David Kastrup d...@gnu.org writes:
GRAEME F ST CLAIR graeme_st_cl...@atlanticbb.net writes:
Well, I plowtered (Scottish word) around with jEdit, but didn't
get much where, so I recovered a Windows Emacs from backup,
that I'd never got round to trying, installed it and got
exactly nowhere
David Rogers davidandrewrog...@gmail.com writes:
David Kastrup d...@gnu.org writes:
GRAEME F ST CLAIR graeme_st_cl...@atlanticbb.net writes:
Well, I plowtered (Scottish word) around with jEdit, but didn't get
much where, so I recovered a Windows Emacs from backup, that I'd
never got round
Hi, a notational correctness question rather than a lilypond technical
question, hope that's okay.
A student brought in some work today, some of which calls for three voices in
the right hand of a PianoStaff. Minus expressive marks, the lilypond example
below gets the point across, but I
2011/10/19 James Harkins jamshar...@gmail.com:
Hi, a notational correctness question rather than a lilypond technical
question, hope that's okay.
A student brought in some work today, some of which calls for three voices in
the right hand of a PianoStaff. Minus expressive marks, the
paconet.org wrote:
I changed this to
a2. a4~ \shiftOff a2
you can use \override NoteColumn #'force-hshift = #.001 to avoid the warning
- but i still don't like the output: the a seems tied to the c#.
Eluze
--
View this message in context:
-Eluze wrote:
paconet.org wrote:
I changed this to
a2. a4~ \shiftOff a2
you can use \override NoteColumn #'force-hshift = #.001 to avoid the
warning - but i still don't like the output: the a seems tied to the c#.
a satisfying solution could be
\once \override Tie
I often see topics introduced here in which solutions are sought for
font-related or position-related problems. Almost all of these problems are
easily solved by creating an SVG file with Lilypond and then editing that
file with Inkscape.What is the downside of working this way?
On Oct 19, 2011, at 11:39 AM, Gerard McConnell wrote:
I often see topics introduced here in which solutions are sought for
font-related or position-related problems. Almost all of these problems are
easily solved by creating an SVG file with Lilypond and then editing that
file with
Gerard McConnell gerine...@gmail.com writes:
I often see topics introduced here in which solutions are sought for
font-related or position-related problems. Almost all of these
problems are easily solved by creating an SVG file with Lilypond and
then editing that file with Inkscape. What
For me the downside is that svg does not import \postscript markups...
and inkscape, as you said, does not import correctly lilypond ps and eps
files...
(I use \postscript to create some curved glissandos and specific
woodwind diagrams - with trills in specific keys, for example).
[see
On 19 oct. 2011, at 01:03, Xavier Scheuer wrote:
On 18 October 2011 10:06, Nick Payne nick.pa...@internode.on.net wrote:
I occasionally want to use the flat symbol in a header, usually to indicate
the original key when a piece has been transposed from the original key.
Neither way I have
At Wed, 19 Oct 2011 11:02:41 +0200,
Francisco Vila wrote:
I changed this to
a2. a4~ \shiftOff a2
and the collision is avoided although you obtain a chord and a warning
instead of nice voice independence.
and
a satisfying solution could be
\once \override Tie #'details =
Hello James,
this is a question, that really can take hours, nights or whatever ...
Elaine Gould says, Ties shall almost touch the note head and they shall
not fall onto a stave-line (pp. 60)
Here are two techniques I usally use to solve such problems. First it is
a scheme-destillation to
oh sorry, I just responded the same way.
Normally I would say: make the tie look better, because I always *first*
try to get everything the way the composer wrote it.
After reading a handwritten piece a few times, I often see good reason
for an unconventional notation.
In this case I would
On Wed, 2011-10-19 at 16:27 +0800, James Harkins wrote:
Hi, a notational correctness question rather than a lilypond technical
question, hope that's okay.
A student brought in some work today, some of which calls for three voices in
the right hand of a PianoStaff. Minus expressive marks,
Hello, I am new to the list then I have not followed the discussion on
lilypond, just do not know if I'm facing the problem that has already been
discussed, if so I apologize.
The situation is that I'm developing a site with some tests on music theory and
I am using the language lilypond to
2011/10/19 musicar...@pop.com.br:
Hello, I am new to the list then I have not followed the discussion on
lilypond, just do not know if I'm facing the problem that has already been
discussed, if so I apologize.
The situation is that I'm developing a site with some tests on music theory
and I
David Kastrup d...@gnu.org writes:
Nick Payne nick.pa...@internode.on.net writes:
On 19/10/11 05:09, GRAEME F ST CLAIR wrote:
General reply to Messrs Rogers, Peekay and Kastrup!
