version 2.14.1
First off, I'm VERY new to using Lilypond. I'd consider myself quite an advanced
Finale user, but I'm having
a blast with Lilypond!
I am a percussionists, so maybe I'm a little more picky in the percussion
notation for a few things. But my
main concern for now is the notation
On Sun, 26 Jun 2011 11:43:04 +0200, Marc Hohl wrote:
> Am 26.06.2011 09:52, schrieb David Kastrup:
>> Marc Hohl writes:
>>
>>> Not to speak about accordion, where upper case letters denote the bass
>>> note and lower case letters the chord.
>>>
>>> So you'll have (depending on the rhythm)
>>>
>>>
On Jun 26, 2011, at 2:06 PM, Henning Hraban Ramm wrote:
> Am 2011-06-24 um 19:21 schrieb Carl Sorensen:
>
>>> Perhaps I misunderstand the slash-notation (inversion): I use it to
>>> define the bass string to pick on the guitar.
>>
>> That's the way I use it as well. But I'm totally familiar wi
On Mon, Jun 27, 2011 at 12:06:55AM +0200, Jacek Gajek wrote:
> My idea is to allow user to place notes by clicking on a prerendered
> image by lily. All I need is to determine where did the user clicked.
Use point-and-click, read the Usage manual. Use pdf display, I
recommend the poppler library.
Hello!
I am developing an app in which user should be capable to place notes
on a staff. I don't want to implement a whole rendering engine, I
decided to use lilypond. Now.
My idea is to allow user to place notes by clicking on a prerendered
image by lily. All I need is to determine where did the
kontrapunktstefan wrote:
>
> Dear community,
> I tried to change the system-system-spacing in a latex-file. Although I
> was
> able to increase the system-system-spacing by
> embedding the score in a book-context, the output isn't convincing.
> What else could I do?
>
well, i'm not sure to hit
Am 2011-06-24 um 19:21 schrieb Carl Sorensen:
Perhaps I misunderstand the slash-notation (inversion): I use it to
define the bass string to pick on the guitar.
That's the way I use it as well. But I'm totally familiar with this
being
C/E. That's the only layout I've ever seen for this kin
Am 2011-06-25 um 02:49 schrieb Marc Mouries:
Thank you, but mostly I have no choice but must reproduce some
original.
i have typeset several traditional score and don't remember seeing
score with incomplete measures. Would you mind sending me or
pointing me to some example?
I don't need t
Il giorno dom, 26/06/2011 alle 16.20 +0100, Stroller ha scritto:
>
> \version "2.14.1"
> \new TabStaff {
> \repeat percent 4 { a,\5 a,\5 c\5 d\5 }
> \repeat percent 2 { d\4 d\4 f\4 g\4 }
> \repeat percent 2 { a,\5 a,\5 c\5 d\5 }
> \repeat percent 2 { e,\6 e,\6 g,\6 a,\6 }
>
Am 26.06.2011 17:20, schrieb Stroller:
Hi there,
I'm new to making music and have no previous education in this matter. I
thought to use Lilypond to type up the handwritten tab that my guitar teacher
has given me.
I have a couple of questions, and I hope you will forgive me if they're stupid
Am 26.06.2011 18:35, schrieb Jesse Engle:
Hello,
I've noticed that when I use \bar "||", any repeat sign that follows
it is omitted. I've pasted a snippet demonstrating this issue here:
http://www.pastie.org/pastes/2125208/text
Is this a bug, or am I doing something wrong?...Jesse
No, it's a
- Original Message -
From: "Stroller"
To:
Sent: Sunday, June 26, 2011 4:20 PM
Subject: Simple guitar tab questions
Hi there,
I'm new to making music and have no previous education in this matter. I
thought to use Lilypond to type up the handwritten tab that my guitar
teacher has g
On Sun, Jun 26, 2011 at 2:27 PM, Neil Puttock wrote:
> On 26 June 2011 15:09, Nick Baskin wrote:
> > Neil,
> > When I try to move the Timing_translator by both adding it to the Staff
> > context and removing it from the Score context, the file starts to
> compile,
> > but then stops without doin
Hello,
I've noticed that when I use \bar "||", any repeat sign that follows
it is omitted. I've pasted a snippet demonstrating this issue here:
http://www.pastie.org/pastes/2125208/text
Is this a bug, or am I doing something wrong?...Jesse
___
lilypon
On 11-06-26 08:07 AM, Graham Percival wrote:
On Sun, Jun 26, 2011 at 08:40:55AM -0500, Derek Klinge wrote:
I don't have any experience with bug tracking or anything like that, but
am willing to help out. I am an experienced Linux user, and have regular
access to e-mail and such.
