m...@mikesolomon.org m...@mikesolomon.org writes:
not pretty, but effective...
#(define (kludge grob)
(ly:grob-set-property! grob 'text foo)
(ly:text-interface::print grob))
\new ChordNames \chordmode {
a b c:7
\once \override ChordNames . ChordName #'stencil =
The reason we can't just override the text property is because it
is junked and reset internally in LilyPond. The
unpure-pure-container makes sure that the chord is taken into
account in horizontal spacing calculations. Anytime you override a
stencil, try to use an unpure-pure-container.
On 6 sept. 2012, at 08:06, Werner LEMBERG w...@gnu.org wrote:
The reason we can't just override the text property is because it
is junked and reset internally in LilyPond. The
unpure-pure-container makes sure that the chord is taken into
account in horizontal spacing calculations. Anytime
The kludge I used is not documented anywhere -
Aaah :-)
I looked in define-grobs.scm, saw that it was using
ly:text-interface::print but that there was no callback for text,
which means that it must be set in the code. So the stencil
function (or a number of other ones) could be hijacked
On Thu, Sep 6, 2012 at 1:21 AM, Nick Payne nick.pa...@internode.on.net wrote:
Elysium (the Eclipse plugin for Lilypond editing) is not listed in the
documentation as one of the editing environments for Lilypond. It should
probably be there
http://elysium.thsoft.hu/
I didn't found licensing
unpure-pure stuff is:
http://lilypond.org/doc/v2.16/Documentation/notation/unpure_002dpure-containers
Looking more closely at this page, I don't fully understand how it
works. It is stated that the unpure-pure stuff affects y-axis
calculations, but the given example adjusts the *width*:
In
On 6 sept. 2012, at 08:49, Werner LEMBERG w...@gnu.org wrote:
unpure-pure stuff is:
http://lilypond.org/doc/v2.16/Documentation/notation/unpure_002dpure-containers
Looking more closely at this page, I don't fully understand how it
works. It is stated that the unpure-pure stuff affects
Dear Werner,
useful as it can be for editing, I found at least one case (a score with three
voices, six pages total) where point-and-click generated artefacts
(incomplete lines and empty final pages) when viewed with Preview (Mac 10.6.8),
while Acrobat 9 showed no such problems - possibly some
How comes? I think this deserves some more explanation.
You can check out the CG link for info about how the lilypond
spacing engine works with unpure-pure-containers.
Will do. Maybe it is sufficient to simply add a link to
You can check out the CG link for info about how the lilypond
spacing engine works with unpure-pure-containers.
BTW, why the heck is this central part of LilyPond's layout engine
located in the Contributor's Guide? This certainly belongs to the
`notation' or `extending' guide, I reckon.
012/9/6 Janek Warchoł janek.lilyp...@gmail.com:
On Thu, Sep 6, 2012 at 1:21 AM, Nick Payne nick.pa...@internode.on.net
wrote:
Elysium (the Eclipse plugin for Lilypond editing) is not listed in the
documentation as one of the editing environments for Lilypond. It should
probably be there
After reading the CG stuff, If you feel any info should be brought
over to the users manual, post a patch and we can discuss it. And,
of course, if after reading the CG stuff is still unclear on how
they work, lemme know.
OK, I've read it, and the concept of purity is explained well,
I found at least one case (a score with three voices, six pages
total) where point-and-click generated artefacts (incomplete lines
and empty final pages) when viewed with Preview (Mac 10.6.8), while
Acrobat 9 showed no such problems -
Bug report, please! If possible, reduce the example
On 06/09/12 16:27, Janek Warchoł wrote:
On Thu, Sep 6, 2012 at 1:21 AM, Nick Payne nick.pa...@internode.on.net
wrote:
Elysium (the Eclipse plugin for Lilypond editing) is not listed in the
documentation as one of the editing environments for Lilypond. It should
probably be there
Dear Werner,
I do not think this is necessarily a bug in LilyPond: as Acrobat has no problem
displaying the PDF and shorter scores work fine in Preview, my guess is that
this is a Preview-specific problem - but I will investigate further and create
a minimal example to reproduce the behaviour.
Further to my recent query I have deduced from various confusing manual entries
that my solution could be as follows
%
% variables for later use to avoid repititions
luis jure wrote:
... chords with some non-standard notation
...
i'd be very grateful for any pointers.
This an old annoyance [1].
You could try using my besideCN and replaceCN.
See stencilCN.ly for recent code and a demo.
Make sure you update it to your lilypond version. [2]
Two
Dear community,
in the below quoted latex-document, I get the following error:
test.tex:13:9: error: cannot find file: `rousselraga.ly'
This is my document and the file rousselraga.ly
%
\documentclass[a4paper,12pt]{article}
\usepackage[ngerman]{babel}
\usepackage[utf8]{inputenc}
I should have mentioned, that I compile those files with a script:
lilypond-book -I /home/stefan/partituren/lilyponds/vorlagen/ --pdf $1.tex
--output=out
cd out/
pdflatex $1.tex
pdflatex $1.tex
mv $1.pdf ../
cd ../
rm -r out/
2012/9/6 Stefan Thomas kontrapunktste...@gmail.com
Dear
On Thu, Sep 06, 2012 at 10:37:37AM +0100, Peter Gentry wrote:
It is a shame that the manuals do not contain a single source including a
precise definition of all the markup options - similar to
a c++ manual say.
