On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
Werner LEMBERG wrote:
>
> > I found in the Regression Tests what I was looking for
> > (glissando-broken-multiple.ly). It solves some points in my scores,
> > that I was afraid not to code in LP. Really a wonderful job,
> > especially for contemporary m
james googlemail.com> writes:
> >> If you define an unusual key signature with G-flat and A-flat
> >>
> >> \new Staff { \clef bass
> >> \override Staff.KeySignature #'flat-positions = #'(5)
> >> \set Staff.keySignature = #`(( 4 . ,FLAT) ( 5 . ,FLAT))
> >> f4 ges as b }
> Brain fart. the space b
> I found in the Regression Tests what I was looking for
> (glissando-broken-multiple.ly). It solves some points in my scores,
> that I was afraid not to code in LP. Really a wonderful job,
> especially for contemporary music.
Can you suggest some index and documentation entries?
Werner
Greetings,
You wrote:-
+++
Is there a way to control the vertical spacing between the lines of the
lyrics?
I want to reduce the spacing slightly between the lines to see if I can
get a
piece to fit on one page. I tried playing with these but to no
Is there a way to control the vertical spacing between the lines of the lyrics?
I want to reduce the spacing slightly between the lines to see if I can get a
piece to fit on one page. I tried playing with these but to no avail.
\override Score.LyricSpace #'padding = #0
\override Score.LyricSpace #
On 09/02/2012 05:45 PM, Federico Bruni wrote:
> Il 02/09/2012 18:33, Christopher R. Maden ha scritto:
>> The \bookpart starts a new page.
>
> Regarding this, I have another question: is it possible to prevent
> the page break between two bookparts? I've tried putting \pageBreak
> in several place
On Sep 2, 2012, at 11:51 PM, james wrote:
>
> On Sep 2, 2012, at 11:46 PM, Keith OHara wrote:
>
>> james googlemail.com> writes:
>>
>>> I'm looking at the new options for custom key signatures,
>>
>>> "Accidentals in the key signature may be printed in octaves other than
>>> their tradition
On Sep 2, 2012, at 11:46 PM, Keith OHara wrote:
> james googlemail.com> writes:
>
>> I'm looking at the new options for custom key signatures,
>
>> "Accidentals in the key signature may be printed in octaves other than
>> their traditional positions, or in multiple octaves, by using the flat-
james googlemail.com> writes:
> I'm looking at the new options for custom key signatures,
> "Accidentals in the key signature may be printed in octaves other than
> their traditional positions, or in multiple octaves, by using the flat-
> positions and sharp-positions properties of KeySignature
Il 02/09/2012 18:33, Christopher R. Maden ha scritto:
The \bookpart starts a new page.
Regarding this, I have another question: is it possible to prevent the
page break between two bookparts?
I've tried putting \pageBreak in several places but none worked.
I'm writing a book where there are
Thanks Urs, thanks Thomas,
I found in the Regression Tests what I was looking for
(glissando-broken-multiple.ly). It solves some points in my scores,
that I was afraid not to code in LP. Really a wonderful job, especially
for contemporary music.
Regards, TG
On Sun, 2 Sep 2012 22:44:28 +0200
Th
Il 02/09/2012 20:28, Thomas Morley ha scritto:
Hi Federico,
why not remove the tocItems from book and integrate them in bookpart1
and bookpart2?
I had tried, but it didn't work because I put \tocItem at the bottom of
the \bookpart block.
It must be at the beginning.
Thanks!
--
Federico
__
2012/9/2 Tiresia GIUNO :
> I appreciate so much that it is possible to connect with glissando non
> consecutive pitches!
>
> In the Changes Documentation, the last line, I can't understand the
> sentence:
>
> "Glissandi can now span multiple lines."
>
> It refers to that? If not, can anyone point m
Am 02.09.2012 21:44, schrieb Tiresia GIUNO:
I appreciate so much that it is possible to connect with glissando non
consecutive pitches!
In the Changes Documentation, the last line, I can't understand the
sentence:
"Glissandi can now span multiple lines."
