On 24 July 2011 21:46, Xavier Scheuer wrote:
>
> Thanks Neil!
>
> It works great. I'll use it as a workaround until Mike's fix is OK and
> pushed. Thank you Mike too. Good luck.
I did not notice first but Neil's workaround produces a strange message
in the console when compiling:
[…]
Interpre
On Mon 25 Jul 2011, 09:21 Xavier Scheuer wrote:
> On 24 July 2011 21:46, Xavier Scheuer wrote:
> >
> > Thanks Neil!
> >
> > It works great. I'll use it as a workaround until Mike's fix is OK and
> > pushed. Thank you Mike too. Good luck.
>
> I did not notice first but Neil's workaround produce
Am 23.07.2011 19:38, schrieb Reinhold Kainhofer:
Am Samstag, 23. Juli 2011, 19:28:08 schrieb Ruud van Silfhout:
However, I thought now compoundMeters made it into lily, it is also time
that multiple meters should make it into lily as a logical successor :-).
Actually, dual times (like 3/4 5/4)
Greetings All,
I am nearing the completion of a massive project for piano, four
hands. Using the wonderful piece of code supplied by Robin Bannister
(see link below), I have successfully formatted separate Secondo and
Primo parts. Is there a way to influence the toc:page element into
retu
Dear community,
I've changed the PianoPedalBracket-style.
It works fine, but the end of the pedal-line isn't convincing for me.
Is there a way to change it?
\version "2.14.1"
right = { c'1 }
left = { \clef bass
\override Staff.PianoPedalBracket #'style = #'zigzag %works fine, only the
ending i
Hello Thomas
Stefan Thomas schrieb:
> Dear community,
> I've changed the PianoPedalBracket-style.
> It works fine, but the end of the pedal-line isn't convincing for me.
> Is there a way to change it?
>
> \version "2.14.1"
>
> right = { c'1 }
> left = { \clef bass
either this:
> \override
Hi Lily's.
I'm trying to clearly put apart a single coda staff from the rest of the
part. Pretty sure a common thing.
The thing is I'm lost :)
The file structure its easy (example):
###
\version 2.14.1
melody = { a a a a | c c c c | blah blah blah blah large one voice part }
% a simple 3 bars
Dear Keith, dear Community,
I tought I could also solve problem in the below quoted snippet with and
override of minimum-Y-extent. But unfortunately, I get a bad collision
between dynamics and and the next staff:
\version "2.14.1"
re = { \change Staff = right }
li = { \change Staff = left }
prim
Sorry!!!
Forgot to add a \break before the \coda. At list one is needed. But it would
be great to be able to add more vertical space to that break.
the example again with the \break:
###
\version 2.14.1
melody = { a a a a | c c c c | blah blah blah blah large one voice part }
% a simple 3 bars
On 25 July 2011 21:00, Pato Press wrote:
>
> Sorry!!!
>
> Forgot to add a \break before the \coda. At list one is needed. But it would
> be great to be able to add more vertical space to that break.
Have you seen the two following snippets on the LSR?
"Positioning segno and coda (with line break
On Mon, 25 Jul 2011 11:52:06 -0700, Stefan Thomas
wrote:
I thought I could also solve problem in the below quoted snippet with and
override of minimum-Y-extent. But unfortunately, I get a bad collision
between dynamics and and the next staff:
The crescendo to ff spans a line of music that cr
Thanks Xavier these http://lsr.dsi.unimi.it/LSR/Item?id=190 snippet helps a
lot!
I'll paste the tweaked snippet:
###
\version "2.14.1"
call = {
% These is taken from the above snippet
\cadenzaOn
\stopStaff
\once \override TextScript #'word-space = #1.5
\once \override TextScript #'X-off
2011/7/24 David Nalesnik
> Hello, all --
>
> > This is on the LSR, at least.
>> > http://lsr.dsi.unimi.it/LSR/Item?id=639
>>
>
> Just thought I'd let you know that Dmytro's function as given on the
> earlier thread incorporates an older version of my slur-shaping function.
> I've modified it s
13 matches
Mail list logo
