Tim
Have a look at Repeats with alternative endings in
http://lilypond.org/doc/v2.13/Documentation/notation/techniques-specific-to-lyrics#lyrics-and-repeats
This is for 2.13 but I believe it may apply to 2.12
as well. Towards the end of that section it discusses
exactly your problem, I believe
I've tried to reduce this as much as I can, but if I change almost
anything the effect goes away.
My problem is, in the score below the tied note on the lyric "x" seems
to be forcing a spurious repeat bar. If I comment out the lyrics
everything is fine. If I \skip to the end of the bar "x" ties in
2010/10/8 Roman Stawski :
>> The natural question is "how do I make sure that the counter is evaluated
>> during parsing?"
http://lists.gnu.org/archive/html/bug-lilypond/2010-10/msg00144.html
When comparing both pieces of Scheme code it looks clear that the code
itself ensures this. From my lit
>> 2010/10/7 Roman Stawski stawski.fr>:
>> > In the snippet below, I'm trying to set up a simple numbering of the
>> > pieces.
>> > This used to number the pieces in ascending order in version 2.12.[don't
> recall].
>> > But not any more...
Carl Sorensen answered this at the end of a thread in t
Hi, lilypond users:
I like to produce midi file without dynamic performers but I still want score
sheet showing the dynamics.
Where do I code the following?
\remove "Dynamic_performer"
\remove "Staff_performer"
I put it in \midi - "syntax error, unexpected \remove"
On Fri, Oct 8, 2010 at 11:17 AM, Orm Finnendahl <
o.finnend...@inm.mh-freiburg.de> wrote:
> Hi all,
>
> starting a score with an \acciaccatura gives unintended results in
> the following example on my machine:
>
> \version "2.13.23"
>
> \score {
> \new PianoStaff { <<
>\new Staff { \clef G
- Original Message -
From: "Orm Finnendahl"
To:
Sent: Friday, October 08, 2010 5:17 PM
Subject: starting music with an acciaccatura
Hi all,
starting a score with an \acciaccatura gives unintended results in
the following example on my machine:
\version "2.13.23"
\score {
\new Pia
Robin Bannister wrote:
>
>
> This works with 2.12.3 (I can't test it with 2.12.4!) :
>
> \override Score.SpanBar #'glyph-name = #"dashed"
>
>
I have managed to fake what I wanted.
Using \once \override Score.SpanBar #'glyph-name = #"dashed" as
Robin suggested,
Then exten
On Oct 8, 2010, at 7:25 AM, Nick Payne wrote:
> If I have text characters at the left end of a TextSpanner, and some of those
> characters are subscripted, then the centering of the TextSpanner line seems
> to be calculated using the total height of both the main and subscripted
> text, which
On Oct 8, 2010, at 2:26 PM, Richie Gress wrote:
> Hi.
> I am wondering if it is possible to have measures that start in one system
> and continue on in another.
> Thank you in advance for any suggestions!
Technically, no. But you can get the visual output of bars that span different
systems vi
Hi all,
starting a score with an \acciaccatura gives unintended results in
the following example on my machine:
\version "2.13.23"
\score {
\new PianoStaff { <<
\new Staff { \clef G \acciaccatura { c'16[ c'16] } c'16-> r8. }
\new Staff { \clef bass c4 }
>> }
\layout {}
}
As the
David Kastrup writes:
> "Marc Mouries" writes:
>
>> Tim Rowe wrote:
>>>
>>> You've made the whole thing look like a quarter-note to Lilypond, but
>>> persuaded it to show *you* the top note as a half-note. As far as
>>> Lilypond is concerned, it's still a quarter note but printed "wrongly"
>>>
"Marc Mouries" writes:
> Tim Rowe wrote:
>>
>> You've made the whole thing look like a quarter-note to Lilypond, but
>> persuaded it to show *you* the top note as a half-note. As far as
>> Lilypond is concerned, it's still a quarter note but printed "wrongly"
>> so it looks like a half-note. It
On 10/8/10 6:46 AM, "MING TSANG" wrote:
> I further do some testing and discover that the culprit that give me the item
> #1 problem on the below email is:
>
> R1^\markup{Andante Graccoso} | R1 | R1 | a'1\rest \fermata |
> %bar 01-04
>
> I change the previous line as:
>
> r1^\marku
Yes I got it but both ways are like a hack. It would be so much better and
logical if lilypond would allow to enter individual duration for each note of a
chord.
