2012/10/3 Thomas Morley :
> 2012/10/3 TaoCG :
>> TaoCG wrote
>>>
>>> thomasmorley65 wrote
Sorry, forgot to answer all.
Here again:
2012/10/3 TaoCG <
>>
tao_lilyponduser@
>>
>:
> When I typeset a dashed barline in the middle of a bar lilypond prints
> an
> a
Laborejo, Esperanto for "Workshop", is used to craft music through notation.
It is a Lilypond GUI frontend, a MIDI creator and finally a tool collection to
inspire and help you compose.
It works by reducing music-redundancy and by seperating layout and data.
Before you read the details make sure
2012/10/3 TaoCG :
> TaoCG wrote
>>
>> thomasmorley65 wrote
>>> Sorry, forgot to answer all.
>>> Here again:
>>>
>>> 2012/10/3 TaoCG <
>
>>> tao_lilyponduser@
>
>>> >:
When I typeset a dashed barline in the middle of a bar lilypond prints
an
additional Barnumber in parentheses above i
%%%
\version "2.16.0"
\include "copyArticulations.ly"
{
\copyArticulations
% no articulation included but music has tied notes
{ c ~ c c ~ c }
% ties (not slurs!) get copied here
{ a' a' a' b' }
}
%%%
2 solutions :
1- change the pattern
Francisco Vila wrote:
> I think that what you want does actually exist, and it is called a
> spreadsheet. They are commonly used for (or primarily intended for)
> numbers and formulae laid out in rows and columns, although people do
> use them for pretty everything from "I lost my dog" ads to rest
TaoCG wrote
>
> thomasmorley65 wrote
>> Sorry, forgot to answer all.
>> Here again:
>>
>> 2012/10/3 TaoCG <
>> tao_lilyponduser@
>> >:
>>> When I typeset a dashed barline in the middle of a bar lilypond prints
>>> an
>>> additional Barnumber in parentheses above it. Is there a way to avoid
>>>
thomasmorley65 wrote
> Sorry, forgot to answer all.
> Here again:
>
> 2012/10/3 TaoCG <
> tao_lilyponduser@
> >:
>> When I typeset a dashed barline in the middle of a bar lilypond prints an
>> additional Barnumber in parentheses above it. Is there a way to avoid
>> this?
>
> Using:
>
> \relati
On Wed, Oct 3, 2012 at 12:33 PM, Nils Gey wrote:
> I thought of a solution.
> [...]
> Summary: It is totally possible, but I can't do it right now.
So, 50 bucks will have to wait :)
I'm actually surprised that noone pledged any additional bounty...
Janek
_
Sorry, forgot to answer all.
Here again:
2012/10/3 TaoCG :
> When I typeset a dashed barline in the middle of a bar lilypond prints an
> additional Barnumber in parentheses above it. Is there a way to avoid this?
Using:
\relative c' {
\override Score.BarNumber #'break-visibility = #'#(#t
TaoCG wrote
> When I typeset a dashed barline in the middle of a bar lilypond prints an
> additional Barnumber in parentheses above it. Is there a way to avoid
> this?
hi
is there a compiling example and a version number to reproduce this?
Eluze
--
View this message in context:
http://lilypo
When I typeset a dashed barline in the middle of a bar lilypond prints an
additional Barnumber in parentheses above it. Is there a way to avoid this?
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/unwanted-barnumber-tp134059.html
Sent from the User mailing list archive a
Jay Anderson writes:
> I don't consider this a hack. Using parallel spacer rests is a very
> common construct. If it seems ugly then you can always move it to a
> function to hide it away.
>
>
> \version "2.16.0"
>
> endHairpin =
> #(define-music-function (parser location mus) (ly:music?)
> #{
On Wed, Oct 3, 2012 at 5:25 AM, Carlo Stemberger
wrote:
> Il 03/10/2012 06:37, Keith OHara ha scritto:
>>
>> I guess there is good reason the manual shows the method with
>> simultaneous streams of music; it is more generally useful.
>>
>> \new Voice<< b1 {s2.-\tweak #'minimum-length #5 \> s4\p
2012/10/3 Carlo Stemberger :
>> \new Voice<< b1 {s2.-\tweak #'minimum-length #5 \> s4\pp}>>
>
>
> Yes, but this looks as a hack. I think we should have a very simple syntax
> for this kind of dynamics, because they are very frequent.
>
> If we have to find tricky solutions, probably the current
Il 03/10/2012 06:37, Keith OHara ha scritto:
I guess there is good reason the manual shows the method with
simultaneous streams of music; it is more generally useful.
\new Voice<< b1 {s2.-\tweak #'minimum-length #5 \> s4\pp}>>
Yes, but this looks as a hack. I think we should have a very sim
the files<>
tiesCopied.ly
Description: Binary data
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In the following example the function \copyArticulations which can be
found at
http://gillesth.free.fr/Lilypond/copyArticulations/copyArticulations.ly
copies the _ties_ from the original music. I don't regard ties as
articulation. How can the function be improved so that it ignores ties?
%%
2012/10/2 LasseFair :
> Hi
>
> My daughter has started to play piano after a system where each note has a
> picture associated to it (sort of like the easy note heads in lilypond).
>
> The pictures are shown as note heads on the music sheets.
>
> I would really like to be able to create more melody
Francisco Vila writes:
> 2012/10/3 Janek Warchoł :
>> Imagine a piece for medium-sized orchestra (10 instruments, 200
>> measures). In LilyPond code, you have to write the instruments
>> separately from each other - the connection between them is not
>> visible. It is difficult to visualise how
I think MTX was doing that (or PMX?). I used it and would counsel to
try it there. If you find it usefull, why not?
Personally, I am happy with writing down on paper and transcribing
then (when the music becomes to complicated form my poor coding
habits).
Francois
2012/10/3, David Kastrup :
> Urs
This is not a quick task eventough I know what needs to be done, since such an
editor, only more advanced, is Laborejo.
For simple purposes it will be easy to do but quickly you encounter
shortcomings and the display is unstatisfying again which is the point where
the code need extensions and r
2012/10/3 Janek Warchoł :
> Imagine a piece for medium-sized orchestra (10 instruments, 200
> measures). In LilyPond code, you have to write the instruments
> separately from each other - the connection between them is not
> visible. It is difficult to visualise how they blend by looking at
> the
Urs Liska writes:
> Am 03.10.2012 10:12, schrieb David Kastrup:
>> Urs Liska writes:
>>
>>> Am 03.10.2012 07:34, schrieb Janek Warchoł:
Hi,
sorry for delay...
On Wed, Sep 26, 2012 at 2:03 PM, David Kastrup wrote:
> Janek Warchoł writes:
>> Disabling automatic l
Am 03.10.2012 10:12, schrieb David Kastrup:
Urs Liska writes:
Am 03.10.2012 07:34, schrieb Janek Warchoł:
Hi,
sorry for delay...
On Wed, Sep 26, 2012 at 2:03 PM, David Kastrup wrote:
Janek Warchoł writes:
Disabling automatic line wrapping and using horizontal scrolling
is the key :)
Of
Urs Liska writes:
> Am 03.10.2012 07:34, schrieb Janek Warchoł:
>> Hi,
>>
>> sorry for delay...
>>
>> On Wed, Sep 26, 2012 at 2:03 PM, David Kastrup wrote:
>>> Janek Warchoł writes:
Disabling automatic line wrapping and using horizontal scrolling
is the key :)
Of course, it would
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