Mcgeary
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with
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Hey, Pavel
On 1/13/12 21:47 , Pavel Roskin wrote:
\override StaffGrouper #'staff-staff-spacing #'minimum-distance = #12
Much better, thank you :)
ambs.
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Hello
When a voice splits in two voices, and then go back together, I usually use
{ \voiceOne ... }
\new Voice { \voiceTwo ... }
Although this makes a good output (check block 3 in the attached image),
it makes quarter pauses to go up after this block.
I tried some
Alberto Simões wrote Saturday, January 14, 2012 11:51 AM
When a voice splits in two voices, and then go back together, I usually
use
{ \voiceOne ... }
\new Voice { \voiceTwo ... }
Although this makes a good output (check block 3 in the attached image),
it makes quarter pauses
2012/1/14 Alberto Simões al...@alfarrabio.di.uminho.pt
Hello
When a voice splits in two voices, and then go back together, I usually use
{ \voiceOne ... }
\new Voice { \voiceTwo ... }
Although this makes a good output (check block 3 in the attached image),
it makes quarter
On 1/14/12 12:13 , Ralph Palmer wrote:
2012/1/14 Alberto Simões al...@alfarrabio.di.uminho.pt
mailto:al...@alfarrabio.di.uminho.pt
Hello
When a voice splits in two voices, and then go back together, I
usually use
{ \voiceOne ... }
\new Voice { \voiceTwo
On 1/14/12 4:51 AM, Alberto Simões al...@alfarrabio.di.uminho.pt wrote:
Hello
When a voice splits in two voices, and then go back together, I usually
use
{ \voiceOne ... }
\new Voice { \voiceTwo ... }
Although this makes a good output (check block 3 in the attached image),
it
Hello,
I wanted to use a stanza to put both a piano, and a number.
I tried this:
\set stanza = \markup { \dynamic p }
\set stanza = #1.
but only the second appears.
Is there any way to combine both? I tried
\set stanza = \markup { \dynamic p } #1.
but then only the piano appears.
Hello,
Is there anyway to make a tie across voices easily?
Thanks,
ambs
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On 1/14/12 14:12 , David Nalesnik wrote:
\set stanza = \markup { \dynamic p 1. }
Thank you, David!
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On 1/14/12 14:11 , Alberto Simões wrote:
Hello,
Is there anyway to make a tie across voices easily?
Thanks,
ambs
Got almost there:
f8[ g a c] | g4. \tieDown d8 ~ |
{ \stemOff d4 s }
\new Voice { \stemUp g8[ a bes d] }
\stemUp
Where
stemOff = { \once \override
On 1/14/12 14:31 , Alberto Simões wrote:
On 1/14/12 14:11 , Alberto Simões wrote:
Hello,
Is there anyway to make a tie across voices easily?
Thanks,
ambs
Got almost there:
f8[ g a c] | g4. \tieDown d8 ~ |
{ \stemOff d4 s }
\new Voice { \stemUp g8[ a bes d] }
\stemUp
Where
stemOff
- Original Message -
From: Alberto Simões al...@alfarrabio.di.uminho.pt
To: lilypond-user@gnu.org
Sent: Saturday, January 14, 2012 2:36 PM
Subject: Re: ties across voices
On 1/14/12 14:31 , Alberto Simões wrote:
On 1/14/12 14:11 , Alberto Simões wrote:
Hello,
Is there anyway to
On 1/14/12 14:44 , Phil Holmes wrote:
- Original Message - From: Alberto Simões
al...@alfarrabio.di.uminho.pt
To: lilypond-user@gnu.org
Sent: Saturday, January 14, 2012 2:36 PM
Subject: Re: ties across voices
On 1/14/12 14:31 , Alberto Simões wrote:
On 1/14/12 14:11 , Alberto
Hello !
I am a total beginner and I wonder if it is possible to have
all measure of exactly the same length on the score.
thank you
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Angles D'Auriac daur...@grenoble.cnrs.fr writes:
Hello !
I am a total beginner and I wonder if it is possible to have
all measure of exactly the same length on the score.
Well, that's the definition of measure, isn't it? Joking aside, you
should find this in the index of the Notation
Quoting Alberto Simões al...@alfarrabio.di.uminho.pt:
It's all in the documentation if you look:
http://lilypond.org/doc/v2.15/Documentation/snippets/simultaneous-notes#suppressing-warnings-for-clashing-note-columns
I confess I didn't search for it, as I would be okay with the warning :)
But
Hi all
Im writing a small sceme function to be able to create examples of
guitar fingerings
for various scales.
basically i create a music function fretsc to be called for example as
\fretsc (6 1) (6 3) (5 0)to indicate the position and sequence of
notes in a scale.
However I get an
Morten Jagd Christensen morte...@jcaps.com writes:
However I get an unknown escape string for \fret while compiling.
Anyone have an idea what Im doing wrong?
How about reading the error messages?
Here is the example code if you comment out the last line you can see
the kind of fret diagram
David Kastrup dak at gnu.org writes:
Angles D'Auriac dauriac at grenoble.cnrs.fr writes:
Hello !
