James Bailey derhindemith at googlemail.com writes:
{
g''1\breathe
\hideNotes
a'8*1/2
\noBeam
\glissando
\unHideNotes
a'' a''4 a''8 a''4 \bar |.
}
I found this example searching on the net -- it almost does what I want
-- I am having trouble adapting it to 2/4. I can't
Hello,
I'm wondering whether there's a complete changelog for every devel version.
The reason is, when I compile my score with the very recent two versions (I
have not compiled it for a little long time), I found there are two instrument
names in GrandStaff. At that time, engraver-init.ly
胡海鹏 - Hu Haipeng hhpmu...@163.com writes:
Hello,
I'm wondering whether there's a complete changelog for every devel
version. The reason is, when I compile my score with the very recent
two versions (I have not compiled it for a little long time), I found
there are two instrument names in
- Original Message -
From: Graham Percival gra...@percival-music.ca
To: Nick Payne nick.pa...@internode.on.net
Cc: 胡海鹏 - Hu Haipeng hhpmu...@163.com; lilypond-user@gnu.org
Sent: Tuesday, February 15, 2011 1:56 AM
Subject: Re: can't compile
On 2/15/11, Nick Payne
Some day soon my still reliable but not very fast 10 year old laptop will
have to be replaced by a more modern machine.
Will Lilypond benifit much if my next computer will have one of those
modern multi-core processors like the Intel i3/5/7 ?
I'm just curious.
--
Martin
On a Mac, speed increase from a Core2Duo to a Corei5 is really noticeable,
about 40% faster. I guess this is about the same on Windows or Linux. I
think you'll see a huge difference. :)
Philippe
--
View this message in context:
http://old.nabble.com/lilypond-speed-tp30929720p30929766.html
Sent
I was thinkig about that too. Parallelization in Lilypond can be
possible. Imagine rendering one page in each core in parallel, or one
system for each core. Also other kinds of optimizations for 'preview'
modes, where you need more speed then optimal quality? Maybe improved
performance can be a
- Original Message -
From: Martin Tarenskeen m.tarensk...@zonnet.nl
To: lilypond-user mailinglist lilypond-user@gnu.org
Sent: Tuesday, February 15, 2011 10:42 AM
Subject: lilypond speed
Some day soon my still reliable but not very fast 10 year old laptop will
have to be replaced by
Same thing hit the French list a couple days ago.
Oddly, my heavily-krunked-out version of the source doesn't reproduce this
result, but I would recommend (by way of Xavier Scheuer) adding \grace { s8 }
to the beginning of all your parts.
Cheers,
MS
On Feb 15, 2011, at 7:14 AM, Mario Moles
See Known issues and warnings in the Notation Reference, section 1.2.6, Grace
notes.
--
Phil Holmes
- Original Message -
From: Mario Moles
To: lilypond-user@gnu.org
Sent: Tuesday, February 15, 2011 12:14 PM
Subject: strange output
Double time and time indications:
I see now what the problem was. however, I'm not quite sure yet how to
avoid doing similar mistakes in the future, but maybe I'll get used to
it (For example, how do I know that I should start looking for
EventChord rather than NoteEvents?)
You can start looking for NoteEvent but remenber you
Hello
I'd like to know if there is a way to get the resulting coordinates
(i.e. x/y position in cm on the page) of a musical event in the compiled
ps/pdf file; what I want to do is to typeset a lilypond source, and
LATER post-process the resulting image. The typical case would be for
example
hello,
i am trying to get scheme to automate artificial harmonics so i dont
need to specify the pitch of the note written up the perfect fourth
i am running in to the problem of scheme not evaluating the variable
once put inside the chord
(i get errors regarding /lilyvartmpc /)
where lies the
Hello
I'd like to know if there is a way to get the resulting coordinates (i.e. x/y
position in cm on the page) of a musical event in the compiled ps/pdf file; what
I want to do is to typeset a lilypond source, and LATER post-process the
resulting image. The typical case would be for example
http://codereview.appspot.com/4186049/
HTH
patrick
Am 15.02.2011 um 15:25 schrieb Rob Canning:
hello,
i am trying to get scheme to automate artificial harmonics so i dont need to
specify the pitch of the note written up the perfect fourth
i am running in to the problem of scheme not
Hi everyone,
I'm new to Lilypond and impressed with the ease of writing music and the
quality of the output.