It refers to that? If not, can anyone p
I appreciate so much that it is possible to connect with glissando non
consecutive pitches!
In the Changes Documentation, the last line, I can't understand the
sentence:
"Glissandi can now span multiple lines."
It refers to that? If not, can anyone point me to the documentation of
the change?
2012/9/2 Thomas Morley :
> 2012/9/2 Jim Long :
>> On Sat, Sep 01, 2012 at 03:04:44PM -0700, pabuhr wrote:
>>> I have a vertical spacing problem with MetronomeMark and rhythmMark. The
>>> include for rhythmMark.ly comes from here:
>>>
>>>http://lsr.dsi.unimi.it/LSR/Snippet?id=204
>>
>> I have pe
Dear Gilles,
Yes, I think I didn't see the mail You've mentioned.
Thanks again!
> Dear community,
> > for those who are interested:
> > I've found a solution for my problem. I've found it in the older version
> > of
> > copyarticulations.ly
>
> It is not the older one. It is the newest. :-)
> I th
2012/9/2 Federico Bruni :
> I'm trying a different approach¹ in creating a book.
> Let me first explain what I 'd like to achieve.
>
> Let's say I have some scores which I'd like to print either on their own and
> inside a book which includes them all; and I want the title to show up
> correctly in
Apparantly I forgot the attachment, sorry about that
Original Message
From: m...@wimvd.nl
To: lilypond-user@gnu.org
Sent: Zon, Sep 2, 2012, 8:04 PM
Subject: grace-notes naming and realization?
Hi,
I'm trying to typeset a score written by someone else and he uses a figure
I don't (ex
Hi,
I'm trying to typeset a score written by someone else and he uses a figure
I don't (exactly) recognize. See attached PNG file.
It is played almost seperatedly before the main notes not substracting
time of them and it is played even a little bit slower.
It looks like a acciaccatura with a sl
Hi Reinhold,
thanks for these ideas.
Am 23.08.2012 16:03, schrieb Reinhold Kainhofer:
On 15/08/2012 17:34, Urs Liska wrote:
...
Since I need those glyphs (mainly the dynamics, but also accent etc.) in
a critical report myself, I took a look at the package.
Thanks
One thing I noticed is tha
Am 23.08.2012 23:19, schrieb Stefan Thomas:
Dear community,
I would like to know the note-spelling of the dutch note-name "beses"
in german lilypond syntax.
Frescobaldi translates it to "bes" but this causes an error message.
In german this note is called "doppel b" but this causes (no wonder)
Le Sun, 02 Sep 2012 14:25:07 +0200, Stefan Thomas
a écrit:
Dear community,
for those who are interested:
I've found a solution for my problem. I've found it in the older version
of
copyarticulations.ly
It is not the older one. It is the newest. :-)
I think you missed my message.
http://lis
On 09/02/2012 08:22 AM, Federico Bruni wrote:
> I'm trying a different approach¹ in creating a book. Let me first
> explain what I 'd like to achieve.
>
> Let's say I have some scores which I'd like to print either on
> their own and inside a book which includes them all; and I want the
> title t
I'm looking at the new options for custom key signatures, and before I begin
playing around with this, I don't understand this text at all.
"Accidentals in the key signature may be printed in octaves other than their
traditional positions, or in multiple octaves, by using the flat-positionsand
s
Hi Matthias,
Here's one possibility (but I'm sure there are others) :
MyTimeSignature = \markup \musicglyph #"timesig.C22"
{
\override Staff.TimeSignature #'stencil = #(lambda (grob)
ly:time-signature::print (grob-interpret-markup grob MyTimeSignature))
c'1
}
2012/9/2 Matthias Böhringer
> De
In your definitions file, you might try:
tsCut = {
\once \override Score.TimeSignature #'stencil =
#ly:text-interface::print
\once \override Score.TimeSignature #'text = \markup { \musicglyph
#"timesig.C22" }
}
and, if you need it:
tsCommon = {
\once \override Score.Time
Dear community,
for those who are interested:
I've found a solution for my problem. I've found it in the older version of
copyarticulations.ly
skipTiedNotes = #(define-music-function (parser location music)(ly:music?)
