If I use the following to load a scheme module into a lilypond script file I
can use any of the public interfaces in this current file.
#(load init/credits.scm)
#(use-modules (init credits)) %get access to the public defines in credits.scm
#(ech 'set-song-number 66.) % ech is a public define
On 8 February 2011 23:40, Bertrand Bordage bordage.bertr...@gmail.com wrote:
Hello,
I'm currently trying to find some solutions to this issue
: http://code.google.com/p/lilypond/issues/detail?id=737
I started implementing a solution for endnotes (attached). It is based on
this snippet :
2011/2/9 胡海鹏 - Hu Haipeng hhpmu...@163.com:
Hello,
I suddenly discover that in all my scores, the piano staff can't remove
empty. Therefore, my harp part is always there throughout my entire piece.
How to remove it?
IIRC default settings for PianoStaff is to remove either both staves
if
Thanks, but in my situation, both of my harp staves are empty, but the system
is always there. See
http://www.darajan2.com/douban/Haipeng/Celebration%20Overture.zip
Regards
Haipeng
-原始邮件-
发件人: Xavier Scheuer x.sche...@gmail.com
发送时间: 2011年2月9日 星期三
收件人: 胡海鹏 - Hu Haipeng
Hello Bertrand,
I reworked this snippet a little bit to display asterisks instead of
numbers. This is the way we usually see those little footnotes in
published notes - but it still faces a similar problem:
If you have several staffs, the remarks are ordered first in system-
*then* in
It may be totally unrelated but that reminds me of this:
http://lists.gnu.org/archive/html/bug-lilypond/2010-12/msg00425.html
Cheers,
Xavier
Hi Xavier,
this is related to the footnote snippet ... if you have footnotes at a
pagebreak, the footnote might be on the wrong page. For these
2011/2/9 胡海鹏 - Hu Haipeng hhpmu...@163.com:
Thanks, but in my situation, both of my harp staves are empty, but the
system is always there. See
http://www.darajan2.com/douban/Haipeng/Celebration%20Overture.zip
Yes but AFAICS you do not use \RemoveEmptyStaves .
I tried to compile your file but
Hello,
the following (incomplete) example includes a volta bracket which should
span from bar 9 to 12. However it stops with the line break after bar 9. Any
idea what I am doing wrong?
\version 2.12.2
\score {
\new Staff
\key bes \major
\numericTimeSignature \time 4/4
\clef violin
\new Voice
Hello,
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of
ornello
Sent: 09 February 2011 13:47
To: lilypond-user@gnu.org
Subject: Volta bracket not surviving line break
Hello,
the
- Original Message -
From: ornello dominik.hoer...@fun.de
To: lilypond-user@gnu.org
Sent: Wednesday, February 09, 2011 1:47 PM
Subject: Volta bracket not surviving line break
Hello,
the following (incomplete) example includes a volta bracket which should
span from bar 9 to 12.
@James: I think my problem is similar to
http://code.google.com/p/lilypond/issues/detail?id=1325
It seems there is some bad hack going on in volta-bracket.cc
(Volta_bracket_interface::modify_edge_height).
I have not found a workaround...
@Phil: I don't agree. Have a look at the following
I think my problem is similar to
http://code.google.com/p/lilypond/issues/detail?id=1325
It seems there is some bad hack going on in volta-bracket.cc
(Volta_bracket_interface::modify_edge_height).
I have not found a workaround...
pkx166h wrote:
Hello,
-Original Message-
From:
Oh, I find the culprit! Since I used the Dynamics context, which has no remove
empty setting, the harp part can't be removed. Could anyone add this into the
engraver-init.ly? Otherwise I have to keep it in my own def file--I'll try to
find the way now.
Sorry, the zip file has the def file
Hi,
I'm new to Lilypond, and am taking a look at
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=686 . I've
successfully used the convert script to update the source files to
2.12.3, and generated PDFs of the score and parts. However, I noticed
that the score is missing accidentals that
Hi all,
I'm trying to write a couple of functions that will attach a given
text script to a note depending on the pitch. In the example below I
get the first item in the list, as expected if I run (get-text 1). If
I run (get-pitch msc) I get ((0)) and if I try to compile the file or
run
Doug,
Can you give us a samply .ly file (you'll need to include the global file also).
Then we can at least compile it to see.
