MusFelix wrote Sunday, April 17, 2011 12:53 AM
While adjusting slurs, I have come across cases where the
adjustment doesn't
take. I have played around with all of the slur details settings,
but
nothing has worked. See this example, where the slur should be
much higher,
exaggerated for test
Example below demonstrates (a couple of bars taken from Bach's
chaconne). This problem did not exist in versions prior to 2.13.60:
%=
\version "2.13.60"
\language "english"
\relative c' {
\time 3/4
\key d \minor
\stemUp
d,16 bf''' bf gs gs f f d d b g
On 17/04/11 02:30, Neil Thornock wrote:
This solution might help:
http://www.mail-archive.com/lilypond-user@gnu.org/msg34399.html
Thanks. With that addition I have what I want:
%==
\version "2.13.59"
date = #(strftime "%d/%m/%Y" (localtime (current
Hello,
I would like to have slashes between notes of a chord (a Baroque
ornament that indicates that the lower neighbor notes should be struck
almost simultaneously in a light arpeggio). I've attached an example.
What would be the best way to do this?
Thanks,
Edward
<>_
Thanks, Carl, I've added some notes, below.
Regards,
Bruys
On Sun, Apr 17, 2011 at 4:08 AM, Carl Sorensen wrote:
>
>
>
> On 4/15/11 11:55 PM, "bruys ." wrote:
>
> > Greetings,
> >
> > I would like the alter the length of the tuplet bracket so it extends
> from the
> > left-hand edge of the firs
\version "2.13.59"
MyNotes= \relative c''{
<< %Playing these ditones in one voice no issues here
{ r}
>>
<<
{d b c r|}\\ %MIDI doesn't strike "b" note of first voice
{b g a r|}
>>
<<
{d s c r|}\\ %Omitted the note to prove MIDI sounds same as above
{b g a r|}
>>
<<
{d
While adjusting slurs, I have come across cases where the adjustment doesn't
take. I have played around with all of the slur details settings, but
nothing has worked. See this example, where the slur should be much higher,
exaggerated for testing, but is stuck lower:
\version "2.13.51"
\include
I appreciate your input Xavier!
The main process I use is creating parts for my various staffs, then I combine
them using a score bloack with context blocks...I have to imagine that these
constructs have stayed pretty constant...
I have read that the "\RemoveEmptyStaffContext" has changed i
As you can see on this snippet the length of stems of sextuplets is too short. The length of the stems extend for 32th but not for the 8th notes.Is there anything i should do or is there something wrong is the default values?<>%% the sextuplets look compressed. The stems are too short.\version "2.1
On 4/15/11 11:55 PM, "bruys ." wrote:
> Greetings,
>
> I would like the alter the length of the tuplet bracket so it extends from the
> left-hand edge of the first notehead, to the right-hand edge of the last
> notehead.
>
> Lilypond seems to default to making the bracket go from the left-mo
This solution might help:
http://www.mail-archive.com/lilypond-user@gnu.org/msg34399.html
On Sat, Apr 16, 2011 at 9:45 AM, madMuze wrote:
>
>>If I add a blank page on the back of the ToC,
>>so that the first piece starts on a right-hand page, I'm getting a page
>>number of 0 appearing on that su
>I have been unable to determine how to change the size of grace notes.
>>From another thread
>>> : see the grace
>>> settings in *.../ly/engraver-init.ly*, line 638.
>>> All the preset properties for grace notes are listed and set.
>>Is this what you were looking for?
And in your style fil
>If I add a blank page on the back of the ToC,
>so that the first piece starts on a right-hand page, I'm getting a page
>number of 0 appearing on that supposedly blank page. How can I prevent
>that?
I've been using:
% hdr-delay
#(define (hdr-delay layout props arg)
(define (ance
On 16 April 2011 14:29, Ed Ardzinski wrote:
>
> The issue I have with convenrting is the massive projecy involved getting 50
> or more pieces up to speed...but I suppose it's probably time. I also have
> to update the editor I wrote, but that really should not be too hard. I
> usually write in a
The issue I have with convenrting is the massive projecy involved getting 50 or
more pieces up to speed...but I suppose it's probably time. I also have to
update the editor I wrote, but that really should not be too hard. I usually
write in a pretty simple coding style, so maybe I've been a
Mark,
Your problem is in your first full bar. There are too many 16ths in
*that* bar. When you change the g2 to a g4. , everything appears to
line up as you have intended. Lily has trouble when a note of greater
value than the remainder of the measure is placed there -- so she does
the best she
>>2011/4/15 Phil Holmes:
>>
>> That's how I would perform it.
