Is it possible to make the left bar look like the right bar below?
Specifically, there is a clash with the triple number even though I specified:
StrokeFinger #'add-stem-support = ##t
and I would like the finger strokes to lineup vertically rather than following
the note height.
Using
On 06/08/12 20:20, David G wrote:
I would like to put a dot after the barline to show (something like) a
crotchet tied to a quaver - or according to
http://ranumspanat.com/jacquet_dots.htm subtly different(!)
It's more clear in this Beethoven string quartet:
pabuhr wrote
…
and I would like the finger strokes to lineup vertically rather than
following
the note height.
you can try
\override Score.StrokeFinger #'staff-padding = #5
hth
Eluze
--
View this message in context:
On 08/08/12 16:30, pabuhr wrote:
Is it possible to make the left bar look like the right bar below?
Specifically, there is a clash with the triple number even though I specified:
StrokeFinger #'add-stem-support = ##t
and I would like the finger strokes to lineup vertically rather than
Hi,
this thread has gone in (at least) 2 entirely different directions.
The original thread was about Subject as illustration of the
(dis)advantages of commercial vs. open sources software like Lilypond.
the other thread was about multithreading in lilypond processing.
Maybe it's time to
Johan Vromans jvrom...@squirrel.nl writes:
David Kastrup d...@gnu.org writes:
That makes my copyright red flags go up. Can you check back with
Kirill and possible other authors under which conditions you are
allowed to share?
The plug-in and the postprocessor are both GPL.
We'll likely
On 7 August 2012 01:59, Neil Thornock neilthorn...@gmail.com wrote:
Sibelius was good for us. Many of my students came to music because of
software like Sibelius. A precious few came to LilyPond because of the
music.
That's a very good point. The learning curve of Lilypond is steep,
whereas
On 08/08/12 12:21, martinwguy wrote:
That's a very good point. The learning curve of Lilypond is steep,
whereas poking at note positions on a visible stave lowers the bar
immensely. In this respect Sibelius has done a great service to the
world of music by providing a working example of such a
Joseph Rushton Wakeling joseph.wakel...@webdrake.net writes:
On 08/08/12 12:21, martinwguy wrote:
That's a very good point. The learning curve of Lilypond is steep,
whereas poking at note positions on a visible stave lowers the bar
immensely. In this respect Sibelius has done a great service
Hi Lilypond Folks!
I was wondering if anybody has tips for typesetting measures in the style of
Terry Riley's In C such as:
http://3.bp.blogspot.com/_tkm9v4opNG8/SxN7-
mizljI/DNI/uhvaeoUD0vY/s1600/Terry%20Riley%20In%20C%20full%20score.jpg
I think I can use cadenza mode to have the
maybe this helps?
ole
[siehe angehängte Datei: stopstart_staff.ly] [siehe angehängte Datei:
Screenshot 2012-08-08 um 16.47.50.jpg]
x
www.oleschmidt.info
x
Am 08.08.2012 um 16:01 schrieb Gabe Taubman:
Hi Lilypond Folks!
I was
I am teaching a Music and Digital Media class beginning next January and would
like to spend some time looking at alternatives to Finale. I would like to
include Lilypond in this, but I see that it is not yet compatible with Lion. Do
you have an idea when this might happen?
Any problems you
Hello,
While the interface (the text editor GUI) of Lilypond doesn't work with
Lion using the last stable version, the command line works without problem.
In that way, if you plan to use it thru a dedicated text editor (jEdit for
instance), it will work without a problem because theses editors
Thanks to everyone - you've been very helpful! I used James' function
because it looks a bit more flexible - in case anyone searches for this in
future I made a couple of tweaks to hide ledger lines and increase the size
a bit:
\version 2.15.39
tieToDotted =
#(define-music-function (parser
Sorry - read the wrong name there. I meant Thomas' function of course...!
On 8 August 2012 20:25, David G castle.cub...@googlemail.com wrote:
Thanks to everyone - you've been very helpful! I used James' function
because it looks a bit more flexible - in case anyone searches for this in
future
Sorry about the lack of subject matter in the original message.
David and Eluze: Thank you for the pointer. I desk check my ly code and found
a miss-match '}'. Edited and the compile went through fine.
Blessing in+,
Ming
Message: 7
Date: Tue, 7 Aug 2012 17:18:04 -0700 (PDT)
From: MING
On 8 Aug 2012, at 18:29, Zae Munn wrote:
I am teaching a Music and Digital Media class beginning next January and would
like to spend some time looking at alternatives to Finale. I would like to
include Lilypond in this, but I see that it is not yet compatible with Lion.
Do
you have an
On 8 August 2012 15:02, Joseph Rushton Wakeling
joseph.wakel...@webdrake.net wrote:
On 08/08/12 12:21, martinwguy wrote:
And if Avid is not willing to sell Sibelius back to
the original owners, for money, how much less willing are they going to be
to open source it?
Well, you know what the
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