For writing lead sheets, I changed Lilypond's standard font for printing chord
names to a custom font. While this works perfectly, the style difference
between the chord symbols and
Matthias,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Matthias Hüsken
)Sent: 15 February 2011 15:53
)To: lilypond-user@gnu.org
)Subject: Use custom font's flat (b) and sharp
Thx for the answer!
)For writing lead sheets, I changed Lilypond's standard font for printing
)chord names to a custom font. While this works perfectly, the style
)difference between the chord symbols and Lilypond's flat and sharp
)symbols is very obvious. Is there a way to make Lilypond use
Hello
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Matthias Hüsken
)Sent: 15 February 2011 17:25
)To: lilypond-user@gnu.org
)Subject: Re: Use custom font's flat (b) and sharp
On Tue, Feb 15, 2011 at 10:55:59AM +0100, David Kastrup wrote:
胡海鹏 - Hu Haipeng hhpmu...@163.com writes:
I'm wondering whether there's a complete changelog for every devel
version.
...
I don't like to download the
complete git site, since it's too big !
The whole history of
Reinhold Kainhofer reinhold at kainhofer.com writes:
You would use the exact same code as above. the 1/2 does not come from the
time sig. Rather, it allows you to use
half of the time of that not for another, hidden note before it. The 1/2 for
this and the hidden note simply
ensures that
Oops, never mind the above -- I see now that what is missing is the scaling of
the landing note of the glissando so that the total ends up being 4 beats all
together:
{
%\set Score.skipBars = ##t
\override Glissando #'style = #'zigzag
\relative c' {
\clef bass
On 15 February 2011 01:56, Graham Percival gra...@percival-music.ca wrote:
That sounds like a lot. After 2.13.50, we added some optimizations.
I don't think they have much influence on memory usage (only
compilation speed, due to caching property lookups).
If anybody sees the same behaviour
Hi Tim,
I'm redirecting your help request to lilypond user list, as I know nothing of
the pango thing. You should provide a example of your use of
make-pango-font-tree
so that we could see what's wrong.
Cheers
Nicolas
Le 15 févr. 2011 à 14:38, Tim Sheasby a écrit :
Hello
I am using
W dniu 14 lutego 2011 21:17:57 UTC+1 użytkownik Shane Brandes
sh...@grayskies.net napisał:
Hi Janek,
I looked through some scores and it does not seem to be out of
place as is, which was also my initial reaction.
Really?
Well, for me it looks odd.
I did notice a few
instance were the slur
On 15 February 2011 14:25, Rob Canning r...@goto10.org wrote:
where lies the error or is there a better way to do this - am slightly
suprised there is not a build in function for this... maybe there is?
There are several parser limitations you're encountering here. The
only way around them is
Neil Puttock wrote:
On 15 February 2011 14:25, Rob Canning r...@goto10.org wrote:
where lies the error or is there a better way to do this - am slightly
suprised there is not a build in function for this... maybe there is?
There are several parser limitations you're encountering
2011/2/15 Janek Warchoł lemniskata.bernoull...@gmail.com:
Do you mean simply using \slurDown? I'd say that the result (attached)
is indeed a little better, but flipping bes quarter note makes it yet
more good-looking.
You might try adding the Melody_engraver for this: it changes the
2011/2/15 Neil Puttock n.putt...@gmail.com:
2011/2/15 Janek Warchoł lemniskata.bernoull...@gmail.com:
Do you mean simply using \slurDown? I'd say that the result (attached)
is indeed a little better, but flipping bes quarter note makes it yet
more good-looking.
You might try adding the
Hello,
Three years ago, when I defined a function, someone told me that in Lily
Scheme can only take up to 3 arguments. I don't know whether this limitation is
eliminated now, so could you tell me whether the following prints correctly?
Haipeng
\version 2.13.50
triTempo =
On Wed, Feb 16, 2011 at 10:49:03AM +0800, 胡海鹏 - Hu Haipeng wrote:
I don't know whether this
limitation is eliminated now, so could you tell me whether the following
prints correctly?
I believe it is correct. With 2.13.47, I see:
Allegro ( [half note symbol] = [quarter note symbol] =
Well, to answer my own query, what I have below gives what I want - back
of the title page is blank, and I get a blank page between the two
scores without the title page being repeated. I had to turn off page
numbering initially to prevent a page number of 0 showing up on the back
of the title
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