non-whole increments. If I were to use one in between these
> suggested increments, will it cause scaling irregularities? In other
> words, if 14.14 is too small and 15
On Wed 06 Oct 2010, 21:38 Stefan Vollmar wrote:
> Dear all,
[...]
> I have tried
>
> \paper{
> between-system-space = 30\mm
> between-system-padding = 10\mm
> }
>
> for different sizes but this does not seem to make a difference in my case
> (lilypond 2.13.35).
Please take a look at NR, "Pag
Hi Marc,
> i'm not sure to understand. The bottom notes are already quarters and the top
> note already a half-note.
> Would you mind elaborating?
Consider the three different versions here:
\version "2.12.3"
\include "english.ly"
\score {
\new Staff {
\clef treble \key c \minor \time
On 10/6/2010 6:24 PM, Kieren MacMillan wrote:
Hi Marc,
3) why a skip is needed whereas the top note is a half note (otherwise the
measure is not complete)?
If you make the note a half note, but tweak the other notes' durations (to
become quarters), you won't have this problem.
Hope this he
Keith E OHara wrote Wednesday, October 06, 2010 9:40 AM
I no longer see any reason to use instrumentCueName for the labels
that identify the instrument playing cue notes. Doing so makes it
easy to make subtle errors, and offers no advantage over \tag
'#part s4*0^\markup\tiny"oboe"
The ins
Hi Marc,
> where the fermata collides with tweaked top note of chord.
> Should i also use a tweak to change the position of the fermata or is it a
> bug? (i'd think the later)
In v2.13, it seems to work fine -- may have been a bug with 2.12.
Regardless, you should probably attach the fermata to
I noticed that the values for set-global-staff-size are usually given
in non-whole increments. If I were to use one in between these
suggested increments, will it cause scaling irregularities? In other
words, if 14.14 is too small and 15.87 is too large, can I use
something like 15, or do I have to
Using a tweak i was able to typeset the following chord from the
Beethoven 5th symphony where the top note has a longer duration.
However using this music _expression_ in lilypond:
\version "2.12.3"
\include "english.ly"
% chord from 5th symphony
\
Hi Marc,
> 3) why a skip is needed whereas the top note is a half note (otherwise the
> measure is not complete)?
If you make the note a half note, but tweak the other notes' durations (to
become quarters), you won't have this problem.
Hope this helps!
Kieren.
_
On 10/6/2010 3:44 PM, Carl Sorensen wrote:
Learning Manual section 4.1.4.
thanks for pointing me in the right direction. However the page you
pointed me to was not helpful as it dealt only with color tweaks but
then i googled "tweak duration" and then found the page:
http://www.kainhofer.com/
> Date: Wed, 06 Oct 2010 13:16:25 +0200
> From: "Robert Urmann" <16...@golden-ears.de>
> Subject: Re: strange collision of note and clef
> To: lilypond-user@gnu.org
> Cc: bug-lilyp...@gnu.org
> Message-ID:
> Content-Type: text/plain; charset=iso-8859-1; format=flowed; delsp=yes
> > \version "2.1
Thanks Vicente, that was indeed the problem. Seems that I may have
encountered that in the past and didn't notice it in this piece, thanks
for pointing it out. I gotta remember to take that out of the template.
Regards,
chip
On 10/6/2010 1:20 PM, Vicente Solsona wrote:
On Wed, 06 Oct 2010 21:0
On Wed, Oct 6, 2010 at 2:06 PM, Chip Wiegand wrote:
> I am having an issue with getting a lyric to align the first word to the
> first note of the piece. I have even commented out all the lyrics except the
> first two words of the two stanzas, but only the first word of each stanza
> appears and
On Wed, 06 Oct 2010 21:06:39 +0200, Chip Wiegand wrote:
I am having an issue with getting a lyric to align the first word to
the first note of the piece. I have even commented out all the lyrics
except the first two words of the two stanzas, but only the first word
of each stanza appears
On 10/6/10 1:22 PM, "Marc Mouries" wrote:
>
> for practice purpose i am copying some excerpt from the Beethoven 5th
> symphony.
> It contains a chord where the duration of the top notes is longer than the
> others. (see attached)
> According to the documentation, that does not seem pos
Dear all,
I am currently arranging a vocal piece for two voices, both voices should be in
one system, lyrics of voice "first" should go above, of voice "second" below
the staff:
\score {
\new Staff = "main" <<
\new Voice = "first" { \voiceOne \bassOne }
\new Lyrics \with { alignAboveCo
for practice purpose i am copying some excerpt from the Beethoven 5th
symphony.
