I'm using glissandos to indicate a guide finger in fingering, and in
most cases where there are chords, I don't want it between all the notes
in successive chords. Can this be done without creating a separate
hidden voice with the single notes having the glissando between them.
e.g. in the
On Sat, Oct 6, 2012 at 2:38 AM, Brad Smith rainwarr...@gmail.com wrote:
When should you
use ly:pitch and when should you use ly:music? (Is there a place in
the documentation that is good for learning these things?)
I'm no expert on music functions, but i'd say that ly:music? is used
when the
On 10/06/2012 01:17 AM, The Doctor (Michael D) wrote:
I am using the gregorian to arrange Eastern Orthodox chant music. I am working
on music from the eight tones (which has a lot of 'recitatives') and *would
like* to be able to use tuplets to 'group' and indicate notes and thus syllables
that
- Original Message -
From: Janek Warchol janek.lilyp...@gmail.com
To: The Doctor (Michael D) thedoctor81...@gmail.com
Cc: lilypond-user@gnu.org
Sent: Saturday, October 06, 2012 10:08 AM
Subject: Re: Tuplets in Orthodox Liturgical Music
On Sat, Oct 6, 2012 at 1:17 AM, The Doctor
2012/10/6 Nick Payne nick.pa...@internode.on.net:
I'm using glissandos to indicate a guide finger in fingering, and in
most cases where there are chords, I don't want it between all the notes
in successive chords. Can this be done without creating a separate
hidden voice with the single notes
I want to write a scheme function that doubles a note such that the pitch
(let's call it 'x') is retained, but the respective durations are such that
{x8.. x32} is displayed.
Since \displayMusic{ c'8.. c'32 } outputs this:
Shashank Raja luoli...@gmail.com writes:
I want to write a scheme function that doubles a note such that the
pitch (let's call it 'x') is retained, but the respective durations
are such that {x8.. x32} is displayed.
Since \displayMusic{ c'8.. c'32 } outputs this:
Werner LEMBERG wl at gnu.org writes:
Rehearsal marks are one of the things that has extra-spacing-width
set to (inf . -inf) so that it reserves no space during note-spacing
Something learned again Could this please be added to the
`Rehearsal marks' section in the documentation?
Better
Rehearsal marks are one of the things that has
extra-spacing-width set to (inf . -inf) so that it reserves no
space during note-spacing
Something learned again Could this please be added to the
`Rehearsal marks' section in the documentation?
Better to describe how
I'm trying to centralize all layout instructions in a style sheet, but
I'm struggling with the instrumentName property for GrandStaff. The code
below works for staves in regular systems, but the font property isn't
applied to piano staves. Any ideas?
\context
{
\Staff
\override
No opportunity to test right now,
but why not
\context
{
\PianoStaff
...
and
\context
{
\GrandStaff
...
?
HTH
Urs
Am 06.10.2012 21:55, schrieb Jethro Van Thuyne:
I'm trying to centralize all layout instructions in a style sheet, but
I'm struggling with the instrumentName
2012/10/6 i...@soundand.com:
Hello-
I 'think' I copied the info out of the 2.16 manual for the score below but
both my editor and Frescobaldi won't compile it and both say they can't find
errors.
It looks weird to me but that's because I am not used to the 'new' format
for this but
Hi Urs,
I tried before with GrandStaff and that didn't change a thing.
PianoStaff does! I didn't know PianoStaff was a context too. Thanks!
Jethro
On 10/06/2012 09:58 PM, Urs Liska wrote:
No opportunity to test right now,
but why not
\context
{
\PianoStaff
...
and
\context
{
Hi. This may seem simple to some, but I am having some difficulty with
this. I would like to have Lilypond produce blank sheet music with a
grand staff. I found the attached code, but cannot figure out how to add
the bass clef. Any help is appreciated. Also I am getting an error
message as
2012/10/6 The Doctor (Michael D) thedoctor81...@gmail.com:
Hi. This may seem simple to some, but I am having some difficulty with this.
I would like to have Lilypond produce blank sheet music with a grand staff.
I found the attached code, but cannot figure out how to add the bass clef.
Any
Thomas Morley thomasmorle...@googlemail.com writes:
\new GrandStaff {
$(make-simultaneous-music
(map
(lambda (x)
#{
\new Staff { \repeat unfold 2 { s1 \pageBreak } }
#})
(iota 6)))
}
\new GrandStaff $@(make-list 6
2012/10/6 David Kastrup d...@gnu.org:
[...]
\new GrandStaff $@(make-list 6
#{\new Staff { \repeat unfold 2 { s1 \pageBreak } }
#})
is a bit more concise.
:D
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lilypond-user mailing list
I'm using glissandos to indicate a guide finger in fingering, and in ...
Hey Nick, we certainly struggle with indicating a guide finger. 8-)
First, an observation, which I know you are already aware of, but I'll make it
anyway. It is important to differentiate between the glissando, which
Hi pabuhr,
On Sat, Oct 6, 2012 at 5:21 PM, pabuhr pab...@fastmail.fm wrote:
[...]
Below is my attempt at a guide finger (which I'm sure you saw a few months
ago).
http://www.mail-archive.com/lilypond-user@gnu.org/msg73509.html
[...]
The problem with my
version is that the combined
Hi Harm,
On Sat, Oct 6, 2012 at 6:20 AM, Thomas Morley
thomasmorle...@googlemail.com wrote:
[...]
two month ago I created the code below (the same is attached, too).
It is not exactly what you want, but it should give you some ideas.
Just tried this out. Very cool!
-David
Mr. Morley- Thank you for the response.
I can see where some brackets are missing but it seems now that you point
them out that the log/error file and Frescobaldi should have been able to
point them out too. And neither did.
So I will put in the ones I can find and try to compile,thanks
jay
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