Re: tabloid papersize

Hello, On 29 February 2012 18:05, Neil Thornock wrote: > While we're at it, it would be nice to enable "ledger" (17x11) -- > noted in paper.scm but not included for some reason. This and a few other sizes have been added and will be in the next development release - 2.15.34 (I believe). Thanks

Re: Add more space between arbitrary groups of notes

Hi Svetlana: > I want more space only between phrasing slurs, not between each note What about this solution? \version "2.15.32" \layout { \context { \Score \override BreathingSign #'transparent = ##t \override BreathingSign #'X-extent = #'(0 . 1) } } theMusic = \relative c' {

Re: wrong beaming

on 2012-03-15 at 16:22 Mark Knoop wrote: >\set baseMoment = #(ly:make-moment 1 8) >\set subdivideBeams = ##t yes! thank you very much. (when the triplet is in the second half of the quarter note, i still have to hard-code a manual beam, though. works great when the triplet is in the first half).

Re: wrong beaming

on 2012-03-15 at 16:23 Carl Sorensen wrote: > What issues do you believe it is related to? i thought that it might be related to issues like 11 and 2113, for example: http://code.google.com/p/lilypond/issues/detail?id=11 http://code.google.com/p/lilypond/issues/detail?id=2113 (not the same, t

Re: [Frescobaldi] Re: ANN: Frescobaldi 2.0.4

On Wed, Mar 14, 2012 at 1:18 PM, Wilbert Berendsen wrote: > Tab and Shift-tab handle the indent, Ctrl+I inserts a plain Tab. Yeah, I think Ctrl-I as in "re-indent the selected part" was a LilyPondTool/jEdit thing. Speaking of confusing shortcuts: Ctrl-D used to mean "comment this line" (that's t

Re: Variables: structure vs layout

El 15/03/2012 16:35, "James Harkins" escribió: > I guess it's a fairly vague question. I guess the best way to narrow it down is -- especially asking experienced users -- what level of "atomization" seems to work the best for variables? I'd use a variable for each voice undoubtedly. Use spacing

Re: moving rhythmic dots down

please always reply to the list! Just a quick question -- I'm making a glissando that goes across several unstemmed noteheads; I need to move any rhythmic dots down, so that the glissando doesn't obscure them. What's the proper override for this? Eluze wrote: > > use \dotsDown (or \voiceTwo )

Re: Point-and-click on Frescobaldi?

Yes it should. Especially for us non-geeks who understand a bit of this kind of thing. We need to know where to click and exactly what to type. Blessings, Gordon+ On 15/03/2012, Carl Sorensen wrote: > > > On 3/15/12 5:36 AM, "Father Gordon Gilbert" wrote: > >>Hi guys, >> >>For whatever reaso

Re: Combining lyrics lines

* 2012-03-15 21:53 +0100Janek Warchoł: > * 20012-03-15 3:01 PM, Reedmace Star > > Search for "centering the new Lyrics" thread by Keith OHara, from > December 2010. it might be exactly what you're looking for. Thank you, yes, that was exactly what I needed.

Frenched score with glissandi

Dear List, I'd like to forcefully remove a staff from an orchestral score at a given point. Here's the scenario: There are 6 violas playing in 2 staves (Vle 1-3 in the first and Vle 4-6 in the second). From some point, all the violas play the same material, so I'd like to remove one of the st

Re: Variables: structure vs layout

On Thu, Mar 15, 2012 at 4:35 PM, James Harkins wrote: > I'm getting a bit confused about the use of variables to reflect the > structure of the music, or the distribution of notes between different voices > etc. > > The passage where I'm struggling with this right now is for one instrument*. >

Re: Combining lyrics lines

On Thu, Mar 15, 2012 at 3:01 PM, Reedmace Star wrote: > I am typesetting a musical-theater style song, with the parts of several > singers appearing on the same staff. > [..] >     maybe >             that the > > Instead, I would like to see them combined on one line wherever > possible, like thi

Re: wrong beaming

At 13:01 on 15 Mar 2012, luis jure wrote: >on 2012-03-15 at 15:26 James wrote: >>Use manual beaming? > >yes, manual beaming solved the first quarter note: > >\relative c' { >\time 2/4 >c16[ c \times 2/3 { c8 c16] } >\times 2/3 { c8 c16 } c16 c } > >but i still don't know how to correct the second

Re: separating design from pure score

Hi Stjepan, sorry that I don't have the time to really go through this thread (so I might misunderstand sth). But I think you should separate your music variables from your score definition, so you can \include them separately: music.ly myMusic = { ... } score.ly \score { \new Staff <<