>> --
>> Phil Holmes
>>
>>
>Hi Phil
>
>I may be wrong, but:
>I don't think the MIDI output includes the repetitions, so the MIDI
>will just play sec A, sec B, sec C of
On Fri, Apr 15, 2011 at 08:44:15PM -0600, Tom Cloyd wrote:
>1. Notation Reference section on articulate.ly - in the page footer, in
>rather small font (which I have missed until just now) is a link:
>suggestions for the documentation, which takes me to Documentation
>suggestions.
On 04/16/2011 04:46 PM, Nick Payne wrote:
If I add a blank page on the back of the ToC,
so that the first piece starts on a right-hand page, I'm getting a page
number of 0 appearing on that supposedly blank page.
My 'solution' would be to add the blank page later with pdftk or some
other cli
On 16 April 2011 10:26, Richard Sabey wrote:
>
> I have an orchestral piece where the score and all the parts have the same
> tempo marks at the same moments in musical time. If a tempo mark's text is
> long, and an orchestral part has little music between it and the next tempo
> mark, Lilypond wi
On Sat, Apr 16, 2011 at 10:54:24AM +0200, Federico Bruni wrote:
> Il giorno ven, 15/04/2011 alle 10.25 -0600, Tom Cloyd ha scritto:
> I think that we may add a 4th point in the list in CG 5.2 saying
> something like:
>
> 5. You must be subscribed in order to post via email to the
> `lilypond-dev m
On Fri, Apr 15, 2011 at 08:44:15PM -0600, Tom Cloyd wrote:
>1. Notation Reference section on articulate.ly - in the page footer, in
>rather small font (which I have missed until just now) is a link:
>suggestions for the documentation, which takes me to Documentation
>suggestions.
Hi Phil
I may be wrong, but:
I don't think the MIDI output includes the repetitions, so the MIDI
will just play sec A, sec B, sec C of this example
As far as I know, you have to use \repeat unfold to get repetitions in the MIDI.
Regards
Jakob.
2011/4/15 Phil Holmes :
> That's how I would perf
On 16 April 2011 11:13, Mark Wirdnam wrote:
>
> thank you so much, that's exactly it! And I've found the barcheck
> documentation,
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars#Bar-and-bar-number-checks.
> It looks essential, I'll read it now. Thanks for your help!
You’re welc
On 16 April 2011 10:55, Mark Wirdnam wrote:
>
> Hi!
>
> Lilypond is absolutely fantastic, but my knowledge of musical notation
> might be a bit lacking. In the example below I don't understand how
> lilypond chooses to place the bar lines, which means the result is not
> what I intended.
>
> I'm u
Hi!
Lilypond is absolutely fantastic, but my knowledge of musical notation
might be a bit lacking. In the example below I don't understand how
lilypond chooses to place the bar lines, which means the result is not
what I intended.
I'm using version 2.12.3-1 on the mac.
To the best of my knowledg
Il giorno ven, 15/04/2011 alle 10.25 -0600, Tom Cloyd ha scritto:
>
>
> On 04/15/2011 03:29 AM, Federico Bruni wrote:
> > 2011/4/15 Tom Cloyd
> > OK - I visited the Lilypond website and tried to figure out
> > how to post to some documentation discussion list I thought
> >
On 16 April 2011 00:23, Ed Ardzinski wrote:
>
> I have a sections with quints in my piece, and in 2 different blocks of the
> piece the PDF output varies.
>
> I've attached pictures of the output - the same exact code produces each
> part...same variable and transpositions. I am in an old version
I have an orchestral piece where the score and all the parts have the same
tempo marks at the same moments in musical time. If a tempo mark's text is
long, and an orchestral part has little music between it and the next tempo
mark, Lilypond will allow the music to take less horizontal space tha
On 16 April 2011 09:26, David Bobroff wrote:
>
> My ossias are working but I've got a troubling artifact. In the following
> snippet I get some space at the end of the first line following the barline.
> At the end of the second line I get a disembodied bar line which I had not
> seen in the act
Dear Janek,
Thanks for the reply. I've more questions , see below.
Regards,
Bruce
2011/4/16 Janek Warchoł
> 2011/4/16 bruys . :
> > Greetings,
> >
> > I would like the alter the length of the tuplet bracket so it extends
> from
> > the left-hand edge of the first notehead, to the right-hand edge
My ossias are working but I've got a troubling artifact. In the
following snippet I get some space at the end of the first line
following the barline. At the end of the second line I get a
disembodied bar line which I had not seen in the actual score I'm
making. I'm missing some important de
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