Gre
Hi there,
I'm new to making music and have no previous education in this matter. I
thought to use Lilypond to type up the handwritten tab that my guitar teacher
has given me.
I have a couple of questions, and I hope you will forgive me if they're stupid
ones.
Firstly, I think the following sn
Hello,
I don't yet know why, but if you add a line oddFooterMarkup=##f in your
\paper block, your music fragment doesn't go to the next page.
But I was not yet able so solve the "ragged" problem.
Philippe
--
View this message in context:
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> On Sun, Jun 26, 2011 at 08:40:55AM -0500, Derek Klinge wrote:
>> I don't have any experience with bug tracking or anything like that, but
>> am willing to help out. I am an experienced Linux user, and have regular
>> access to e-mail and such.
Great! Thanks for volunteering!
Janek
On 26 June 2011 15:09, Nick Baskin wrote:
> Neil,
> When I try to move the Timing_translator by both adding it to the Staff
> context and removing it from the Score context, the file starts to compile,
> but then stops without doing anything after printing the following message:
> ERROR: In proced
2011/6/26 Graham Percival :
> On Sun, Jun 26, 2011 at 04:05:10PM +0200, Janek Warchoł wrote:
>> IIRC, we start GLISS after GOP, so this will not be decided until 2012
>> i'm afraid.
>
> We'll start GLISS when I have time to manage it. That isn't
> necessarily after GOP.
ok. I hope i'll have enou
On Sun, Jun 26, 2011 at 04:05:10PM +0200, Janek Warchoł wrote:
> IIRC, we start GLISS after GOP, so this will not be decided until 2012
> i'm afraid.
We'll start GLISS when I have time to manage it. That isn't
necessarily after GOP.
I'm optimistic that by late August I can delegate enough mundan
2011/6/26 Graham Percival :
> On Sun, Jun 26, 2011 at 03:53:09PM +0200, Janek Warchoł wrote:
>> Yes, this construct seems clear.
>> However, the problem is: should we do this now or maybe do GLISS first?
>
> There's no maybe. We're not introducing any major new syntax like
> this right now.
Ah, i
Welcome aboard Derek!
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[lilypond-user-bounces+james.lowe=datacore@gnu.org] on behalf of Graham
Percival [gra...@percival-music.ca]
Sent: 26 June 2011 15:07
To: Derek Klinge; Phil Holmes
Cc: lil
Neil,
When I try to move the Timing_translator by both adding it to the Staff
context and removing it from the Score context, the file starts to compile,
but then stops without doing anything after printing the following message:
ERROR: In procedure number->string:
ERROR: Wrong type argument in po
On Sun, Jun 26, 2011 at 08:40:55AM -0500, Derek Klinge wrote:
>I don't have any experience with bug tracking or anything like that, but
>am willing to help out. I am an experienced Linux user, and have regular
>access to e-mail and such.
Great! You're scheduled for:
20 minutes Wedne
On Sun, Jun 26, 2011 at 03:53:09PM +0200, Janek Warchoł wrote:
> Yes, this construct seems clear.
> However, the problem is: should we do this now or maybe do GLISS first?
There's no maybe. We're not introducing any major new syntax like
this right now.
Cheers,
- Graham
2011/6/26 Bernardo Barros
>
> Yeah, I'd like this feature, the syntax seems pretty clear.
>
> Also would be great for a proper implementation of chords glissandos!
>
> As in:
> \glissando
>
> Graham: you have already proposed a clever scheme hack for doing this
> a year ago or so. Would be reall
On Sun, Jun 26, 2011 at 10:37:43AM -0300, Bernardo Barros wrote:
> < f)@1 c')@2 >
>
> This syntax already works?
> It looks like a great idea,
> but I got an error here.
No, it's just a demonstration of what would be possible.
Cheers,
- Graham
___
li
Yeah, I'd like this feature, the syntax seems pretty clear.