Re: full rest side effect

> > From: David Nalesnik >To: Jonathan Wilkes >Cc: "lilypond-user@gnu.org" >Sent: Thursday, March 15, 2012 10:34 AM >Subject: Re: full rest side effect > > >Hi Jonathan, > > >On Wed, Mar 14, 2012 at 1:56 PM, Jonathan Wilkes wrote: > >Oops, I sent this to lilyp

Manual bars: PDF and MIDI have different opinion on melismas

Dear list I just discovered that 2.14 produces different lyrics for PDF and MIDI output, when there are manual beams. Is this intentional? A minimal example is attached. Note that, in the PDF, the text "three and four" appears as expected under the notes, whereas in the MIDI, the notes on "three

Re: wrong beaming

On 3/14/12 8:45 PM, "luis jure" wrote: > >hello list, > >i have a problem with beaming when combining a sixteenth notes triplet >with straight 16ths. > >without any kind of tweaks, the following code produces the output in the >attached image: > >\relative c' { >\time 2/4 >c16 c \times 2/3 { c

RE: wrong beaming

You can always manually override the beaming: c16 c \times 2/3 { c8[ c16] } \times 2/3 { c8[ c16] } c16 c } --Steven -Original Message- From: lilypond-user-bounces+panteck=hotmail@gnu.org [mailto:lilypond-user-bounces+panteck=hotmail@gnu.org] On Behalf Of luis jure Sent: Wednesda

Re: Add more space between arbitrary groups of notes

Hello, James! 14.03.2012, 17:09, "James" : > Hello, > > > See http://lists.gnu.org/archive/html/lilypond-user/2012-03/msg00379.html > > This might help. > > I cannot help you with the others :/ > > -- > -- > > James > Thank you! This is not really what I wanted (I want more space only between ph

Re: Point-and-click on Frescobaldi?

On 3/15/12 5:36 AM, "Father Gordon Gilbert" wrote: >Hi guys, > >For whatever reason, Fresco was not showing the full path to LilyPond. > Never had this problem before, but when I put it in there, all >worked! I think this is a reflection of a solution to issue 1948. The windows installer no l

Re: wrong beaming

on 2012-03-15 at 15:26 James wrote: >This actually worked in 2.12.3 > >So I have opened > >http://code.google.com/p/lilypond/issues/detail?id=2408 great, thank you. i see, however, that 2.12.3 was not quite correct in the second case: the beamlet belonging to the triplet sixteenth should be poin

Re: delay test [you can ignore it]

on 2012-03-15 at 08:02 luis jure wrote: >sorry for the noise, just testing. i sent a message to the list yesterday >and i haven't seen it yet... ah... now i see it! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/li

Variables: structure vs layout

I'm getting a bit confused about the use of variables to reflect the structure of the music, or the distribution of notes between different voices etc. The passage where I'm struggling with this right now is for one instrument*. The passage has three voices, which I finally decided to split onto

Re: wrong beaming

Hello, On 15 March 2012 02:45, luis jure wrote: > > hello list, > > i have a problem with beaming when combining a sixteenth notes triplet > with straight 16ths. > > without any kind of tweaks, the following code produces the output in the > attached image: > > \relative c' { > \time 2/4 > c16 c

Re: Combining lyrics lines

Reedmace Star wrote: > > > For unrelated reasons, I want to use a separate Voice context for each > singer, even though the melodies usually don't overlap. The lyrics are > defined separately for each voice, too. > > one quick+dirty solution: \override LyricText #'Y-offset = #2.85 where 2

Re: full rest side effect

Hi Jonathan, On Wed, Mar 14, 2012 at 1:56 PM, Jonathan Wilkes wrote: > Oops, I sent this to lilypond@googlecode by mistake. Please ignore > there... > > Hello, > In the following example the left hand gets rhythmically augmented. > What screwy thing am I doing? > This score boilerplate was gene

Re: moving rhythmic dots down

Jeffrey Trevino wrote: > > Just a quick question -- I'm making a glissando that goes across several > unstemmed noteheads; I need to move any rhythmic dots down, so that the > glissando doesn't obscure them. What's the proper override for this? > > use \dotsDown (or \voiceTwo ) hth Eluze --

Re: articulate.ly with "rall" not working?

> "Malte" == Malte Meyn writes: Malte> On 13.03.2012 03:52, Peter Chubb wrote: >>> "Thomas" == Thomas Morley >>> writes: >> Malte> Hm. I see two problems: 1. Did I understand right, that -"rall" Malte> changes the tempo in a single step? That’s more like “subito Malte> meno mosso” t

wrong beaming

hello list, i have a problem with beaming when combining a sixteenth notes triplet with straight 16ths. without any kind of tweaks, the following code produces the output in the attached image: \relative c' { \time 2/4 c16 c \times 2/3 { c8 c16 } \times 2/3 { c8 c16 } c16 c } as you see, lily

Re: midiInstrument changes play one note too late.

