Can't answer the first question, but the piece is Sor's Op 6 No 1. It is
number 4 in the selection in the selection of 20 of his etudes made by
Segovia.
thanks - i have consulted the edition of Segovia and Azpiazu, but both do
not mention the opus number! now i've been able to locate it
You may write lower voice first, i.e.
d4 fis b a g e fis g
then copy it, change initial 4 to 8:
d8 fis b a g e fis g
and insert remaining notes form the higher voice. However it will screw any
relative mode used, and even despite that i doubt if it would save you a
lot
of time :/
thanks,
very interesting - a real pitty i didn't know about this snippet before!
thanks!
Eluze
Am 23.05.2011, 00:23 Uhr, schrieb Gilles THIBAULT
gilles.thiba...@free.fr:
my question is how to proceed to have a minimal effort
You can use this snippet
http://lsr.dsi.unimi.it/LSR/Item?id=654
Nicholas Moe wrote:
Hello,
I am having trouble hiding an empty staff line following a time
signature change when I am using line breaks. In the example below,
the staff for the melody line should disappear in measure 4. It does
disappear if I use \RemoveEmptyStaves in the Staff context,
Hello,
Something strange seems to happen when I specify the time signature in several
staves, then write a grace note just after. Two time signatures are printed,
with the grace note between them.
In the following snippet, if I don't specify the time signature in the Tenor
staff, or if I
On 23 May 2011 11:32, phil.aucl...@free.fr wrote:
Hello,
Something strange seems to happen when I specify the time signature in
several staves, then write a grace note just after. Two time
signatures are printed, with the grace note between them.
In the following snippet, if I don't
Hi all,
just to update interested people about the progress of Frescobaldi 2.0, and
let you know I managed to get it running on Windows. Testers are welcome :-)
The Frescobaldi 2.0 feature set is far from complete yet, but the basics are
in good shape.
Frescobaldi (dedicated LilyPond text
On Thu 19 May 2011, 18:02 Carl Sorensen wrote:
This should probably be an enhancement request -- to have convert-ly ignore
lines with comments. We currently don't have any status checking to see if
we are in a comment or not.
Added as 1659:
Hello Group,
This is my first post.
I have recently got started with `TablEdit' and `Lilypond' music notation
editors. One feature of TablEdit I would like to use is the `export in
Lilypond' format. I have encountered a problem which I hope is only down to my
inexperience with both software
This does help. Thank you!
Nick
On Mon, May 23, 2011 at 4:10 AM, -Eluze elu...@gmail.com wrote:
Nicholas Moe wrote:
Hello,
I am having trouble hiding an empty staff line following a time
signature change when I am using line breaks. In the example below,
the staff for the melody line
I see dotted crochets in the lower voice as are requested in the Lilypond
source - a c below the stave and an a below that. Which other dotted crochets
are missing? It may help if you have an image of the music you are trying to
create so we can compare.
To the wider Lilypond community -
I have added an image of the TablEdit bar that I am trying to covert to .ly
http://christaylorguitar.gg/music-typesetting/poblem-creating-lilypond-from-tabledit/
Chris Taylor
From: Phil Holmes m...@philholmes.net
To: Chris Taylor chris_taylor5...@yahoo.co.uk;
On 5/23/11 9:12 AM, Phil Holmes m...@philholmes.net wrote:
I see dotted crochets in the lower voice as are requested in the Lilypond
source - a c below the stave and an a below that. Which other dotted crochets
are missing? It may help if you have an image of the music you are trying to
It looks like TablEdit is not exporting the LilyPond properly. To get the
music you've shown, it should export 3 voices, one with the quavers and another
2 with dotted crochets. It's actually exporting 2 voices - one with the lower
notes as single dotted crochets, and the other with chords of
Great news!
Even better news (for me): finally I can launch Frescobaldi 2, the
problem explained here is solved somehow (maybe some update of Debian
packages):
http://groups.google.com/group/frescobaldi/browse_thread/thread/a80f77e16d13e59d
It looks nice, I'll use it as my default lily editor
that's great
i'll try a build on mac...
On 23 May 2011, at 10:46, Wilbert Berendsen wrote:
Hi all,
just to update interested people about the progress of Frescobaldi 2.0, and
let you know I managed to get it running on Windows. Testers are welcome :-)
The Frescobaldi 2.0 feature set
Fantastic!
out of curiosity I tried running Frescobaldi on my mac and after
fiddling a bit wit macports to get native qt4 and poppler, it works
quite well indeed :)
Cheers,
Rodolfo
___
lilypond-user mailing list
lilypond-user@gnu.org
On 05/21/2011 10:36 PM, Reinhold Kainhofer wrote:
Am Samstag, 21. Mai 2011, 21:46:21 schrieb Graham Percival:
James Lowe, the only full-time documentation writer, is a newbie.
He has learned how to modify our documentation, but he does not
even understand everything in chapter 3 of ther
On Sat, May 21, 2011 at 10:36:37PM +0200, Reinhold Kainhofer wrote:
A good starting point for new features are always the
corresponding regtest files. In this case, the files are
input/regression/cue-clef*.ly (cue-clef.ly is the basic file,
the other are there for various features, like
Rodolfo Zitellini wrote:
Fantastic!
out of curiosity I tried running Frescobaldi on my mac and after
fiddling a bit wit macports to get native qt4 and poppler, it works
quite well indeed :)
Cheers,
Rodolfo
Hello,
I was able to make it run under Ubuntu, but not yet on my mac (I
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