This would deserve to be added to the doc.
Sent via BlackBerry by AT&T
-Original Message-
From: Tim Rowe
Sender: lilypond-u
I further do some testing and discover that the culprit that give me the item
#1
problem on the below email is:
R1^\markup{Andante Graccoso} | R1 | R1 | a'1\rest \fermata |
%bar 01-04
I change the previous line as:
r1^\markup{Andante Graccoso} | r1 | r1 | a'1\r
On 6 October 2010 23:47, Marc Mouries wrote:
> On 10/6/2010 6:24 PM, Kieren MacMillan wrote:
>>
>> Hi Marc,
>>
>>> 3) why a skip is needed whereas the top note is a half note (otherwise
>>> the measure is not complete)?
>>
>> If you make the note a half note, but tweak the other notes' durations
On Fri 08 Oct 2010, 08:26 Richie Gress wrote:
> Hi.
> I am wondering if it is possible to have measures that start in one
> system and continue on in another.
> Thank you in advance for any suggestions!
You can use \bar ""; you can adjust bar numbers if needed.
Please, take look at the docs.
--
Hi.
I am wondering if it is possible to have measures that start in one
system and continue on in another.
Thank you in advance for any suggestions!
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On 10/8/10 2:25 AM, "carbon14" wrote:
> I couldn't find glyph or glyph-name listed as a property of the SpanBar in
> the Internals Reference.
2.13 docs, Internals Reference 3.1.94 SpanBar lists glyph-name as part of
the standard settings.
Thanks,
Carl
_
Robin Bannister wrote:
>
>
> This works with 2.12.3 (I can't test it with 2.12.4!) :
>
> \override Score.SpanBar #'glyph-name = #"dashed"
>
>
This is the right property, but I can't make this work the way I need.
My original example was too simple really. My piano staff has two
Jiri Zurek wrote:
put into the brackets not the normal key signature
but only the cautionary cancellation key signature?
Say 'Staff.KeyCancellation' instead of 'Staff.KeySignature'.
Cheers,
Robin
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I need to put the cancellation key signature (cautionary natural sign after
the F-major music block ended and changed into the G-major) into brackets.
Cheating from a snippet in the documentation, I learned how to put the key
signature into brackets using the lambda function:
\override Staff.KeySi
2010/10/8 Dmytro O. Redchuk :
>
> I guess you need "Vertical spacing inside a system",
> http://lilypond.org/doc/v2.13/Documentation/notation/vertical-spacing-inside-a-system
>
> Don't you? Sorry, i am not sure that understood you right.
Hi!
I can't understand well either.
2010/10/7 胡海鹏 - Hu Hai
Francisco Vila gmail.com> writes:
>
> 2010/10/7 Roman Stawski stawski.fr>:
> > In the snippet below, I'm trying to set up a simple numbering of the pieces.
> > This used to number the pieces in ascending order in version 2.12.[don't
recall].
> > But not any more...
>
> The behavior is as if no
2010/10/7 Roman Stawski :
> In the snippet below, I'm trying to set up a simple numbering of the pieces.
> This used to number the pieces in ascending order in version 2.12.[don't
> recall].
> But not any more...
The behavior is as if normal markups in music render in the expected
order, but inst
Robin Bannister wrote:
>
>
> This works with 2.12.3 (I can't test it with 2.12.4!) :
>
> \override Score.SpanBar #'glyph-name = #"dashed"
>
>
Thanks,
I'll give it a go.
I couldn't find glyph or glyph-name listed as a property of the SpanBar in
the Internals Reference.
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