Notation A.10 is intended to give such a source of definitions.
- Graham
Hi all!
In the following snippet you will notice that the lyric extender after
the line break doesn't start at the beginning of bar 2 but is just a
single dash under the hidden c'4.
The same happens using rests instead of spacer rests.
The glissando is not part of the problem, it is there just to
Hi guys..it is an old post..but i got it working right now..so i want to
share it with you..
I made a script vim-lilypond.sh
#!/bin/bash
FILENAME=`echo $1 | cut -d : -f 2`
LINE=`echo $1 | cut -d : -f 3`
CHAR=`echo $1 | cut -d : -f 4`
COLUMN=`echo $1 | cut -d : -f 5`
vim --servername lilypond
On 6 sept. 2012, at 09:49, Werner LEMBERG w...@gnu.org wrote:
After reading the CG stuff, If you feel any info should be brought
over to the users manual, post a patch and we can discuss it. And,
of course, if after reading the CG stuff is still unclear on how
they work, lemme know.
OK,
Is there a way to ignore descenders (q, g, y, etc.) in lyrics? It messes up
base lines and line spacing and makes for a very unattractive misalignment.
I think this was briefly discussed back in 2.13, but it doesn't seem to
have been resolved by 2.16.
Message: 5
Date: Wed, 05 Sep 2012 23:47:31 +0200
From: Reinhold Kainhofer reinh...@fam.tuwien.ac.at
To: David Kastrup d...@gnu.org
Subject: Re: update all files with convert.ly
On 2012-09-04 11:37, David Kastrup wrote: Stefan Thomas
kontrapunktste...@gmail.com writes:
Dear community,
Hi,
if I typeset a key change from b major to g major, f remains sharp and
LilyPond prints out the naturals necessary for c, g, d, and a. Makes
perfect sense, but the standard I'm required to follow has it that an
extra # for fis should precede the group of naturals. Is there a way
to achieve
thanks for the report - I forwarded it to the bug list:
http://lilypond.1069038.n5.nabble.com/Lyric-extender-lines-and-rests-after-line-break-td132414.html
Eluze
--
View this message in context:
Hi Trevor,
Awesome work with lilybin.com. Are you planning on open sourcing the code
for this? It would be really cool to see a public repo on GitHub for this. I
would love to contribute to this project and I know some other javascripters
that would probably contribute too. Perhaps you could
On Thu, 6 Sep 2012 03:36:40 -0700 Graham Percival wrote
Notation A.10 is intended to give such a source of definitions.
- Graham
Ah I had downloaded all twelve of the pdf manuals which I routinely search via
the Adnaced Search option to find inspiration and or
confusion.
Notation A.10 is in
On Thu, Sep 06, 2012 at 07:55:32PM +0100, Peter Gentry wrote:
On Thu, 6 Sep 2012 03:36:40 -0700 Graham Percival wrote
Notation A.10 is intended to give such a source of definitions.
Ah I had downloaded all twelve of the pdf manuals which I routinely search
via the Adnaced Search option
On 07/09/12 04:55, Peter Gentry wrote:
On Thu, 6 Sep 2012 03:36:40 -0700 Graham Percival wrote
Notation A.10 is intended to give such a source of definitions.
- Graham
Ah I had downloaded all twelve of the pdf manuals which I routinely search
via the Adnaced Search option to find
2012/9/6 Janne Uusitalo janne.uusit...@gmail.com:
Hi,
if I typeset a key change from b major to g major, f remains sharp and
LilyPond prints out the naturals necessary for c, g, d, and a. Makes
perfect sense, but the standard I'm required to follow has it that an
extra # for fis should
I don't really understand it, but I can modify the examples of how to create
custom dynamics to get what I want.
I have a document with several examples like:
rinforzamf = #(
make-dynamic-script (
markup #:line (
#:left-align
#:normal-text
#:whiteout
#:italic
Thomas Morley thomasmorle...@googlemail.com writes:
2012/9/6 Janne Uusitalo janne.uusit...@gmail.com:
Hi,
if I typeset a key change from b major to g major, f remains sharp and
LilyPond prints out the naturals necessary for c, g, d, and a. Makes
perfect sense, but the standard I'm required
Hi James,
On Thu, Sep 6, 2012 at 5:00 PM, james james.lilyp...@googlemail.com wrote:
I don't really understand it, but I can modify the examples of how to create
custom dynamics to get what I want.
I have a document with several examples like:
rinforzamf = #(
make-dynamic-script (
With a large staff size and a longish composer field, the composer name
runs off the right-hand edge of the page, even though there is plenty of
room for it to be accommodated within the left and right margins:
%===
\version 2.16.0
#(set-global-staff-size 33)
\paper {
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On 09/06/2012 07:57 PM, Nick Payne wrote:
With a large staff size and a longish composer field, the composer
name runs off the right-hand edge of the page, even though there
is plenty of room for it to be accommodated within the left and
right
Hello!
Just a general question about something I cannot find in the manuals
anywhere...
How do I insert, lets say, a bass and treble clef into the title or
subtitle of a piece? I am building a worksheet and wish to use the symbols
instead of the full text.
Pointers? I've done every possible
On Thu, Sep 06, 2012 at 09:02:10PM -0500, Joshua Nichols wrote:
Hello!
Just a general question about something I cannot find in the manuals
anywhere...
How do I insert, lets say, a bass and treble clef into the title or
subtitle of a piece? I am building a worksheet and wish to use the
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