On 6 November 2011 00:49, jakob lund jakob.be...@gmail.com wrote:
Hello list
I am setting up a lead sheat with chord names. At one point there is a
descending bassline over a minor chord, and I'd like to display
something like:
Gm/f#/f/e
i.e. don't repeat the Gm with each new
Hi,
using a beam-stencil-override, I'd wish to adjust the stem-length within the
beam-stencil-override. The following (boiled down) function works fine in
most cases, even with kneed-beams. But when using it in a cross-staff
example with kneed-beams, I've noticed a problem: Some stems are
Hi David,
2011/11/4 Thomas Morley thomasmorle...@googlemail.com
(...)
Also, I deleted my attempt to automatize stem-shortning (for now stems are
to be shortened manually. This works! :)). Perhaps I start a new try with
2.15.13 and the 'length-property next weekend.
(...)
I think the
Graham Percival gra...@percival-music.ca writes:
On Sat, Nov 05, 2011 at 02:46:58PM -0500, ivan.k.kuznet...@gmail.com wrote:
Okay, the syntax I am using in my example:
#'base-shortest-duration = #(ly:make-moment 1 16)
is an example of proportional notation, no? If not,
Bill Mooney mooney...@aim.com writes:
By using two 'Score' statements I think your requirement is met, EXCEPT
that it works only if the example is only one system. By choosing a
wider page eg 'landscape' mode one might be able to obtain a fairly
large example (more measures) while
I am _absolutely new to MIDI. I am however
able to get some random MIDI files I found on the
web to play through my Alesis synthesizer with
the command:
aplaymidi --port 16:0 file_i_found.mid
(I am working under Linux, CentOS 5.6).
However, I cannot get any Lilypond created midi
files to
Il 06/11/2011 20:16, ivan.k.kuznet...@gmail.com ha scritto:
I am _absolutely new to MIDI. I am however
able to get some random MIDI files I found on the
web to play through my Alesis synthesizer with
the command:
aplaymidi --port 16:0 file_i_found.mid
(I am working under Linux, CentOS
On Sun, 6 Nov 2011, ivan.k.kuznet...@gmail.com wrote:
I am _absolutely new to MIDI. I am however
able to get some random MIDI files I found on the
web to play through my Alesis synthesizer with
the command:
aplaymidi --port 16:0 file_i_found.mid
(I am working under Linux, CentOS 5.6).
Martin Tarenskeen m.tarensk...@zonnet.nl writes:
Do the midichannel(s) from your midi file MATCH with the midichannel(s)
on your synth ?
This was the ticket. I am such a MIDI novice that at first,
I did not know what this meant. I found a channel button on
my Alesis synth though,
Hi Matthew,
You wrote:-
+++
But this seems to work as expected:
\new Staff {
\new Voice = unsung \relative {
a'1
\new Voice = sung {
b4. b8 b4. b8
}
e1 f1
}
}
\new Lyrics
see
http://old.nabble.com/wrong-alignment-when-repeating-music-with-different-text-on-one-line-ts32622828.html#a32622828
for a related problem. this has not been treated as a bug report.
at least there seems to be a solution to this: use explicitly named
contexts before actually filling
On 07/11/11 10:32, eluze wrote:
see
http://old.nabble.com/wrong-alignment-when-repeating-music-with-different-text-on-one-line-ts32622828.html#a32622828
for a related problem. this has not been treated as a bug report.
at least there seems to be a solution to this: use explicitly named
On 7/11/2011, at 9:50 am, Bill Mooney wrote:
In this file (below) I have tried to follow your example using predefined
expressions - not having the music etc explicitly in the score statement.
Everything works as expected until I started adding more unsung/sung sections
when the subsequent
hi Bill
I will have to do more to get the idea of 'contexts' firmly placed in my
head! :)
don't try to hard with this 'buggy' context!
Still no obvious reason why barcheck numbers are so unusual...
can't see what you mean - example!?
Eluze
Wow, what great software. I've been looking for something
like this, and am very glad to have found it.
I use lilypond to write lead sheets. I have a chart with a
coda jump that occurs right after a second ending. The coda
symbol gets placed quite high above the staff, high enough to
clear the
On 07/11/11 17:14, eluze wrote:
hi Bill
I will have to do more to get the idea of 'contexts' firmly placed in
my head! :)
don't try to hard with this 'buggy' context!
Still no obvious reason why barcheck numbers are so unusual...
can't see what you mean - example!?
Eluze
Hello again,
On 07/11/11 16:57, Matthew Collett wrote:
On 7/11/2011, at 9:50 am, Bill Mooney wrote:
In this file (below) I have tried to follow your example using predefined
expressions - not having the music etc explicitly in the score statement.
Everything works as expected until I started adding more
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