I am a total beginner and I wonder if it is possible to have
all measure of exactly the same length on the score.
Well, that's the definition of measure, isn't it? Joking aside, you
Angles D\'Auriac daur...@grenoble.cnrs.fr writes:
David Kastrup dak at gnu.org writes:
Angles D'Auriac dauriac at grenoble.cnrs.fr writes:
Hello !
I am a total beginner and I wonder if it is possible to have
all measure of exactly the same length on the score.
Well, that's the
Am 14.01.2012 19:16, schrieb David Kastrup:
Angles D\'Auriacdaur...@grenoble.cnrs.fr writes:
David Kastrupdakat gnu.org writes:
Angles D'Auriacdauriacat grenoble.cnrs.fr writes:
Hello !
I am a total beginner and I wonder if it is possible to have
all measure of exactly the same length
Hi Morten,
On Sat, Jan 14, 2012 at 11:42 AM, Morten Jagd Christensen
morte...@jcaps.com wrote:
Hi all
Im writing a small sceme function to be able to create examples of guitar
fingerings
for various scales.
basically i create a music function fretsc to be called for example as
\fretsc
Marc Hohl m...@hohlart.de writes:
Am 14.01.2012 19:16, schrieb David Kastrup:
Angles D\'Auriacdaur...@grenoble.cnrs.fr writes:
PS: when I am playing, measures can have very different length !
I have been thinking about an Emacs Midi input mode where you set the
bar checks manually after
On 14 Jan 2012, at 19:04, Angles D'Auriac wrote:
Angles D'Auriac dauriac at grenoble.cnrs.fr writes:
Hello !
I am a total beginner and I wonder if it is possible to have
all measure of exactly the same length on the score.
Well, that's the definition of measure, isn't it? Joking aside,
From: David Nalesnik david.nales...@gmail.com
Date: Fri, 13 Jan 2012 09:23:14 -0600
To: Carl Sorensen c_soren...@byu.edu
Cc: Светлана eurid...@yandex.ru, lilypond-user lilypond-user@gnu.org,
Francisco Vila paconet@gmail.com
Subject: Re: Change color for some symbols in a sylable
Hi
Hi,
is there a possibility to swing the midi ouput in lilypond..so when i write
a c8 c, would sound like \times 2/3 {c8 r c}..?!
Thanks.
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Izreke 12:18*
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Stjepan Horvat zvanste...@gmail.com writes:
Hi,
is there a possibility to swing the midi ouput in lilypond..so when i
write a c8 c, would sound like \times 2/3 {c8 r c}..?!
Thanks.
URL:http://code.google.com/p/lilypond/issues/detail?id=687
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David Kastrup
Hi everybody.
I don't know if this was already issued (I did some google and didn't find
anything) but it seems that tuplet brackets are unaware of fermatas.
\version 2.14.2
\relative c' {
\times 2/3 { r8 c4\p \fermata }
}
Is this expected? It can be easily corrected with \overrride
On 01/14/2012 02:45 PM, Stjepan Horvat wrote:
is there a possibility to swing the midi ouput in lilypond..so when i
write a c8 c, would sound like \times 2/3 {c8 r c}..?!
You can try my hack at URL: http://crism.maden.org/music/swing.ly ,
which may or may not suffice for your purposes. It only
I am working on a four-part choral score with piano accompaniment. A
simplified version is attached.[*]
The vocal score looks great. Stems are in different directions for the
different voices, exactly as I want.
However, I would like the piano score, based on the exact same music
objects, to
On 1/14/12 4:09 PM, Christopher R. Maden cr...@maden.org wrote:
I am working on a four-part choral score with piano accompaniment. A
simplified version is attached.[*]
The vocal score looks great. Stems are in different directions for the
different voices, exactly as I want.
However, I would
On 01/14/2012 06:43 PM, Carl Sorensen wrote:
This is the job of \partcombine.
Perfect! Thanks! It works great in 2.12.3, too.
For the archives, in this case one will also want:
\new Staff = right hand \with {
printPartCombineTexts = ##f
}
~Chris
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Chris Maden, text nerd URL:
On 1/13/12 7:02 PM, Vaughan McAlley vaug...@mcalley.net.au wrote:
I work with renaissance choral music separated into sections with
double barlines. There¹s not really any need to put a line-break at
these double bars, but it looks bad if the last bar of a section
begins a line or the first bar
On 14 January 2012 21:24, Caio Barros caio.bar...@gmail.com wrote:
Hi everybody.
I don't know if this was already issued (I did some google and didn't find
anything) but it seems that tuplet brackets are unaware of fermatas.
\version 2.14.2
\relative c' {
\times 2/3 { r8 c4\p \fermata }
I’ve found the nice snippet in the learning manual for creating a
Dynamics context. However, as I am making MIDI and PDF output, I would
prefer to have the dynamics intrinsic to each voice, and merely suppress
their redundant engraving.
As you can see in the attached, I’ve successfully
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