It contains a chord where the duration of the top notes is longer than
the others. (see attached)
According to the documentation, that does not seem possible since it
says: ... [duration] must go /outside/ the ang
I am having an issue with getting a lyric to align the first word to
the first note of the piece. I have even commented out all the lyrics
except the first two words of the two stanzas, but only the first word
of each stanza appears and it is under the second note of the piece. I
have included
On Tue, Oct 5, 2010 at 6:49 PM, dadadharma @dslextreme.com
wrote:
> This is Off Topic, but I don't know where else to turn...
>
> I'm looking for a basic, out-of-copyright four-part harmony version of
> Tzur Ma'oz that I can transcript in Lilypond for my singing group
> (Shape Note).
>
> I could n
* Michael Dykes [2010-10-06 13:11]:
Here is a prob that I have been sturggling with in many pieces. Adding text
above a line, as I did below in the Great Eketenia. I also need to do that
elsewhere (say the Trisagion (Holy God)-also see below), but have texts
longer than the lenght of the measur
Here is a prob that I have been sturggling with in many pieces. Adding text
above a line, as I did below in the Great Eketenia. I also need to do that
elsewhere (say the Trisagion (Holy God)-also see below), but have texts
longer than the lenght of the measure. Is there a way to extend measures?
Fo
On 6 October 2010 16:08, David Kastrup wrote:
> An \unfoldRepeats in a Midi block should unfold repeats. Including Coda
> and stuff. If it doesn't, that's wrong. If it is inconceivable that it
> does, it's a design error.
I agree, and suspect it's a fundamental problem with the way Lilypond
s
Jiri Zurek wrote:
> I cannot figure out how to increase the space (the
> separation) between the header of the page and anything
> else on the page, which can be either lines of markup or
> music. The head-separation settings in the paper block
> does not seem to work: regardless of any value which
Tim Rowe writes:
> On 6 October 2010 00:50, Carl Sorensen wrote:
>
>> LilyPond midi was not created as a performance midi, but as a proofhearing
>> midi.
>
> I appreciate that. It's just that the proofreading is harder if, for
> example, it plays straight off the end of the piece and into the co
On 6 October 2010 00:50, Carl Sorensen wrote:
> LilyPond midi was not created as a performance midi, but as a proofhearing
> midi.
I appreciate that. It's just that the proofreading is harder if, for
example, it plays straight off the end of the piece and into the coda
(which can be really jarri
Federico Bruni-5 wrote:
Which version of LilyPond are you using?
I am using the version 2.13.* (currently the 2.13.18)
Federico Bruni-5 wrote:
Which settings have you used in \paper?
This is my paper settings.
\paper {
top-margin = 10\mm
bottom-margin = 14\mm
line-width = 14
2010/10/6 Jiri Zurek (Prague)
>
>
> Federico Bruni-5 wrote:
> >
> > Which version of LilyPond are you using?
> >
> I am using the version 2.13.* (currently the 2.13.18)
>
>
> Federico Bruni-5 wrote:
> >
> > Which settings have you used in \paper?
> >
> This is my paper settings.
> \paper {
>t
Federico Bruni-5 wrote:
>
> Which version of LilyPond are you using?
>
I am using the version 2.13.* (currently the 2.13.18)
Federico Bruni-5 wrote:
>
> Which settings have you used in \paper?
>
This is my paper settings.
\paper {
top-margin = 10\mm
bottom-margin = 14\mm
line-
did you try:
\paper {before-title-spacing = #'((space . 30)) }
hth
ole
Am 06.10.2010 um 14:31 schrieb Jiri Zurek (Prague):
>
> I cannot figure out how to increase the space (the separation) between the
> header of the page and anything else on the page, which can be either lines
> of mar
Which version of LilyPond are you using?
Which settings have you used in \paper?
Look at Notation Reference 4.1.2
Cheers,
Federico
2010/10/6 Jiri Zurek (Prague)
>
> I cannot figure out how to increase the space (the separation) between the
> header of the page and anything else on the page, wh
Hi Jiří,
2010/10/6 Jiri Zurek (Prague)
> I cannot figure out how to increase the space (the separation) between the
> header of the page and anything else on the page, which can be either lines
> of markup or music. The head-separation settings in the paper block does
> not
> seem to work: rega
HI Gordon,
weblily.net is up and running. To find out what is wrong please mail to
webl...@weblily.net
Please tell me also:
Do you have JavaScript active?
