On Wed, 03 Nov 2010 09:01:03 -0700, wrote:
"K" == Keith E OHara writes:
K> It is less clear if the use of Stem 'direction to place rests, in
K> the notes-plus-rests case, was intentional.
Shouldn't the rests by default be placed where the voice goes in the
column - odds up, evens dow
On Wed, 03 Nov 2010 12:35:23 -0700, Jan Warchoł
wrote:
2010/11/3 Keith E OHara
I don't fully understand... Are you refering to the lyricsStaff.png picture?
Yes. You understood correctly. (I confused th order of the pictures)
[ . . . ] In this case
they should be centered (because they a
On Wed, 2010-11-03 at 21:40 +0100, Vicente Solsona wrote:
> On Wed, 03 Nov 2010 20:23:51 +0100, Ken wrote:
>
> > Not quite.
> >
> > Here's the fragment
> >
> > \new PianoStaff <<
> > \new Staff = "up" <<
> > \clef treble
> > \key a \minor
> > \time 3/8
> >
> > \new Voice [\voice
On Wed, 03 Nov 2010 19:01:18 +0100, Ken wrote:
Hi,
I tried looking in archives for a solution to my problem but I'm not sure
quite how to put in a search description.
I'm writing a 3-part piece for the piano. 3 voices. In one measure, I
have
the second and third (voiceFour in lliypond bec
On Wed, 03 Nov 2010 19:01:18 +0100, Ken wrote:
Hi,
I tried looking in archives for a solution to my problem but I'm not sure
quite how to put in a search description.
I'm writing a 3-part piece for the piano. 3 voices. In one measure, I
have
the second and third (voiceFour in lliypond be
On Wed, 03 Nov 2010 20:23:51 +0100, Ken wrote:
Not quite.
Here's the fragment
\new PianoStaff <<
\new Staff = "up" <<
\clef treble
\key a \minor
\time 3/8
\new Voice [\voiceOne \relative c'' { g16 a bf f' bf, c } }
\new Voice {\voiceTwo \relative c' { ef,16 f g a g a }
2010/11/3 Michael Dykes
> Jan,
>
> Would this work since I have already written out my whole score? Also, if
> this works fine, do I just inset this at the appropriate place in my bass
> score?
Yes, it should do just fine. Take a look at the attached file, i've included
two changes in it. You s
On 04/11/10 05:01, Ken wrote:
Hi,
I tried looking in archives for a solution to my problem but I'm not
sure quite how to put in a search description.
I'm writing a 3-part piece for the piano. 3 voices. In one measure,
I have the second and third (voiceFour in lliypond because the stems
ar
2010/11/3 Keith E OHara
> On Tue, 02 Nov 2010 09:19:32 -0700, Jan Warchoł <
> lemniskata.bernoulli...@gmail.com> wrote:
> As for me the attached settings work quite well. In particular your Lyric
>
>> spacing settings didn't produce good results when lyrics were centered
>> between two staves, so
Kieren MacMillan writes:
> Hi Rodolfo,
>
>> You write and then despair finding in the documentation
>> about how to change the accidental suggestion style to a smaller
>> version instead of parentheses.
>
> David's correct... except the "despair" part, which is apparently his
> default mode. ;)
Hi,
I tried looking in archives for a solution to my problem but I'm not sure
quite how to put in a search description.
I'm writing a 3-part piece for the piano. 3 voices. In one measure, I have
the second and third (voiceFour in lliypond because the stems are down)
share the same note. The se
- Original Message -
From: "Rodolfo Zitellini"
Cc:
Sent: Wednesday, November 03, 2010 5:15 PM
Subject: Re: Resizing accidental in a chord
We do actually have one:
http://lsr.dsi.unimi.it/LSR/Item?id=155
Actually this is not quite the same thing.
Showing a tweak to show 'smaller'
Hi Rodolfo,
> You write and then despair finding in the documentation
> about how to change the accidental suggestion style to a smaller
> version instead of parentheses.
David's correct... except the "despair" part, which is apparently his default
mode. ;)
There are several places in the docs
>> We do actually have one:
>>
>> http://lsr.dsi.unimi.it/LSR/Item?id=155
>
> Actually this is not quite the same thing.