"Add a special tag in 'tags of second tied notes to forbid articulations to
be
c
Dear David,
off course,You are right. It's not better to write \aksak #13 #8 #'(3 3 3 2
2 ) instead of \time #'(4 3) 7/8
The problem was: I've been using the alsak-variable before this kind of
syntax was possible and I've used it quite a lot.
An update with convert-ly didn't work in my case.
So, I'
I'm trying a different approach¹ in creating a book.
Let me first explain what I 'd like to achieve.
Let's say I have some scores which I'd like to print either on their own
and inside a book which includes them all; and I want the title to show
up correctly in both cases without having to touc
Dear list,
I am setting a piece with a time signature of 4/2. This should be used
to calculate the measure length etc.
However, I'd rather see the "alla breve" symbol in place of the "4/2".
Is there a way to do this (that I can understand ;-), I'm just a user,
no scheme wizard)?
Any help o
2012/9/2 Nick Payne :
> I had the same problem at first - not seeing the PDF manuals. However, if
> you click on the link for the manuals ( http://lilypond.org/manuals.html),
> then on the second line of menu at the top of the page there are links for
> Learning, Glossary, Essay, Notation, etc. Cli
Stefan Thomas writes:
> Dear community,
> in 2.14. I've been quite frequently using a special variable for
> compound meters. I would like to use it in the same way as before, but
> unfortunately it doesn't work in 2.16.
> How can I update it?
>
> % SNIP
> \version "2.16.0"
>
On Sep 2, 2012, at 2:27 AM, flup2 wrote:
> The correct command is, as indicated in the help page you linked :
>
> \override Staff.TimeSignature #'font-name = "..."
>
> The "Staff." before TimeSignature was missing in your override. Now, it's
> working right on my side.
>
> Philippe
Sorry, I
The correct command is, as indicated in the help page you linked :
\override Staff.TimeSignature #'font-name = "..."
The "Staff." before TimeSignature was missing in your override. Now, it's
working right on my side.
Philippe
--
View this message in context:
http://lilypond.1069038.n5.nabbl
On Sep 2, 2012, at 1:02 AM, flup2 wrote:
> Hello,
>
> 3 things that might help :
>
> Did you already try to use that particular font to change the title font in
> LilyPond ? Trying this in the paper block could test that your font is
> really recognized by Lilypond :
I just tried - it looks li
On 2012-09-02 08:58, Curt wrote:
Hi, I'm using Lilypond.app 2.16 on Mac 10.7.4. (The change log says 10.7 is
supported now.)
lilypond -dshow-available-fonts x
shows that I have Gloucester MT Extra Condensed available as a font for me.
Font Book shows it as being in True Type and Open Type f
Dear community,
in 2.14. I've been quite frequently using a special variable for compound
meters. I would like to use it in the same way as before, but unfortunately
it doesn't work in 2.16.
How can I update it?
% SNIP
\version "2.16.0"
aksak = #(define-music-function
(parse
Hello,
3 things that might help :
- OS X font recognized by LilyPond can be a problem. On my configuration, I
have no problem with OpenType, .dfont, Windows true type (.ttf), but it
doesn't recognize my Mac True type fonts (generally, rather old fonts). As
your font is available in both True Type
On 2 sept. 2012, at 08:58, Curt wrote:
> Hi, I'm using Lilypond.app 2.16 on Mac 10.7.4. (The change log says 10.7 is
> supported now.)
>
> lilypond -dshow-available-fonts x
>
> shows that I have Gloucester MT Extra Condensed available as a font for me.
> Font Book shows it as being in True
On 02/09/12 11:24, Joshua Nichols wrote:
To whom it may concern:
I apologize if this is a repeat query, however:
I want to be able to generate graphic musical examples without getting
it formatted on a giant paper-formatted .pdf or .png. I want to be
able to use this for input into documents
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