What web browser are you using?
Which e-mail address did you use for registering at weblil.net
Cheers,
Weblily
--
View this message in c
Hello Helge,
there seem to be others having the same problem, even though the weblily.net
is up and running. Could you please supply me with more details such as
* JavaScript enabled?
* What web browser are you using?
* Whet e-mail address did you use to create your account at weblily.net?
Pleas
On Wed, Oct 6, 2010 at 2:53 AM, Susan Dittmar wrote:
>
> Quoting Christopher Meredith (chmered...@gmail.com):
>> Does anyone know what to put in the lytex file to produce a PDF that is
>> 8.5x5.5 ( half US letter)?
>
> How about
>
> \paper {
> paper-height = 21.59\cm
> paper-width =
I cannot figure out how to increase the space (the separation) between the
header of the page and anything else on the page, which can be either lines
of markup or music. The head-separation settings in the paper block does not
seem to work: regardless of any value which I put there (even very lar
Am 06.10.2010, 12:13 Uhr, schrieb Valentin Villenave :
On Wed, Oct 6, 2010 at 10:52 AM, hans wrote:
In a piano-piece:
4/4 time
right-hand plays truplet over half-note, in problem case quarter-note
half-note.
left-hand plays eights, changing clef every quarter-note.
In the problem-case the clef
On Wed 06 Oct 2010, 11:34 Gerard McConnell wrote:
> Hello,
Hi!
> How do I get barlines to appear in the following?
It seems that \new RhythmicStaff can fit your needs, can't it?
See NR 1.6.1, "Displaying staves". If it can fit .)
> \version "2.12.0"
> \layout {
> \context {
> \Score
Hi Gerard [this time I got your name right! ;-)]
try it with
\override BarLine #'bar-size = #4
HTH
patrick
Am 06.10.2010 um 12:34 schrieb Gerard McConnell:
Hello,
How do I get barlines to appear in the following?
\version "2.12.0"
\layout {
\context {
\Score
\remove "Bar_num
er, I hope it's not bad etiquette to mention that it's caret.
On Tue, Oct 5, 2010 at 3:19 AM, Jan Kohnert <
nospam001-li...@jankoh.dyndns.org> wrote:
> Chip Wiegand schrieb:
> > On 10/4/2010 6:48 PM, Jan Kohnert wrote:
> > > Chip Wiegand schrieb:
> > >> Got it - I noticed you put a carot betwee
Hello,
How do I get barlines to appear in the following?
\version "2.12.0"
\layout {
\context {
\Score
\remove "Bar_number_engraver"
}
\context {
\Staff
\remove "Clef_engraver"
\override StaffSymbol #'line-count = #1
}
}
\score {
\new Staff
\
On Wed, Oct 6, 2010 at 10:52 AM, hans wrote:
> In a piano-piece:
> 4/4 time
> right-hand plays truplet over half-note, in problem case quarter-note
> half-note.
> left-hand plays eights, changing clef every quarter-note.
> In the problem-case the clef is written over the preceding eight.
Wow, ind
In a piano-piece:
4/4 time
right-hand plays truplet over half-note, in problem case quarter-note
half-note.
left-hand plays eights, changing clef every quarter-note.
In the problem-case the clef is written over the preceding eight.
How to solve this problem.
code:
---
upper = \relative c
On Tue, 05 Oct 2010 02:05:00 -0700, Trevor Daniels
wrote:
Moving the \set instrumentCueName into the Voice
context,
as you suggest, will change the time when the CueVoice context is
created
and this may be why it then works. But that is not the root cause
of the
problem, so I would not want
The \noBreak command seems not to work with automatically tied notes when
using the Completion_heads_engraver.
In the example below, two line breaks are produced although I added \noBreak
after each note. When removing the Completion_heads_engraver or the first
quarter note, everything works as d
Oops, I should read more clearly before answering!!!
OK, retry.
I think easiest would be to use the geometry package:
\usepackage[paperwidth=5.5in,paperheight=8.5in,pdftex]{geometry}
The 'pdftex' option makes sure the paper dimensions are not only used for
typesetting, but are also explicitly
Quoting Christopher Meredith (chmered...@gmail.com):
> Does anyone know what to put in the lytex file to produce a PDF that is
> 8.5x5.5 ( half US letter)?
How about
\paper {
paper-height = 21.59\cm
paper-width = 13.97\cm
}
It's untested, though I successfully use something lik
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