In the end I googled lilypond and found the \char approach
myself. Right now, I'm settling for it, because as
Hello all!
Is there an easy way to override the order of accidentals appearing next to a
chord, e.g. have the natural come first in the following snippet?
\version 2.15.14
\relative dis { \clef bass dis! a'! b }
I'd like to avoid manually tweaking the position (e.g., offset) value of each
David Rogers davidandrewrog...@gmail.com writes:
I don't believe there is any good reason for a non-programmer to be
using anything other than Unicode (usually as UTF-8, but whichever way
the particular system wants to handle Unicode) for day-to-day
things. The limitations of ASCII made
Thank you very much Jon, the command line lilypond --png -dpreview
-dno-print-pages file.ly will help me a lot. Later I will test de lily2image
for larger scores.
I am facing another problem. I am not sure, but I think that it may be not
possible.
The situation is that I have to completely
Hi Kieren
2011/10/19 Kieren MacMillan kieren_macmil...@sympatico.ca
Hello all!
Is there an easy way to override the order of accidentals appearing next to
a chord, e.g. have the natural come first in the following snippet?
(...)
I'm not aware of any easy method to do so. But are you sure
2011/10/19 musicar...@pop.com.br:
Another problem is that when the sound is generated sometimes makes a loud
pop at the beginning of the audio. Has anyone had this problem before? What
to do to fix it?
As far as I can tell, LilyPond does not generate audio.
It can generate MIDI files, that
2011/10/19 musicar...@pop.com.br:
The situation is that I have to completely fill all the lilypond´s code on
the site and then generate the score. It gets difficult to count the bars
and the note durations and get right for the first time.
I were wondering if there is someway to fill the code
Hi Thomas,
I'm not aware of any easy method to do so. But are you sure you want to? In
the following I did it manually, and I don't like the output:
Yes, that example doesn't look great… but here's a more compelling (to me)
snippet:
\version 2.15.14
\language english
\relative a' { a b ds
On Wed, Oct 19, 2011 at 6:27 PM, Francisco Vila paconet@gmail.com wrote:
2011/10/19 musicar...@pop.com.br:
The situation is that I have to completely fill all the lilypond´s code on
the site and then generate the score. It gets difficult to count the bars
and the note durations and get
Hi Peter,
So, I want to keep the en-dashes in the typeset lyrics, but I do not want
them to be matched to any notes, but rather have them occupy the space
between the words, and under the space between the notes.
Then you should probably use hidden notes, and attach the en-dash as a lyric
2011/10/19 musicar...@pop.com.br:
The situation is that I have to completely fill all the lilypond´s code on
the site and then generate the score. It gets difficult to count the bars
and the note durations and get right for the first time.
I were wondering if there is someway to fill the
Hi Kieren
2011/10/20 Kieren MacMillan kieren_macmil...@sympatico.ca
(...)
\version 2.15.14
\language english
\relative a' { a b ds fss b2\arpeggio }
(...)
Without the tweak, the space before the note (which, in this case, is the
downbeat of a measure) is extremely large — as a result,
Hi Nick,
After a bit of tinkering, and using the Character Map application
(Ubuntu10.04)(but I would think it would also work in Windows) to '
Copy' the character 'music flat sign' (which has the same code as you
used - funnily enough! :) ) I think the following provide what I think
is a
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi Peter,
So, I want to keep the en-dashes in the typeset lyrics, but I
do not
want them to be matched to any notes, but rather have them
occupy the space between the words, and under the space between
the notes.
Then you should
Hi Harm,
On Mon, Oct 17, 2011 at 5:15 PM, harm6 thomasmorle...@googlemail.comwrote:
I've been thinking about this some more. Specifically, I've noticed that
adding the beam widths and the spaces between the beams doesn't seem to
add
up precisely to the total extent of the beam. The
There was once a way to make the stanzas (lyric verses) closer to each other
a few versions of LilyPond ago. Now, however, they're kind of far apart
again, whether or not they're closer than without what I'm doing (this is in
the current version, the development version as well as some of the
Hello, all!
I'm using 2.15.14, and finding certain \paper variables not working as I would
have thought.
Manually forcing line and page breaks, I found a format I like: 1 page of 3
systems, then 4 pages of 4 systems each, for a total of 19 systems over 5
pages. So I inserted a \pageBreak
Cordilow arv...@gmail.com writes:
There was once a way to make the stanzas (lyric verses) closer
to each other a few versions of LilyPond ago. Now, however,
they're kind of far apart again, whether or not they're closer
than without what I'm doing (this is in the current version, the
The problem is that it´s not me that will use. The main idea is that people
that will use range from beginner to advanced level of study in music. So I
would like to make as easy as possible for the users.The usability is very
important nowadays.
I have found something more or less as I was
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