I did a quick and dirty compile (with no converting) and I did get accidentals
- for example I changed the key in bassoon1.ly to c major and all the
accidentals
Hello..which is there the easyest way to export a ly file to snippets in PDF
format..
Something like eps file..each line a diffrent pdf file..
--
Nesmotren govori kao da mačem probada, a jezik je mudrih iscjeljenje. Izreke
12:18
___
lilypond-user
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of
Stjepan Horvat
Sent: 09 February 2011 17:30
To: lilypond-user Mailinglist
Subject: .ly file into PDF snippets
Hello..which is there the easyest way to export
Douglas
-Original Message-
From: dridg...@gmail.com [mailto:dridg...@gmail.com] On Behalf Of Douglas
Ridgway
Sent: 09 February 2011 17:44
To: James Lowe
Subject: Re: score missing accidentals
Hm - the accidentals showed up in the bassoon-only part, or the complete
conductor's score? I
On 9 February 2011 18:48, James Lowe james.l...@datacore.com wrote:
Douglas
-Original Message-
From: dridg...@gmail.com [mailto:dridg...@gmail.com] On Behalf Of Douglas
Ridgway
Sent: 09 February 2011 17:44
To: James Lowe
Subject: Re: score missing accidentals
Hm - the
On Wed, Feb 9, 2011 at 10:58 AM, Xavier Scheuer x.sche...@gmail.com wrote:
On 9 February 2011 18:48, James Lowe james.l...@datacore.com wrote:
Douglas
-Original Message-
From: dridg...@gmail.com [mailto:dridg...@gmail.com] On Behalf Of Douglas
Ridgway
Sent: 09 February 2011 17:44
Douglas Ridgway ridgway at dridgway.com writes:
Actually, it looks like the score doesn't
contain any accidentals at all, at least in the first movement. Is
there something simple that I'm missing?
I could not resist looking into this.
The horn part contains a request to make all
Douglas Ridgway ridgway at dridgway.com writes:
I'm new to Lilypond, and am taking a look at
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=686 . I've
successfully used the convert script to update the source files to
2.12.3, and generated PDFs of the score and parts. However, I
Thanks Jan-Peter !
I agree with your idea of using asterisks instead of numbers when annotating
scores (but for text, numbers seems more elegant).
For the moment, I will try to do LaTeX-like footnotes for markuplines.
Indeed, this would be a good solution for now :
- A column of footnotes on
Howdy all,
Some time ago, there was a discussion about percussion notation:
Trevor Daniels t.dani...@treda.co.uk writes:
I know nothing of percussion myself, so I'll copy this to -user to
elicit some responses from those that do. In particular, how best to
indicate sticking, and the
On Mon, 27 Sep 2010 21:30:03 +0100 Gerard McConnell wrote:
On Mon, Sep 27, 2010 at 7:56 PM, Keith E OHara k-ohara5...@oco.net wrote:
So I favor less aggressive tucking of noteheads under other noteheads and
their attached accidentals, if that is an option. Other opinions?
I agree that in
Howdy all,
My reading of the notation reference suggests that LilyPond can
automatically place separate voices onto separate staves, by pitching
those voices differently.
How can this be done for separate rhythm voices? I want separate voices
(sometimes three or more) to appear on a separate
On 2/9/11 6:31 PM, Terrence McNulty tjmcnu...@ymail.com wrote:
Hi. Does LilyPond recommend roman numerals to indicated fretboard positioning
on the staff? And if so, what is the appropriate method for adding those in my
LilyPond engraving? Or where is this discussed in the manual?
LilyPond
Howdy all,
Writing a crescendo requires notation on the beginning note and the
ending note of the crescendo. But that doesn't fit well with a crescendo
across repeated measures.
The piece I'm transcribing has a section with a repeated measure. No
problem:
\repeat percent 4 { c8.- c16- c8.
On Wed, Feb 9, 2011 at 10:22 PM, Ben Finney
ben+lilyp...@benfinney.id.au wrote:
The trouble is, I also needs a crescendo from the beginning to the end
of those four measures. How can I get that result?
\version 2.13.49
\new Staff
{
\new Voice \relative c'
{
\repeat percent 4 {
Jay Anderson horndud...@gmail.com writes:
\new Staff
{
\new Voice \relative c'
{
\repeat percent 4 { c8.- c16- c8. c16 c8. c16 c8. c16 }
{s1\ s s s s1*0\!}
}
}
That works, thank you.
So, let me see if I understand: you've added an extra voice for a
section
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