Also would be great for a proper implementation of chords glissandos!
As in:
\glissando
Graham: you have already proposed a clever scheme hack for doing this
a year ago or so. Would be really great if someone step up and
implement th
< f)@1 c')@2 >
This syntax already works?
It looks like a great idea,
but I got an error here.
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Janek Warchoł writes:
> 2011/6/26 David Kastrup :
>> Janek Warchoł writes:
>>
>>> However, i see a problem now: it would be difficult to difene what
>>> should happen if more than 1 slur is defined in a chord, for example
>>> < f ) c') > which note should be slurred with which one?
>>
>> I'd us
Hi guys,
In order to respond to bug reports in a prompt and efficient
manner, we are seeking 1 person who is willing to work for 20
minutes, two times a week. Ideally this would be:
20 minutes on Wednesday
20 minutes on Saturday
but if necessary we could reshuffle the days.
This job is stric
2011/6/26 David Kastrup :
> Janek Warchoł writes:
>
>> However, i see a problem now: it would be difficult to difene what
>> should happen if more than 1 slur is defined in a chord, for example
>> < f ) c') > which note should be slurred with which one?
>
> I'd use sequential, left to right. It
Janek Warchoł writes:
> However, i see a problem now: it would be difficult to difene what
> should happen if more than 1 slur is defined in a chord, for example
> < f ) c') > which note should be slurred with which one?
I'd use sequential, left to right. It is a bit counterintuitive with
rega
On 24 June 2011 21:19, Nick Baskin wrote:
> Is this a bug, or is there something else I need to add to the Staff context
> to
> get the desired output?
It's not a bug. currentBarNumber is maintained by the
Timing_translator, which lives in the Score context unless you move
it. If you don't mov
2011/6/22 Markus Pfaff
>
> Am 21.06.2011 16:16, schrieb Janek Warchoł:
> > 2011/6/21 Markus Pfaff:
> >> A slur from one chord to another is positioned relative to the complete
> >> chord.
> >>
> >> In my opinion this reduces readability of the score.
> >> Shouldn't the slur go from the note insid
Dear community,
I tried to change the system-system-spacing in a latex-file. Although I was
able to increase the system-system-spacing by
embedding the score in a book-context, the output isn't convincing.
What else could I do?
% EXAMPLE %
\documentclass[a4paper,12pt]{article}
Am 26.06.2011 09:52, schrieb David Kastrup:
Marc Hohl writes:
Not to speak about accordion, where upper case letters
denote the bass note and lower case letters the chord.
So you'll have (depending on the rhythm)
C c c c / _E_ c c c / C c c c / E e e e / A am am am
More likely
C c G c / _E
On 26/06/11 19:03, Helge Kruse wrote:
Hello,
some times ago, LilypondTool was sticked to a specific jEdit version
(4.3pre16). Does the limitation still exists or can I use a newer
jEdit version?
It's working fine on my machine with jEdit 4.4.1. The version of
Lilypondtool I'm using is 2.12.
Hello,
For what it looks, LilypondTool seems to work well with JEdit 4.4.1 release.
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Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
__
Hello,
some times ago, LilypondTool was sticked to a specific jEdit version
(4.3pre16). Does the limitation still exists or can I use a newer jEdit
version?
Regards,
Helge
___
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lilypond-user@gnu.org
https://lists.gnu.org/
Marc Hohl writes:
> Not to speak about accordion, where upper case letters
> denote the bass note and lower case letters the chord.
>
> So you'll have (depending on the rhythm)
>
> C c c c / _E_ c c c / C c c c / E e e e / A am am am
More likely
C c G c / _E_ c C c / C c G c / E e7 _G#_ e7 / A
David Raleigh Arnold writes:
> C / C/E / C / E / Am
>
> C / C/e / C / E / Am
>
> C/e is clearly better than C/E, and it is becoming more and more
> popular. Consistent upper case chord names and lower case note
> names is a good idea.
Well, accordion scores consistently use small letters for t
Richard Opheim gmail.com> writes:
> I used to be able to control the space between staves using
>
> \override VerticalAxisGroup #'minimum-Y-extent
>
Spacing of staves was the major change made for version 2.14. The conversion
program does not try to auto-convert this particular override, b
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