Janek Warchoł writes: > On Wed, Mar 14, 2012 at 6:01 PM, Michael Ellis > wrote: > >> I'm not sure how I would go about implementing the suggested >> workaround for my application.  I run into the problem primarily when >> transcribing individual choral parts for my section.  It's nice in the >>

Combining lyrics lines

Dear Lilypond users, I am typesetting a musical-theater style song, with the parts of several singers appearing on the same staff. For unrelated reasons, I want to use a separate Voice context for each singer, even though the melodies usually don't overlap. The lyrics are defined separately fo

delay test [you can ignore it]

sorry for the noise, just testing. i sent a message to the list yesterday and i haven't seen it yet... ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: midiInstrument changes play one note too late.

Michael Ellis writes: > In any case, this seems to me like a fairly serious defect. I hope > it's on the list for 2.16. Don't worry. No stock options will be emitted to the responsible developers unless this deficiency is cured before 2.16 gets released. In other words: no, this is not "on the

Re: midiInstrument changes play one note too late.

Hans Aikema writes: > On 14-3-2012 14:30, Michael Ellis wrote: >> On Tue, Mar 13, 2012 at 5:26 PM, Michael Ellis >> wrote: >>> Is this a known problem? I don't see any prior reports online and >>> I've been seeing it since at least 2.12 but assumed it was because I >>> was doing some fairly co

full rest side effect

Oops, I sent this to lilypond@googlecode by mistake.  Please ignore there... Hello, In the following example the left hand gets rhythmically augmented. What screwy thing am I doing? This score boilerplate was generated using LilypondTool and I removed the irrelevant parts. Thanks, Jonathan % C

Re: Point-and-click on Frescobaldi?

Hi guys, For whatever reason, Fresco was not showing the full path to LilyPond. Never had this problem before, but when I put it in there, all worked! Thanks! Gordon+ On 15/03/2012, James wrote: > Father Gilbert > > On 14 March 2012 23:35, Father Gordon Gilbert wrote: >> Thanks, Wilbert, >>

Re: Combine \default rehearsal mark with another mark

On 2012.03.15., at 12:08, James wrote: > Hello, > 2012/3/15 Siska Ádám : >> Dear List, >> >> >> I'd like to put two rehearsal marks over the same barline. However, this >> gives an error: >> >> \mark \markup{ >> \center-align{ >> \line{ \default } >> \line{ "8" } >> } >> } s4*8 >>

Re: Combine \default rehearsal mark with another mark

Hello, 2012/3/15 Siska Ádám : > Dear List, > > > I'd like to put two rehearsal marks over the same barline. However, this > gives an error: > > \mark \markup{ >   \center-align{ >      \line{ \default } >      \line{ "8" } >   } > } s4*8 > > The error is: 'error: syntax error, unexpected \default

Combine \default rehearsal mark with another mark

Dear List, I'd like to put two rehearsal marks over the same barline. However, this gives an error: \mark \markup{ \center-align{ \line{ \default } \line{ "8" } } } s4*8 The error is: 'error: syntax error, unexpected \default' I also tried to access the value of \default, ho

Re: Point-and-click on Frescobaldi?

Father Gilbert On 14 March 2012 23:35, Father Gordon Gilbert wrote: > Thanks, Wilbert, > > I had figured it was something like that, but I am too far from geeky > to be able to implement something that complicated.  I certainly do > make use of it, though! > > I have another problem now, however.

Re: separating design from pure score

Hello all..thank you for you anwsers..i really appreciate it..It's not exactly what i wanted..but it helps me figure out more what i want and what will be my solution..! David Kastrup leads in this direction what i'm trying ta achive..The diference form Hans Aikema is that i want to include music

Re: Point-and-click on Frescobaldi?

2012/3/15 Father Gordon Gilbert : > Starting lilypond-windows.exe. [file.ly]... > Could not start lilypond-windows.exe. > Please check path and permissions. Sounds like Frescobaldi does not find your new lilypond install in the directory where it used to be, maybe it has been installed in another

Re: Point-and-click on Frescobaldi?

Hello, On 14 March 2012 23:35, Father Gordon Gilbert wrote: > Thanks, Wilbert, > > I had figured it was something like that, but I am too far from geeky > to be able to implement something that complicated.  I certainly do > make use of it, though! > > I have another problem now, however. > > Whe