>
> Showing a tweak to show 'smaller' accidentals would be useful to others. So
> I think we could probably 'update' this LSR snippet (rather than create a
> new one) to include
Hello, sorry for replying to my own thread.
On 03/11/2010 17:04, James wrote:
Hello,
On 03/11/2010 16:46, Phil Holmes wrote:
Hi Toine,
you actually anticipated me by a few minutes :)
Yes overriding AccidentalCautionary is the best solution, I feel quite
ashamed for not figuring this myself (a
Hello,
On 03/11/2010 16:46, Phil Holmes wrote:
Hi Toine,
you actually anticipated me by a few minutes :)
Yes overriding AccidentalCautionary is the best solution, I feel quite
ashamed for not figuring this myself (and I would have used quite
fewer \overrides in may score!)
If someone is interes
On 03/11/2010 16:49, Stephan Elliot Perez wrote:
Greetings,
For usage when a note in one staff of a piano system is slurred
to one in the other system, is there a way to make a slur that changes
direction in the middle of the transition?
http://lsr.dsi.unimi.it/LSR/Item?id=134
Also,
Greetings,
For usage when a note in one staff of a piano system is slurred to
one in the other system, is there a way to make a slur that changes
direction in the middle of the transition? Also, can this be done for
tuplet-brackets as well? Thanks.
Beste Grüße,
Bien cordialement,
Best reg
Original Message -
From: "Rodolfo Zitellini"
Cc:
Sent: Wednesday, November 03, 2010 4:35 PM
Subject: Re: Resizing accidental in a chord
>
What about making cautinary accidentals and:
\override Voice.AccidentalCautionary #'font-size = #-5
\override Voice.AccidentalCautionary #'pare
>
> What about making cautinary accidentals and:
> \override Voice.AccidentalCautionary #'font-size = #-5
> \override Voice.AccidentalCautionary #'parenthesized = ##f
>
> Toine
>
Hi Toine,
you actually anticipated me by a few minutes :)
Yes overriding AccidentalCautionary is the best solution, I
> I looked into the internals and tried
> \key b \major
> \override Voice.AccidentalSuggestion #'font-size = #-5
> 4
> but this didn't work as expected and I don't know why.
What about making cautinary accidentals and:
\override Voice.AccidentalCautionary #'font-size = #-5
\override Voice.Acciden
Am 03.11.2010 15:39, schrieb Rodolfo Zitellini:
Dear All,
The house style of my publisher wants suggested accidentals to be
displayed usign a smaller font than "normal" ones. This is done easily
overriding the font size for every accidental. BUT how do I do this is
a chord? Let's suppose I have a
Rodolfo Zitellini writes:
> Dear All,
> The house style of my publisher wants suggested accidentals to be
> displayed usign a smaller font than "normal" ones. This is done easily
> overriding the font size for every accidental. BUT how do I do this is
> a chord? Let's suppose I have a three note
On Tue, Nov 2, 2010 at 10:02 PM, Reinhold Kainhofer
wrote:
> Am Mittwoch, 3. November 2010, um 03:24:02 schrieb Christopher Meredith:
> > I use variables at the beginning of the main template for fixed text
> > fields, like so:
> >
> > Title = "O Lord, Our King Rejoices"
>
> Have you ever tried so
Dear All,
The house style of my publisher wants suggested accidentals to be
displayed usign a smaller font than "normal" ones. This is done easily
overriding the font size for every accidental. BUT how do I do this is
a chord? Let's suppose I have a three note chord
And I want the cis to have th
Keith, thanks for the pointers, and a nice solution using stemNeutral.
> "K" == Keith E OHara writes:
K> It is less clear if the use of Stem 'direction to place rests, in
K> the notes-plus-rests case, was intentional.
Shouldn't the rests by default be placed where the voice goes in
Keith E OHara wrote Wednesday, November 03, 2010 8:45 AM
I think we still want enough 'minimum-distance to the lower staff
so that Lyrics are always a little closer to the Staff they are
associated with, than they are to the next lower staff. Is that
what you intended, or do people reading
On Tue, 02 Nov 2010 09:19:32 -0700, Jan Warchoł
wrote:
As for me the attached settings work quite well. In particular your Lyric
spacing settings didn't produce good results when lyrics were centered
between two staves, so I changed them.
Good. I was expecting that you would increase the '
28 matches
Mail list logo
